2026年9月29日 星期二

和AI共同合作大稻埕英文導覽稿

用法:

1. 先讓GPT直接根據導覽路線來設計講稿,以及設計一些導覽用圖卡 >>會有點不確定圖卡內容是否完全正確

2. 使用能找到台灣資料的AI來根據導覽路線來提供更專業的學術資料,再把這些學術資料摘要丟給GPT修改講稿>> GPT會一直提醒這些資料太專業不一定要使用

3. 大量聽podcast的相關討論(來自走讀導覽者的介紹、學術研究者的分享、相關書籍的分享),再把相關資訊綜整成另外的非AI生成圖卡,後用自己的方式從頭用破英文講一遍,語音轉文字給GPT請他改成通順講稿>> 

(1)此時會發現GPT還不錯, 除了修正英文, 還會幫忙查證講的內容是否正確、是否誇大,並且直接修改(可能跟自己平常一直要求他要找資料驗證跟避免誇大有關)。另一個好處是GPT會辨識自己的語音輸入英文句型問題, 指出該英文口說該怎麼練習

(2)有點煩人的地方是它會一直回到自己第一版的導覽稿,不會根據新的資訊大幅調整內容,且前面明明建議我不要加入太多歷史年代資訊,現在卻會自己補進來

(3)最不好的壞處就是,有些Podcast內容是網路上沒有的真人經驗分享,GPT就會說這些資料不存在而改掉那段論述.

實際上AI合作產生的講稿還是很難使用,因為偏離自己的口語太多~~

Right now, we are at Daqiaotou.

First, we will walk to the Ten Connected Shophouses.

Then we will go to Cisheng Temple.

Around the temple, we will have some traditional Taiwanese breakfast and local food.

After that, we will walk through different parts of Dadaocheng.

We will see tea shops, dried-food shops, traditional pastry shops, old buildings, and some newer businesses.

Then we will go to a tea house. We can sit down, have tea, and talk more about Taiwanese tea culture and the history of the tea business in Dadaocheng.

After that, we will visit Xia-Hai City God Temple.

Our last main stop will be Yongle Market, where we can see the fabric market.

So you may notice that we have several themes today: temples, tea, food, old buildings, fabric, and the river.

They may seem like different things, but actually they are all connected.

Dadaocheng was once a very important business area.

Goods came here from different parts of Taiwan, and some were also exported overseas.

Trade brought merchants, workers, temples, tea shops, warehouses, and many different businesses to this area.

You will see how these things connect as we go.

Before we continue, can I ask you one question?

How familiar are you with Taiwan’s history?

To understand Dadaocheng, it helps to know just a little about Taiwan’s history.

Taiwan has been home to different peoples and ruled by different governments over time.

First, Indigenous peoples were already living in Taiwan long before large numbers of people came from China.

In the 1600s, Taiwan became part of a busy maritime world.

The Dutch controlled part of southern Taiwan for a period, and the Spanish had settlements in the north.

You may also know the old name Formosa.

This name came from Portuguese sailors. It means something like “beautiful island.”

Later, there was a short period of rule by Zheng Chenggong, or Koxinga, and his family.

Then, from the late seventeenth century, Taiwan came under the Qing dynasty.

The Qing period is especially important for our tour today.

More migrants came to Taiwan from Fujian and Guangdong.

They brought their languages, food, business networks, skills, and also their gods.

That is why religion and migration are so closely connected in Taiwan.

Dadaocheng really began to grow in the middle of the nineteenth century, during the late Qing period.

After Tamsui opened to foreign trade, tea became especially important.

Dadaocheng became a place where tea was processed, traded, and exported.

Later, from 1895 to 1945, Taiwan was under Japanese rule.

During this period, Taipei changed a lot.

Roads were widened. Railways, markets, public buildings, and other modern city systems developed.

So in Dadaocheng, you can see buildings from different periods mixed together.

Some ideas came from traditional Chinese architecture.

Some were influenced by Western styles.

And some changes happened during the Japanese period.

After World War Two, Taiwan came under the Republic of China government, and Taipei continued to grow into the city you see today.

So for now, you only need to remember a few things.

Taiwan has many layers of history.

Dadaocheng grew mainly during the late Qing period.

Trade, especially tea, made this area rich.

Temples grew together with migrant and business communities.

And during the Japanese period, the city became more modern.

Everything else, we can discover step by step as we walk.

Now, let’s look at Taipei Bridge.

We started at Daqiaotou Station.

The name Daqiaotou means something like “the area near the big bridge.”

And the big bridge is Taipei Bridge.

You may have seen photos like this before.

In the morning rush hour, a huge number of scooters come down from the bridge.

People call this the “Scooter Waterfall.”

A photo called “Motorcycle Waterfall” was even entered in the National Geographic Travel Photographer of the Year contest.

So today, this bridge is famous for scooters.

But its history is much older.

The first bridge here was built in the late Qing period.

It was completed in 1889.

At that time, it was mainly a wooden railway bridge.

Trains crossed the Tamsui River here.

But wooden bridge supports were difficult to maintain because of floods.

A typhoon also badly damaged the bridge.

Later, during the Japanese period, the railway route was changed.

The bridge was then used more for normal road traffic.

This area also has a strong working-class history.

In the past, many day laborers came here and waited under the bridge for temporary jobs.

So the food around Daqiaotou developed for people who needed something cheap, filling, and high in energy.

That is why you can still find many traditional foods here made with rice, sticky rice, pork, and soup.

These were practical foods for workers.

Not fancy food, but food that could keep you full for a long time.

Do people use many scooters in Switzerland?

Does this look very different from morning traffic in Switzerland?

Now we can see the Ten Connected Shophouses.

But before we talk about the buildings, let’s look at this picture first.

We are now in Dadaocheng.

Do you know what the name Dadaocheng means?

The name is said to come from a large open yard used for drying rice grain.

In the past, after farmers harvested rice, they needed large open spaces to dry the grain in the sun.

You can see something similar in this picture.

Even today, you can sometimes see farmers drying grain outside.

Rice has always been very important in Taiwan.

For many people, it was the main staple food.

Do people eat much rice in Switzerland?

Now let’s look at these buildings.

These are called the Ten Connected Shophouses.

They were completed in 1912, during the Japanese period.

There were ten connected buildings, but they belonged to six businesses.

Five were rice mills, and one was a sewing-thread factory.

This area was close to the river and Taipei Bridge.

Rice could be brought here, processed in the rice mills, and then sold or sent to other places.

So this was not originally a tourist area.

It was a working business district.

Today, the old buildings have been reused for restaurants, shops, and other businesses.

You can see that the bricks, arches, and windows follow a very regular pattern.

From here, we’ll walk slowly along the street.

Please feel free to stop and take photos.

If you want, I can also help you take photos.

As we walk, try to look up.

Don’t only look at the shops on the ground floor.

A lot of interesting details are above us, on the windows, walls, and the top of the buildings.

Sometimes, there are also interesting details under the covered walkway.

So today: look up, look down, and look inside.

As we go south, you will see more decorated buildings.

Some have traditional Chinese features.

Some have Western-style decoration.

And some were changed during the Japanese period.

Remember, this was an important business street.

So the front of a building was also a kind of advertisement.

A merchant could use the building to show, “My business is successful. My company is modern. Look at me.”

So the building was not only a place to live and do business.

The building itself could show wealth and status.

Now let’s look at this card.

Many traditional shophouses were very long and narrow.

Some had two, three, or even more sections.

This card shows an example with three sections, or three jin.

Jin does not mean three floors.

It means different sections going deeper into the building.

At the front was the front hall.

This was often the shop and the most public area.

Behind it was a small open courtyard, or skywell.

Then came another building section.

This could be used by the family for living, working, or other activities.

