2026年9月29日 星期二

和AI共同合作大稻埕英文導覽稿

用法:

1. 先讓GPT直接根據導覽路線來設計講稿,以及設計一些導覽用圖卡 >>會有點不確定圖卡內容是否完全正確

2. 使用能找到台灣資料的AI來根據導覽路線來提供更專業的學術資料,再把這些學術資料摘要丟給GPT修改講稿>> GPT會一直提醒這些資料太專業不一定要使用

3. 大量聽podcast的相關討論(來自走讀導覽者的介紹、學術研究者的分享、相關書籍的分享),再把相關資訊綜整成另外的非AI生成圖卡,後用自己的方式從頭用破英文講一遍,語音轉文字給GPT請他改成通順講稿>> 

(1)此時會發現GPT還不錯, 除了修正英文, 還會幫忙查證講的內容是否正確、是否誇大,並且直接修改(可能跟自己平常一直要求他要找資料驗證跟避免誇大有關)。另一個好處是GPT會辨識自己的語音輸入英文句型問題, 指出該英文口說該怎麼練習

(2)有點煩人的地方是它會一直回到自己第一版的導覽稿,不會根據新的資訊大幅調整內容,且前面明明建議我不要加入太多歷史年代資訊,現在卻會自己補進來

(3)最不好的壞處就是,有些Podcast內容是網路上沒有的真人經驗分享,GPT就會說這些資料不存在而改掉那段論述.

實際上AI合作產生的講稿還是很難使用,因為偏離自己的口語太多~~

Right now, we are at Daqiaotou.

First, we will walk to the Ten Connected Shophouses.

Then we will go to Cisheng Temple.

Around the temple, we will have some traditional Taiwanese breakfast and local food.

After that, we will walk through different parts of Dadaocheng.

We will see tea shops, dried-food shops, traditional pastry shops, old buildings, and some newer businesses.

Then we will go to a tea house. We can sit down, have tea, and talk more about Taiwanese tea culture and the history of the tea business in Dadaocheng.

After that, we will visit Xia-Hai City God Temple.

Our last main stop will be Yongle Market, where we can see the fabric