Then there could be another courtyard and a rear section.

The back could be used for storage, cooking, or other family activities.

The exact use was different from house to house.

Why did they have these open courtyards?

Look at the shape of the house.

It is very long and narrow.

Before electric lights and air conditioning, the middle of the building could be very dark and hot.

So the courtyard brought in sunlight and fresh air.

It also helped with rainwater and ventilation.

It was a simple but clever design.

Does Switzerland have old houses with inner courtyards like this?

Because Dadaocheng was close to the river, goods could arrive by boat.

Workers moved the goods from the river into warehouses and shops in this area.

So the long shophouse was useful for many things: selling in the front, working in the middle, and storing goods deeper inside.

I also want to show you something interesting.

My friend recently traveled to Malacca in Malaysia, and she gave me this magnet.

Look at the buildings.

Do they look a little familiar?

You can also find long, narrow shophouses in many old port cities in Southeast Asia.

Similar ideas about shops, homes, courtyards, and covered walkways developed in southern China and around Southeast Asia.

But every place changed the design in its own way.

In Malacca, for example, you may see more colorful decoration and different European and local influences.

Here in Dadaocheng, you can see another mixture: Chinese traditions, Western-style decoration, and changes from the Japanese period.

So the same basic idea can look very different in different cities.

Architecture travels with people, but it changes when it reaches a new place.

Okay, that’s enough architecture for now.

Let’s walk and see the real buildings.

Now I’ll show you a few traditional shops along the way.

The first one is a fish ball shop.

Fish balls are very common in Taiwan.

Many early migrants to Taiwan came from coastal areas of Fujian and Guangdong.

Fish balls were already part of the food culture there, and people brought this tradition to Taiwan.

Fish is chopped or ground into a paste, shaped into balls, and then cooked.

We usually eat fish balls in soup or with noodles.

Different places in Taiwan have different styles.

Some are made mostly with fish.

Some have a little pork filling inside.

Different areas may also use different kinds of fish.

So even something as simple as a fish ball can taste quite different from place to place.

Have you ever tried fish balls before?

And here you can see another very typical thing in Dadaocheng: dried food.

You will see a lot of dried seafood, mushrooms, fruit, herbs, and meat around this area.

Before refrigerators, drying was a very useful way to preserve food.

It also made food easier to store and transport.

This was especially important in a trading area like Dadaocheng.

Goods came here from many different places, and some were sent out again to other parts of Taiwan or overseas.

Dihua Street is also very famous for Lunar New Year shopping.

Before the New Year, many families come here to buy dried food, snacks, candy, nuts, and ingredients for family meals.

In the past, people also needed to prepare enough food for the holiday because many shops would close for several days.

So buying food before the New Year became an important tradition.

This is dried meat.

In Taiwan, we usually eat this as a snack.

It can be sweet, salty, or a little smoky.

If you like meat, I think it is worth trying.

Now, here is another interesting shop.

Today it sells lamps, but this kind of traditional shop was also connected with joss paper.

Joss paper is paper used in traditional religious rituals.

You may also hear people call it spirit money.

Different kinds of paper are used for different purposes.

Some are offered to gods.

Some are used when people remember their ancestors or other spirits.

People burn the paper as a symbolic offering.

There are also many folk explanations for this.

One funny way some people explain it is, “Even gods need helpers, and the helpers also need money.”

But this is more of a folk explanation, not a strict religious rule.

For ancestors or people who have died, you may also see paper houses, paper cars, clothes, or other objects.

These are symbolic gifts.

People hope their family members can have a comfortable life in the next world.

Today, you can even find paper phones, computers, or other modern things.

Okay, now we are heading to Cisheng Temple.

On the way, I want to show you a few more things about Taiwanese food.

When we arrive at the temple, we’ll have breakfast first.

Then, after breakfast, I’ll tell you more about traditional religion in Taiwan.

We just passed a famous traditional pastry shop called Li Ting Xiang.

Unfortunately, it is not open yet.

It is an old and well-known pastry shop in Dadaocheng.

One of its famous products is a curry-flavored traditional pastry.

So if you like Taiwanese pastries, you can come back another day and try it.

Traditional pastries are also very important for festivals, weddings, and gift-giving in Taiwan.

I also made some food cards for you.

Of course, one Taiwanese food that many foreigners know is stinky tofu.

Have you tried it yet?

But stinky tofu is not the only food that may look a little challenging to visitors.

Taiwanese food also uses many different parts of an animal.

We eat pork, beef, and chicken offal, for example intestines, liver, kidney, and stomach.

I know this may sound a little scary if you are not used to it.

But good shops clean and prepare these ingredients very carefully.

So the taste is often much milder than you may expect.

For example, this is called Four-Herb Soup.

It is a traditional soup made with Chinese herbs.

It often comes with pork intestine.

Don’t worry. “Four-Herb” means four herbs, not four gods.

You will also see a lot of food made from rice and starch in Taiwan.

Rice, rice noodles, sticky rice, taro, sweet potato, and different kinds of rice cakes are very common.

Remember what we talked about earlier?

Rice was very important in everyday life.

So you can see it in many different forms.

And when we arrive at Cisheng Temple, you’ll see many traditional Taipei breakfast foods.

You can find things like meat congee, pig’s feet with thin noodles, pork rib soup, fried rice, and Four-Herb Soup.

A famous Korean chef and food TV host, Paik Jong-won, also came here for his program Street Food Fighter.

He tried the pig’s feet with thin noodles here.

So if you like pork, that may be something you want to try.

You may wonder: why is there so much good food around a temple?

In Taiwan, a traditional temple was never only a place to pray.

It was also an important meeting place for the community.

People came here to worship, meet friends, talk about local matters, watch performances, and join festivals.

So when many people gathered around a temple, food businesses naturally grew around it.

You can think of a Taiwanese temple as both a religious place and a kind of neighborhood living room.

When we go inside the temple, look at the roof, walls, doors, and carvings.

You will see many stories.

Before television, movies, or the internet, these pictures and carvings were also a way for people to learn traditional stories and ideas about good and bad behavior.

So in a way, a temple is also like a three-dimensional storybook.

Okay, now we are at Cisheng Temple.

So first, let’s do the most important Taiwanese thing.

Let’s eat.

History is easier to understand after breakfast.

Now let me tell you a little about Mazu.

Have you heard of Mazu before?

Mazu is one of the most widely worshipped deities in Taiwan.

She is especially known as a protector of people at sea.

This is very important for Taiwan’s history.

Many early migrants came to Taiwan from the coast of southern China.

To reach Taiwan, they had to cross the Taiwan Strait.

At that time, they traveled on wooden sailing boats.

The journey could be very dangerous because of strong wind, waves, and storms.

So many people prayed to Mazu for a safe journey.

When they arrived in Taiwan, they brought their Mazu belief with them.

Over many centuries, Mazu became more and more important.

Different Chinese rulers gave her official titles.

During the Qing dynasty, she received the title Tianhou, or Empress of Heaven.

A Qing general named Shi Lang also said that Mazu had protected his fleet.

After that, the Qing court gave Mazu an even higher official title.

Now, this next part is a traditional story, not something we can prove as history.

According to tradition, Mazu was originally a woman named Lin Mo.

Lin was her family name.

Mo means quiet or silent.

The story says that when she was born, she did not cry for a long time.

So her family gave her the name Mo.

There are many legends about her life.

One famous story says that she had special powers and tried to save members of her family during a storm at sea.

Different versions of the story have slightly different details.

Later, people believed that after her death, she continued to protect sailors.

Over time, she became worshipped as Mazu.

So why is there a Mazu temple here in Dadaocheng?

Remember what we talked about earlier.

Dadaocheng was a trading area beside the river.

Merchants and boats came and went from here.

So Mazu, the protector of sea travel, was very important to people here.

Cisheng Temple was once located closer to the river and the old wharf.

That made a lot of sense because many merchants and boatmen worshipped Mazu.

During the Japanese period, Taipei changed its roads and city plan.

The old temple was removed as part of the city reconstruction.

It was then rebuilt here, and the new temple was completed in 1914.

So even the location of this temple tells us something about how Taipei changed.

Before we go inside, let me show you a few simple temple customs.

Don’t worry. You don’t have to remember everything.

The most important thing is just to be respectful.

Traditional temples often have three doors.

The middle door is traditionally for the gods and for important ceremonies.

So visitors usually use the side doors.

Traditionally, we enter through the Dragon Gate and leave through the Tiger Gate.

When we stand here and face the temple, the Dragon Gate is on our right.

So we go in on the right and come out on the left.

And try not to step on the raised doorway.

Step over it.

You may also know the idea of Yin and Yang.

It is an important idea in traditional Chinese culture.

Yin and Yang are two different but connected forces.

You can see this idea in religion, architecture, medicine, food, and many other parts of traditional culture.

Some temple customs are also explained through ideas about Yin and Yang.

But the rules can be different from temple to temple, so today I’ll just show you the simple version.

If you want, you can just look around.

You do not have to pray.

But if you want to experience it, I can show you a very simple way.

Usually, we first greet Heaven.

Then we greet the main deity of the temple.

Here, that is Mazu.

You can simply put your hands together and bow.

If the temple allows incense, people may use one or three incense sticks.

You don’t need to do everything perfectly.

Being respectful is more important than remembering every rule.

Inside a Taiwanese temple, you may see many different deities.

Different deities are traditionally connected with different parts of life.

Some people pray for health.

Some pray for family, business, study, travel, or children.

You can think of it as a divine team.

Today, we don’t need to pray to every deity.

If you just want a simple experience, we can greet Heaven and Mazu, and then look around the temple.

Every year, especially around the third month of the lunar calendar, there are many Mazu pilgrimages and processions in Taiwan.

We even have a saying: “March goes crazy for Mazu.”

Some of these pilgrimages last for many days.

Thousands of people may walk with Mazu from town to town.

Mazu travels in a sedan chair, and local communities welcome her along the way.

You may also see a tradition called walking under the sedan chair.

People kneel down, and Mazu’s sedan chair passes over them.

They do this to ask for protection and blessings.

But this is not done everywhere, and people need to follow the rules of each procession.

So Mazu is not only a goddess inside a temple.

Her belief is connected with Taiwan’s migration, sea travel, business, local communities, and festivals.

That is why you will see Mazu again and again when you travel around Taiwan.

If you want a deeper temple experience, I can also show you how people traditionally ask a deity a question.

One of the most common ways is to use these.

They are called jiaobei, or divination blocks.

They look a little like two small crescent moons.

Each block has one flat side and one rounded side.

First, you tell the deity who you are.

Traditionally, people may say their name, birthday, where they live, and what they want to ask.

Then you ask one clear question.

Usually, it should be a question that can be answered with something like yes or no.

Then you hold the two blocks together and gently drop them onto the floor.

There are three possible results.

If you get one flat side and one rounded side, it usually means yes, okay, or you have permission.

If both flat sides face up, the answer is not clear.

It may mean the question is unclear, or the deity is not giving you a clear answer yet.

If both rounded sides face up, it usually means no, or that the request is not accepted.

You should not just keep changing the question until you get the answer you want.

It is not like asking the same question until your parents finally say yes.

If your question is more complicated, you may also ask for a fortune stick.

Each stick has a number.

First, you ask whether the deity is willing to give you a fortune stick.

If you receive permission, you draw one stick.

Then you use the divination blocks again to ask, “Is this the right stick for me?”

Different temples have slightly different rules.

When the deity confirms the stick, you look at the number.

Then you find the fortune poem with the same number.

The poem is usually very short.

But it can be difficult to understand because it is written in an old style of Chinese.

Many fortune poems are connected with an old story or historical legend.

So you usually need to understand both the poem and the story behind it.

Later today, when we visit Xia-Hai City God Temple, you will see another very famous deity called Yue Lao.

Yue Lao is the matchmaking god.

You can think of him as a little like Cupid, but not exactly the same.

Cupid uses arrows.

Yue Lao uses a red string.

The red string represents the connection between two people who are meant to meet.

If someone asks Yue Lao for help and later finds a partner and gets married, the couple may come back to the temple to say thank you.

This is called huan yuan.

Okay, let’s move on.

Now let’s walk to Long Yue Tang, or MoonDragon.

It is another old and well-known pastry shop in Dadaocheng.

It was founded in 1932.

The third-generation owner later went to Japan to study Western-style pastry making.

But the shop still keeps many traditional Taiwanese pastries and old methods.

Actually, one of my friends recommended this shop to me.

So I bought some pastries here before and brought them home.

My mother really liked them.

She said, “Yes, this tastes like the traditional flavor I remember.”

So even though the shop is a little away from Dihua Street, I wanted to bring you here.

Most of the pastries here are quite small.

So I suggest buying just one or two first and sharing them.

Then, if you like the flavor, you can buy more.

Taiwanese pastries can be sweet, but sometimes we mix sweet and salty flavors together.

For example, an egg-yolk pastry may have sweet red-bean paste and a salty egg yolk inside.

Some traditional pastries also use ingredients like mung bean, meat, or pork floss.

So the flavor may be a little surprising if you are used to completely sweet desserts.

There is an old saying in Taiwan: “Sugar in the south, tea in the north.”

It is a very simple way to remember two important industries in Taiwan’s history.

Northern Taiwan became famous for tea.

Southern Taiwan had a very important sugar industry.

So tea and sugar were both major products that connected Taiwan with the outside world.

As we walk, you can also see many shops selling dried food.

You may see dried scallops, dried shrimp, dried squid, dried mushrooms, dried fruit, and many other things.

Why were dried foods so important?

Before refrigerators, drying was a useful way to preserve food.

And in a trading area like Dadaocheng, dried food was easier to store and transport.

But drying is not only for preservation.

It also changes and concentrates the flavor.

For example, dried shrimp or dried scallops can give a dish a much stronger taste than fresh seafood.

They add a lot of umami.

These dried ingredients are especially important before Lunar New Year.

Families prepare many special dishes for the New Year dinner.

In Chinese, we call these dishes nian cai, New Year dishes.

So people traditionally came to places like Dihua Street to buy ingredients, snacks, dried food, and gifts.

Today, Dihua Street is famous for the Taipei Lunar New Year Market.

People had already been coming to this area to buy New Year goods for a very long time before the modern event began.

Now we are walking through Dadaocheng Park.

There is someone here I want to introduce to you.

His name is Li Linqiu.

He was one of the most important lyric writers in early Taiwanese popular music.

His most famous song is Wang Chun Feng, or Longing for the Spring Breeze.

This is one of the best-known old Taiwanese songs.

If you like, I can play a short part for you.

The song is about a young woman thinking about love.

She sees a handsome young man.

She likes him, but she is too shy to talk to him.

So most of the story happens inside her mind.

She wonders about love and who she may marry one day.

So basically, it is a love song about having a crush but being too shy to do anything about it.

Li Linqiu had a strong connection with Dadaocheng.

His family was once quite comfortable because they were in the grain business.

But later, the family lost much of its money.

After elementary school, he had to start working.

He did different small jobs, and later he worked at the Yongle Theater here in Dadaocheng.

Working around the theater brought him close to movies, performances, and popular entertainment.

Later, he became a very successful lyric writer.

His old home is also nearby.

I pinned it on the Google Map I gave you.

Unfortunately, it is closed on Mondays, so we cannot visit it today.

Dadaocheng is also a popular place for movies and TV shows.

Why?

Because within a very small area, you can find buildings from many different periods.

Old shophouses, temples, markets, traditional businesses, and newer shops are all mixed together.

So filmmakers can use this area to create many different kinds of scenes.

Even the film Lucy, directed by Luc Besson and starring Scarlett Johansson, filmed part of the movie here.

Some scenes were filmed at Yongle Market.

We will visit Yongle Market later today.

Now let’s go inside the tea house.

This tea house is called Nanjie Deyi.

Nanjie means South Street.

South Street was the old name for this part of Dihua Street.

Now I want to show you a very famous painting.

It is called Festival on South Street.

The artist was Kuo Hsueh-hu.

He grew up in Dadaocheng and became one of the famous young artists of the Taiwan Art Exhibition.

This painting was made in 1930, during the Japanese period.

The original painting is now in the Taipei Fine Arts Museum.

Look at the street in this painting.

This is Dadaocheng during the Ghost Festival season, or Zhongyuan Festival.

Many people came here to buy things for worship and family rituals.

So the street was very busy and crowded.

You can see shops, signs, people, goods, and the temple.

And here, at the lower right, is Xia-Hai City God Temple.

Does this street look like the Dihua Street we just walked through?

Not exactly, right?

This is not like a photograph.

The artist changed some parts of the street to make it look more crowded and lively.

He wanted to show the feeling of Dadaocheng, not only the exact buildings.

Kuo Hsueh-hu was also one of the “Three Young Artists of the Taiwan Art Exhibition.”

The other two were Chen Chin and Lin Yu-shan.

They were very young when they became well known.

Around this area, you can also see the old Watsons building.

It was connected with the Hong Kong A. S. Watson business and was used for Western medicine and imported medical products in Taiwan.

But it was very different from the modern Watsons stores you see today.

Okay, now let’s talk about tea.

I also prepared a small gift for you.

This is a red envelope.

In Taiwan, we often use red envelopes during Lunar New Year and other happy occasions.

Usually there is money inside.

But today, I put tea inside instead.

These are some teas from my home, and I wanted to share them with you.

I brought three kinds of Taiwanese tea.

Sun Moon Lake black tea.

Wenshan Baozhong.

And Alishan Oolong.

When we describe tea, we can look at several things: where it comes from, what tea plant is used, how it is processed, and of course, how it smells and tastes.

This one is Alishan Oolong.

Alishan is a mountain area in central-southern Taiwan.

This kind of high-mountain oolong is usually fresh, smooth, and fragrant.

You may notice floral notes and a clean, sweet aftertaste.

This one is Wenshan Baozhong.

Baozhong is also a type of partially oxidized tea, so it is close to oolong.

It is usually lighter and very famous for its floral aroma.

If I make it very simple, Alishan Oolong is fresh and smooth.

Baozhong is light and floral.

And this is Sun Moon Lake black tea.

Black tea is more fully oxidized, so the flavor is usually deeper and stronger.

Some famous Taiwanese black teas can have notes like mint, cinnamon, fruit, or malt.

You can choose one to take with you.

Which one sounds more interesting to you: floral, fresh, or stronger?

Tea picking is also very hard work.

In many tea gardens, workers start early in the morning because the weather is cooler.

High-quality tea is often still picked by hand.

Pickers need to choose the right young leaves and buds carefully.

They repeat the same movement many times.

They also work outside in the sun, so you often see big hats, long sleeves, and protective clothing.

For good tea, they do not just pick any leaf.

They choose young shoots with the right number of leaves.

Different teas need slightly different picking standards.

After picking, the real tea-making work begins.

The leaves may be withered, sometimes under the sun and sometimes indoors.

Then they are moved, rolled, heated, dried, and sometimes roasted.

The exact process depends on the type of tea.

So when we drink one small cup of tea, there is actually a lot behind it: the place, the plant, the weather, the farmer, and the tea maker.

Now that we understand a little about how tea is made, let me tell you the history of tea in Dadaocheng.

This story is very important because tea was one of the main reasons Dadaocheng became successful.

During the Qing dynasty, a British businessman named John Dodd came to northern Taiwan.

At first, he was interested in camphor, which was an important export product at that time.

But while he was here, he also saw that northern Taiwan was a good place for growing tea.

He believed Taiwanese tea could be sold overseas.

But he needed local help.

So he worked with a Taiwanese businessman named Li Chunsheng.

Li helped him communicate with local farmers and organize the tea business.

They brought in tea plants from Anxi in Fujian.

They also gave money to farmers to encourage them to grow tea.

Then they bought the tea leaves, processed them, and prepared them for export.

They tried to build the whole tea business here, from growing tea to processing and exporting it.

Then, in 1869, John Dodd sent Taiwanese oolong tea directly to New York.

He sold it under the name Formosa Oolong Tea.

It was very successful.

After that, more foreign companies and local businessmen came into the tea business.

Dadaocheng quickly became an important tea-trading center.

This is why I said earlier that tea changed Dadaocheng.

By the way, Formosa Oolong is not the same thing as Oriental Beauty.

Formosa Oolong was a general name used for Taiwanese oolong tea in the export market.

Oriental Beauty is one special kind of Taiwanese oolong.

Oriental Beauty is very special because the tea leaves are bitten by a small leafhopper.

This helps create its honey and fruity aroma.

Tea was grown in the hills of northern Taiwan.

After picking, the tea was brought down from the mountains.

Rivers were very important for transportation.

Tea came to Dadaocheng for processing, sorting, packing, and trading.

Then it could be sent through Tamsui and exported overseas.

And remember what we talked about before: tea making is not only about the tea plant.

The skill of the tea maker is also very important.

The tea maker watches the leaves, smells them, touches them, and decides when to move to the next step.

Small changes in timing can change the aroma and taste.

So two people can use similar leaves and still make different tea.

Tea making is part science, part experience.

If you have time later, you can also visit Lin Hua Tai Tea Company.

It was founded in 1883, during the Qing dynasty.

It is one of the old tea businesses in Dadaocheng.

It still feels more like a working tea shop than a modern tea café.

You can see big tea containers and buy tea there.

But it is not really a place for sitting down and having a tea ceremony.

During the Japanese period, Taiwan’s tea industry became more organized and more industrial.

The government started tea research.

Machines were also used more in tea production.

Taiwan also faced strong competition from tea produced in other parts of Asia.

So producers tried to develop different kinds of tea and improve quality.

In the 1920s, Assam tea plants were brought from India.

They grew well around Sun Moon Lake.

This became the beginning of the famous Sun Moon Lake black tea industry.

So the black tea I gave you also has a story connected with the Japanese period.

After World War Two, Taiwan’s tea market changed again.

Taiwan could not always compete with cheaper mass-produced tea from other countries.

So the industry gradually focused more on quality, local character, and specialty tea.

Tea competitions also became an important way to improve quality and build local brands.

Today, many Taiwanese consumers are willing to pay more for good high-mountain oolong, competition tea, or tea from a famous area.

So the story of Taiwanese tea changed many times.

First, tea helped Dadaocheng connect with the world.

Later, Taiwan had to compete with cheaper tea from other countries.

And today, Taiwanese tea is more focused on quality, place, and special flavors.

Before semiconductors, tea connected Taiwan to the world.

That is why one small cup of tea can tell us a lot about Taiwan’s history.

Now let’s taste the tea and see what you can smell.

Don’t worry about finding the correct flavor.

Just tell me what it reminds you of.

Okay, now let’s move to Xia-Hai City God Temple.

We already talked about Taiwanese temple customs at Cisheng Temple, so here I only want to tell you a few special stories.

First, what is a City God?

How is a City God different from Mazu?

Mazu is especially connected with the sea and safe travel.

A City God is more like the protector of a local community.

He also watches over people’s behavior and justice.

A very simple way to imagine him is a spiritual mayor and judge.

It is not an exact translation, but it helps explain the idea.

The history of this temple is closely connected with the beginning of Dadaocheng.

In 1853, there was a serious conflict in Monga, today’s Wanhua.

At that time, migrants from different parts of Fujian formed different communities.

Sometimes they competed for business, land, and local power.

One group, people from Tong’an, lost the conflict.

So many of them left Monga and moved north to Dadaocheng.

And they did not come alone.

They brought their City God with them.

The Xia-Hai City God was the guardian deity of their hometown.

So when they rebuilt their community here, they also built a temple for him.

The present temple was completed in 1859.

So when people migrated, they brought not only their food and language, but also their gods.

Every year, on the thirteenth day of the fifth lunar month, there is an important City God festival.

It used to attract huge crowds.

There is even an old saying: “On May thirteenth, all you can see is people.”

It means the street was so crowded that you could hardly see anything except people.

The festival is still held today.

But now you may have a question.

If this is the City God Temple, why is it now so famous for the matchmaking god, Yue Lao?

Actually, Yue Lao came much later.

In 1971, a woman came here to pray to the City God because her children were having difficulty finding marriage partners.

Later, her wish came true.

So she came back to say thank you and donated a statue of Yue Lao to the temple.

After that, more and more people came here to pray for love and marriage.

Yue Lao is a little like Cupid.

But Cupid uses arrows.

Yue Lao uses a red string.

Of course, I don’t think you two need his matchmaking service anymore.

This temple also has the City God’s Wife.

Yue Lao is mainly connected with finding a partner.

The City God’s Wife is more connected with marriage and family harmony.

Married couples may come here and pray for a happy relationship.

One special item here is a tiny pair of shoes called Happiness Shoes.

People keep them at home and hope for a happy and peaceful marriage.

So maybe Yue Lao is the matchmaking service, and the City God’s Wife is the after-sales service.

If you want, you can also get a red string here.

It represents the connection between two people.

There are also small amulets, so they can be interesting souvenirs.

And there is something else I want you to try: the peace tea.

It is called Ping’an Cha.

It is sweet and warm.

The temple uses ingredients such as red dates, goji berries, and sugar.

The ingredients may change a little, but the idea is to share blessings and good luck.

And actually, I think it tastes quite good.

This tea also reminds me of another interesting part of old Taiwanese temple culture.

In the past, some temples also had something called a medicine fortune slip.

People could ask a deity for help when they were sick.

The slip listed different herbs.

Then they could take the prescription to a herbal shop nearby.

A famous example was Longshan Temple in Wanhua.

There is still a small street next to the temple called Herb Alley.

In the past, people could get a medicine slip from the temple and then buy the herbs in that street.

Traditional herbal tea and Chinese medicine can use some of the same plants, but they are not exactly the same thing.

Chinese medicine has a more formal system of diagnosis, prescriptions, and preparation.

Herbal tea is often part of everyday folk tradition.

Different shops may use different local plants and recipes.

In traditional Chinese culture, people often say that some herbal drinks can “cool the body” or reduce “internal heat.”

This is a traditional idea, not the same as a modern medical diagnosis.

Because Taiwan is hot and humid, cooling herbal drinks became very popular.

Some herbal tea is very bitter.

Some is light and easy to drink.

So if we see a herbal tea shop later, you can decide how brave you are.

This very small temple actually tells us a very big story: migration, business, community, love, marriage, and everyday life.

Now we are at our final main stop: Yongle Market.

Let’s go upstairs and look at the fabric market.

Yongle Market is one of the most famous places in Taipei for fabric.

In the early days, Taiwan did not produce enough cotton or silk for the local market.

So many fabrics had to be imported.

Dadaocheng was a very important trading area, so imported cloth came here through the port.

In 1908, during the Japanese period, a public market was established here.

Over time, this area became a major center for fabric wholesale and retail.

After World War Two, Taiwan’s textile industry grew quickly.

More textile companies and factories were established in Taiwan.

But Dadaocheng was still an important place for fabric trading.

So the whole area developed a complete business network: fabric, buttons, lace, zippers, tailoring, and clothing materials.

It was not just one market.

It became a whole textile neighborhood.

In the past, people often came here to choose fabric first, and then took it to a tailor to make clothes.

So buying clothes was very different from today.

You did not simply choose a finished shirt from a shop.

You chose the fabric, the pattern, and sometimes the style first.

Experienced shopkeepers knew a lot about fabric.

They could ask what you wanted to make, look at the material, and suggest something suitable.

Some were also very good at understanding what kind of color or pattern a customer might like.

So selling fabric was not only about selling cloth.

You needed to understand both people and materials.

In the past, sewing was also a much more common skill.

Many girls learned sewing at school or at home.

Making, repairing, and changing clothes was part of everyday life.

In my generation, this is much less common.

Today, many people come here because they enjoy sewing, costume making, crafts, or performance design.

You may also see people buying fabric for theater, dance, cosplay, or traditional performances.

There is also a traditional performing arts center in this same building.

It is called Dadaocheng Theater.

It is on the eighth and ninth floors.

Unfortunately, it is closed on Mondays, so we cannot go inside today.

The theater focuses on traditional Taiwanese performing arts.

One of the most important is Taiwanese opera, or Gua-a-hi.

Taiwanese opera developed in Yilan.

It grew from local songs and small folk performances.

Later, it also borrowed music, costumes, movements, and stories from other kinds of Chinese opera.

So it came from older traditions, but it became a new local form in Taiwan.

If I use a modern comparison, Taiwanese opera was once a little like popular TV drama or K-pop.

Famous performers became real stars.

People followed their favorite actors and songs.

Later, Taiwanese opera also moved from outdoor stages into theaters, radio, movies, and television.

My grandmother loved watching Taiwanese opera on TV.

When I was a child, I often saw her watching it at home.

But Taiwanese opera is not only performed inside a theater.

You can also see outdoor performances.

A temporary stage may be built in front of a temple.

This often happens during religious festivals, a deity’s birthday, or when someone wants to thank a deity.

Another important traditional art is glove puppetry.

The puppets are controlled by hand, like this.

This tradition came from southern China, but it developed many new styles in Taiwan.

One famous modern example is Pili glove puppetry.

Pili turned traditional puppetry into TV series, movies, games, and modern entertainment.

And there is one interesting thing about traditional performances in Taiwan.

Sometimes the most important audience is not the people.

It is the deity.

During a temple festival, people may invite an opera troupe or a puppet troupe to perform for the god.

The performance can be a way to celebrate the deity’s birthday or to say thank you after a wish comes true.

So people do not only give food, incense, or paper offerings to a god.

They can also offer a performance.

So today we started with rice, then temples, tea, dried food, pastries, fabric, music, and traditional theater.

They may seem like many different topics.

But they are all connected by one thing.

Dadaocheng was a trading city beside the river.

And that brings us back to the river.

Dadaocheng became successful because of the Tamsui River.

The river brought people here.

It brought goods here.

And it carried goods away again.

Tea, rice, dried food, medicine, fabric, and many other products moved through this area.

This morning, we have actually been following the history of the river, even when we could not see it.

Without the river, Dadaocheng would have developed very differently.

So now, if the weather is good, it is time to actually see the river.

We can go to Dadaocheng Wharf and ride bicycles along the riverside.

On the way to the wharf, you may also notice a very beautiful old house called the Chen Tianlai Residence.

Chen Tianlai was a very successful tea merchant.

He founded the Jinji Tea Company.

His house was completed in 1924.

It was one of the most impressive merchant houses in Dadaocheng.

The building used expensive materials and beautiful decoration to show the family’s wealth and taste.

Remember what I said earlier?

A building could also be an advertisement.

This house is a very good example.

I hope you can see how the river, trade, temples, food, tea, buildings, and people are all connected.

And I hope this gives you a small window into Taiwan’s history and everyday life.

I hope you enjoy the rest of your trip around Taiwan.

And if you remember only one thing from today, Dadaocheng is a story about migration, trade, religion, and the river.

2026年4月9日 星期四

師大讀書會【閱讀再定義:AI輔助的學術導讀實驗室】

 一直想把讀書會的內容整理成部落格,但沒時間好好整理,放著放著也就失去時效性了。

現在問AI真是很方便又的確有很多亮點知識,都想說這些人類討論的內容到底未來會不會有人想看呢~

讀書會簡介:

隨著生成式人工智慧技術的快速發展,越來越多學生在學術閱讀與研究過程使用 AI 工具協助。這些使用情境涵蓋:「英文文獻翻譯、文章摘要與重點提取、簡報製作、背景知識補足、專業術語理解」等。然而,也有不少教育工作者擔憂 AI 工具可能導致學生過度依賴、缺乏批判性思考,進而影響高等教育中的深度學習與知識建構。

在這樣的背景下,我們組成一個以圖書資訊學系碩博士班學生為主體的讀書會,希望透過實際導讀、討論與 AI 工具的應用測試,探討以下問題:

•有哪些AI工具可以協助、 如何協助學術閱讀與理解?

•在不同主題或不同熟悉程度的文章中,AI 工具的效能有何差異?使用AI的注意事項分別為何?

•輕度與高度使用AI輔助學習之優缺點與適用情境分別為何?

•我們該如何合理的使用以避免過度仰賴?

本讀書會將以五個主題循序漸進進行,逐步探索 AI 工具在學術閱讀、導讀與跨領域理解中的角色。每位成員將在導讀過程中實際測試多種 AI 工具,並紀錄使用方法、優缺點與反思。藉此建立具有批判與反思性的 AI 輔助閱讀經驗與策略。

完整讀書會紀錄 (有討論與互動內容摘要):https://drive.google.com/file/d/1LK5hqDxApnrS6uBmNGMZD7D_N8dPm8Mq/view?usp=sharing

讀書會共舉辦五次,每次一小時,我主講三場次,原本想用NotebookLM整理這三場的PLAUD生成逐字稿與簡報內容就當作這次的部落格了,結果發現NotebookLM根據六份檔案整理出的重點嚴重偏離! 而且還加了一些原本沒提到的內容...後來調整成一場次兩個檔案的整理方式,雖然還是不夠好(最嚴重的問題是無法區分哪些觀點來自文獻、哪些來自讀書會討論),但的確是節省很多時間,也就先這樣吧。 * 這也代表盡量上傳近似主題的檔案給NotebookLM可能成效較佳(?)  ** 在讀書會中對於研究文獻的諸多吐槽都被NotebookLM隱而不談,看來AI真的是對人類很好

第一場【AI輔助學術閱讀】導讀兩篇文獻+實際測試NotebookLM、Perplexity、Gemini

導讀文獻:

● Yapp, D., de Graaff, R., & van den Bergh, H. (2021). Effects of reading strategy instruction in English as a second language on students’ academic reading comprehension. Language Teaching Research, 27(6), 1456-1479. https://doi.org/10.1177/1362168820985236    

● Chea, P. & Xiao, Y. (2024). Artificial Intelligence in Higher Education: The Power and Damage of AI-assisted Tools on Academic English Reading Skills, Journal of General Education and Humanities, 3(3), 287–306.

本文件旨在彙整關於英語作為第二語言(L2)學習者在高等教育環境中,如何透過「閱讀策略教學」與「人工智慧(AI)輔助工具」提升學術閱讀能力的關鍵洞察。研究顯示,傳統的母語閱讀策略並不會自動轉移至第二語言,因此明確的策略指導至關重要。同時,新興的 AI 工具(如 NotebookLM、ChatGPT、Undermind 等)在提升閱讀效率、詞彙習得與學習動機方面展現顯著成效,但也伴隨著過度依賴、資訊幻覺及忽略研究細節等潛在風險。AI 應定位為進入陌生領域的引導工具,而非完全取代對原始文獻的深度閱讀。

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一、 第二語言(L2)學術閱讀的挑戰

學術閱讀對於高等教育學生而言具備高度挑戰性,主要原因包括:

* 文本特性: 學術文本內容簡潔緊湊、專業性高,要求讀者具備高效的消化能力。

* 語言障礙: 英語作為全球學術交流的主要媒介,非母語讀者面臨額外的語言負擔。

* 策略轉移困境: 研究指出,第一語言(L1)的閱讀策略不會自動轉移到第二語言(L2),需透過正規教育重新練習與提升。

* 教育背景差異: 來自職業教育背景的學生(如荷蘭的 MBO),其英語水平通常低於高等教育要求的 B2 等級,面臨更嚴峻的挑戰。

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二、 實證研究分析:策略教學與 AI 介入

1. 荷蘭大學研究:閱讀策略教學的效果(Yapp et al., 2021)【這篇研究設計較嚴謹】

* 研究目的: 評估專門設計的 L2 閱讀策略課程是否能提升一年級大學生的理解能力。

* 研究設計: 採用「迴歸不連續設計(RDD)」,針對 801 名學生進行為期七週、每週兩小時的干預。

* 核心策略: 課程結合了七種被證實有效的策略:

  1. 快速瀏覽與掃讀(Skimming & Scanning): 掌握結構與特定資訊。

  2. 啟動背景知識: 連結既有認知。

  3. 預測(Predicting): 預想文本結果。

  4. 視覺化(Visualization): 建立心智圖像或結構圖。

  5. 注意文本結構與信號詞: 識別內部邏輯。

  6. 連結新舊知識: 從文本中推斷含義。

  7. 閱讀時提問: 促進深層理解。

* 研究結論: 策略課程顯著提升了學生的 L2 閱讀理解,且對「弱勢讀者」的進步幅度尤為明顯。

2. 雲南大理大學研究:AI 工具的力量與損害(Chea & Xiao, 2024)

* 研究目的: 探討 AI 輔助工具對學術英語閱讀技能的影響。

* 研究設計: 將 24 名學生分為實驗組(AI 輔助)與對照組(傳統教學)。

* 關鍵發現:

  * 正面影響: 實驗組在閱讀分數、詞彙習得及學習動機上均顯著優於對照組。AI 能解釋複雜詞彙,降低預習負擔。

  * 學生心聲: 傳統組學生感到預習無聊且耗時;AI 組則展現高動機與參與課堂討論的信心。

  * 挑戰: 存在技術錯誤、資訊不可靠(幻覺)及對 AI 過度依賴的問題。

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三、 AI 工具的應用效能與特點分析【來自我的實測並非導讀文獻】

根據實際操作體驗(以 NotebookLM 為主),各項工具的表現如下:

工具名稱 主要功能與優勢 侷限與風險

NotebookLM 自動生成摘要、Podcast 語音對話、心智圖、學習指引。適合快速建立大方向認知。 無法呈現圖表,易省略研究方法細節與統計數字。僅根據上傳文件回答,擴展性較差。

ChatGPT / Gemini 強大的專有名詞解釋能力,對話引導機制佳。 資料量不足時易產生「幻覺」(如 Gemini 虛構柬埔寨學者的不存在研究)。

Undermind 具備學術導向的閱讀路徑建議,整合閱讀策略與教學方法,協助建立研究地圖。 有使用上限與功能限制(免費版)。

Perplexity 資料來源標註清晰(如連結到 LinkedIn 或大學官網),能引導延伸提問。 搜尋結果的深度可能受限。

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四、 批判性反思:AI 輔助下的閱讀行為【來自讀書會討論內容非來自導讀文獻】

在 AI 輔助學術閱讀的過程中,需注意以下深層影響:

1. 見樹不見林 vs. 見全貌: 傳統閱讀易卡在細節(見樹不見林);AI 則擅長提供全貌。然而,過於依賴 AI 摘要可能導致讀者忽略研究設計的關鍵瑕疵或過度推論。

2. 心靈健康與自信: 過度依賴 AI 生成的成果可能導致學生產生成就感缺失,覺得成果不屬於自己,影響自我信心。

3. 閱讀策略的異化: AI 的分類與規納邏輯可能與學術傳統(如基於前人定義的策略類別)不同,這可能影響未來的學術對話。

4. 教學方法的角色: AI 的成效深受使用者「指令(Prompt)」能力影響。教師需引導學生正確使用 AI,並在學生達到高程度理解前提供必要的「支架(Scaffolding)」。

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五、 結論與建議【來自讀書會討論內容非來自導讀文獻】

* AI 作為引導者: AI 最適合應用於「課堂指定閱讀」或進入「不熟悉領域」的初期階段階段,協助快速建立基礎知識。

* 回歸原始文獻: 在進行「學術寫作」與「引用文獻」時,必須回到原文確認細節、數據與語境,以避免 AI 摘要導致的錯誤。

* 培養批判性思考: 讀者應維持主動提問的習慣,利用 AI 推薦的問題作為起點,但最終需發展出個人對文獻的批判視角。

* 持續測試與更新: AI 工具更迭極快,使用者應持續關注如 NotebookLM 的新功能(如影片生成、心智圖優化等),並結合有效的閱讀策略進行操作。


第四場【實際以AI輔助熟悉領域閱讀與進階探索-AI素養】*因為熟悉領域所以會覺得這篇文獻寫得不好,想了解AI寫的文獻綜述會不會贏過人類寫的

導讀文獻:Ali, M. Y., & Richardson, J. (2025). AI literacy guidelines and policies for academic libraries: A scoping review. IFLA Journal, 0(0). https://doi.org/10.1177/03400352251321192 

隨著人工智慧(AI)技術的迅猛發展,學術圖書館正處於轉型關鍵期。AI 素養(AI Literacy)已超越傳統資訊素養,涵蓋了對數據、演算法邏輯、倫理影響及生成式工具(如 ChatGPT)的深度理解。目前的趨勢顯示,雖然圖書資訊(LIS)專業人員被視為推動 AI 素養的領導者,但其自身的素養水平仍有待提升(僅 3.68% 具備高素養)。學術圖書館正透過工作坊、LibGuides、課程融入及創新實驗室等多元形式提供服務,並在 IFLA、ALA、ARL 等國際組織的指引下,致力於建立包含透明度、公平性與隱私保護的 AI 政策。在未來,人類研究者的價值將轉向 AI 無法取代的批判性思維與倫理判斷,而文獻回顧的流程也將從單純的歸納轉變為「引導 AI 檢索並由人類進行深度批判」的共生模式。
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一、 AI 素養的核心範疇與專業現狀

    1.1 AI 素養的定義與演進

    AI 素養不僅是技能集(Skill set),更涉及對數據與 AI 技術邏輯的深度認知。與傳統資訊素養相比,其新面向包含:【來自文獻與討論】
    * 技術邏輯: 理解 AI 與機器學習(ML)的基本運作原理及其局限性。
    * 數據意識: 涉及新聞、媒體與數位技術,特別是數據的處理與解讀。
    * 倫理與社會影響: 評估 AI 對人權、公平性及社會偏見的潛在衝擊。

    1.2 圖書資訊專業人員的素養缺口

    根據 Lo (2024a) 的研究報告,LIS 專業人員在 AI 素養上呈現顯著落差:

    * 素養程度: 45.39% 的館員具備中等水平,僅 3.68% 具備高等水平。
    * 現有困境:【來自文獻與討論】
      * 對 AI 概念僅有中等程度的自我認知。
      * 動手操作 AI 工具的實務經驗有限。
      * 在討論倫理影響及協作 AI 專案方面存在明顯鴻溝。
      * 所屬機構普遍缺乏相關的指導方針與政策。
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二、 學術圖書館的 AI 素養服務與實務應用

    學術圖書館需針對不同受眾(大學生、研究生、教職人員與研究者)設計客製化服務,重點在於提升研究效率與指令操作(Prompting)能力。

    2.1 主要服務形式
    * 教學與培訓: 舉辦關於 AI 文字/圖像生成體驗、AI 與著作權、學術研究 AI 工具之工作坊。
    *  線上資源: 建立 AI 素養 LibGuides,涵蓋工具教程、常見問答及 AI 倫理指南。
    * 課程融入: 將「提示工程」(Prompt Engineering)納入資訊素養課程,引導學生批判性評估 AI 產出。
    * 創新實驗室: 設立人工智慧工作室,提供動手實作專案與讀書會。

    2.2 學術寫作與研究之 AI 工具分類

    根據功能需求,圖書館推薦之常用工具如下表所示:
          功能分類 建議 AI 工具範例
系統性回顧/範疇回顧 Rayyan, Covidence, ResearchRabbit, Abstrackr, RevMan
文獻綜合摘要 SciSpace, Elicit, Scite AI
引用與文獻管理 MyBib, Samwell AI, ResearchPal
學術寫作、改寫、抄襲檢測 Grammarly, QuillBot, ChatGPT
研究視覺化 Power BI, VOSviewer, EPPI Visualizer
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三、 國際組織之 AI 政策與指引原則分析

各國際圖書館組織已陸續發布指引,強調圖書館在 AI 時代應扮演的倫理門衛角色。

3.1 核心政策要點 (IFLA, ALA, ARL)【來自文獻與AI補充資料】

* IFLA (國際圖書館協會聯合會): 強調對 AI 與 ML 邏輯及其限制的基本理解、個人數據管理、以及透過 AI 素養促進大眾參與政策對話。
* ALA/ACRL (美國圖書館協會): 提出 17 項職能,涵蓋技術認知(辨識 AI)、分析評估(解釋 AI 對館員工作的影響)及倫理考慮(促進技術獲取的公平性)。
* ARL (研究圖書館協會): 秉持「無人,即無 AI」(no human, no AI)原則,優先考慮使用者安全與隱私,並主張現行著作權法應具備應對 AI 挑戰的彈性。

3.2 AI 工具評估之「健全檢查」(Sanity Check)

在引進 AI 工具時,組織建議參考以下準則:

* 目標設定: AI 的準確性是否顯著高於人類?
* 語料庫(Corpus): 訓練集是否公開透明?是否存在偏見?是否包含過時數據?
* 算法透明度: 開發者是否提供簡潔的算法邏輯說明?
* 評估指標: 是否有反饋機制?工具是否能識別出超出其處理範圍的問題?
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四、 圖書資訊專業人員的角色定位與職能【來自文獻與AI補充資料】

館員的角色正從資訊提供者轉型為 AI 時代的「教練」與「協調者」。

4.1 四大核心職能面向

1. 技術知識 (Technical Knowledge): 無需成為編碼專家,但須理解演算法與機器學習的基本邏輯。
2. 倫理意識 (Ethical Awareness): 引導使用者審視 AI 系統中的潛在偏見、隱私疑慮與公平性。
3. 批判性思維 (Critical Thinking): 深入探究 AI 產出背後的訓練數據與邏輯,而非盲目採信。
4. 實用技能 (Practical Skills): 掌握撰寫高效指令及選擇合適學術工具的能力。

4.2 角色轉型

* 資訊素養教育者: 延伸職能至 AI 生成內容的批判性評估。
* 研究顧問與技術領導: 協助研究者將 AI 納入研究方法(如加速文獻蒐集)。
* 政策倡議者與門衛: 參與制定機構內部的 AI 使用準則,確保技術應用不違背公平獲取資訊的核心使命。
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五、 AI 對文獻回顧的衝擊與人類價值【來自討論與AI補充資料,因為導讀文獻有很多問題,所以開始討論是否AI做的文獻回顧會取代人類】

5.1 AI 驅動的文獻回顧流程變革

未來的研究流程將從「搜尋、閱讀、筆記」轉變為:

1. 引導 (Guiding): 使用 SciSpace, Undermind 或 Perplexity 進行初步資訊檢索與自動歸納。
2. 分析 (Analyzing): 人類研究者對 AI 生成的結果進行深度分析與批判。
3. 合成 (Synthesizing): 撰寫具備獨特洞見與個人觀點的綜述。

5.2 人類不可或缺的價值

儘管 AI 在處理海量資訊方面具有優勢,但以下面向仍需人類主導:

* 批判性思維: 判斷論文論證是否嚴謹、實驗設計是否存在缺口。
* 研究意義確立: 連結現實世界的社會意義,提出「為什麼這篇綜述很重要」。
* 跨領域創新: 突破現有知識組合,產出具顛覆性的直覺與靈感。

5.3 AI 強化下的學術指標 (AI Index 2025)

未來判斷優質期刊或研究的方式可能引入 AI 量測的新指標:

1. 同儕審查透明度: 利用 NLP 判讀審稿意見結構。
2. 可重現性分數: 掃描論文中的資料與程式碼完整性。
3. 研究誠信偵測: 偵測不端行為或撤稿紀錄。
4. 引用語境品質: 區分引用是「支持」、「反駁」還是僅僅「提及」。


第五場【測試以AI輔助跨領域文獻閱讀-中國近代史、數位人文】*因為不熟悉領域所以重點不在於導讀文獻內容細節,而是想測試與討論AI對於跨領域閱讀的協助

導讀文獻:
● Chen, K. (2020). Fishing for oil: natural-resource management between the united states and maritime east asia in the 1970s. Journal of American-East Asian Relations, 27(2), 169-197. https://doi.org/10.1163/18765610-02702004
● Liu, A. (2011). The state of the digital humanities: A report and a critique. Arts and Humanities in Higher Education, 11(1-2), 8-41. https://doi.org/10.1177/1474022211427364
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一、 AI 在跨領域歷史研究中的應用與策略【來自實際測試非導讀文獻】

對於非專業背景或跨領域的研究者,AI 能提供系統性的指引,協助快速建立知識框架。

1. 不同 AI 模型的引導路徑

AI 模型 思考路徑與特點 核心局限與風險
ChatGPT 直接將問題轉換為學習大綱(書單、時代劃分、學派、線上資源)。架構完整。 存在明顯「幻覺」,例如誤指陳芳明撰寫其未曾創作的作品。
Gemini 將問題切割為細節流程,定義初學者挑戰並提出對應的技術輔助(如 OCR、知識圖譜)。 資料來源較為單一,主要依賴部落格或網頁資訊。
DeepSeek 以「理解使用者需求」為先,採取循序漸進的對話引導方式,提供實作指令建議。 引用的文獻多為報導或短視頻摘要,缺乏專業論文支持。
Kimi 擅長尋找中國大陸專業學術來源(如華藝數據庫、北大資源),分析面向最廣。 免費版使用次數有限。

2. 核心輔助功能

* 關鍵字建立與框架建構:透過 AI 生成時間軸、人物關係圖譜及歷史地理地圖(GIS),協助建立宏觀視野。
* 一手資料分析:AI 可分析文獻中的「註腳」,辨識核心一手資料來源(如各國檔案館記錄),幫助研究者理解前輩學者的論證路徑。
* OCR 與資料自動化:將古籍、舊報紙圖像轉化為可搜尋文本,並自動提取特定欄位(如家庭菜單、價格調查)製成表格,加速數據探勘前的準備工作。

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二、 數位人文的演進:從計算到探索

數位人文(Digital Humanities)結合了早期「人文計算」與「新媒體研究」的視野,創造了新的學術實踐。

1. 研究範式的轉移

* 細讀(Close Reading):傳統人文核心,對單一文本進行深入細緻的分析。
* 遠讀(Distant Reading):透過電腦分析成千上萬份文本的宏觀模式(如詞頻趨勢),發現單憑肉眼無法覺察的規律。
* 新舊範式對比:過去電腦被視為「假設檢驗」的工具;現在電腦則扮演「探索夥伴」,協助研究者從大量數位化檔案中獲得新洞見。

2. 代表性數位人文技術與平台【來自AI的答案非文獻內容】

* e-考據:由黃一農教授提出,利用數位化史料進行大規模搜尋與版本校對,如解決《紅樓夢》中人物原型的爭議。
* 知識圖譜與傳記資料庫:如哈佛大學建置的「中國歷代人物傳記資料庫(CBDB)」,可進行社會網絡分析與官僚體系演變研究。
* GIS 空間分析:結合古地圖與文字史料,呈現歷史事件的地緣動力。

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三、 個案分析:歷史人物 AI 智能體與學術研究評估

1. 「蘇軾 AI」的開發啟示【來自AI的答案非文獻內容】

開發高品質歷史人物 AI(如蘇軾 bot)關鍵在於:

* 高質量數據餵養:不依賴網絡百科,而需使用精煉的人物小傳與學術研究。
* 克服底層偏見:AI 大模型預設的「現代正向、理性、良善」邏輯常與歷史人物風貌衝突。蘇軾因其性格開朗、具超越性,與 AI 的正向偏見較為契合,但暴君或厭世類人物則難以真實還原。

2. 歷史研究品質的 AI 評鑑【以AI輔助閱讀此文獻的實測心得】

以「1970 年代東亞海域油氣爭奪」研究為例,AI 能協助評析學術價值:

* 核心論點超脫性:指出石油爭議本質上是主權合法性與冷戰結構的體現,而非僅僅是資源爭奪。
* 證據扎實度:強調該研究運用了美、英、日、韓、台多國跨國檔案進行交叉驗證。
* 學術空白填補:明確點出其在美中和解背景下對美國角色的深入研究。
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四、 現存挑戰與批判性反思【來自文獻與討論】

儘管技術飛速發展,AI 在歷史研究中仍面臨三大主要溝壑:

1. 技術與內容局限

* 幻覺與偽造:AI 可能「一本正經地胡說八道」,根據使用者需求偽造不存在的史料、檔案或書籍。
* 文言文理解不足:AI 雖能識別字義,但難以完全體會古漢語的情感、文化內涵及深層意境。
* 數據不透明(黑盒子):AI 演算法的黑盒化挑戰了「演算法批評」的可能性,研究者難以解釋 AI 結論的形成過程。

2. 方法論的鴻溝

* 遠讀與細讀的斷層:目前仍缺乏有效橋樑,將宏觀數據發現(如小說標題變短)直接轉化為微觀文本詮釋的深度證據。
* 資料美學匱乏:目前的資料視覺化多流於數據呈現,缺乏傳達深刻意義的表現力。

3. 批判意識的缺失

數位人文領域存在「重工具、輕反思」的傾向。隨著科技重塑教育體制與知識生產,數位人文學若不具備批判科技的能力,可能淪為服務後工業化經濟需求、犧牲人文價值的「數位接管」幫兇。

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五、 結論與未來展望

AI 輔助歷史研究不應取代人類學者的深度解讀。理想的模式應是「人機協作」:利用 AI 進行初步的資料蒐集、分析宏觀模式並構建初步假設,隨後由研究者運用傳統史學方法進行嚴格檢驗與定性解讀。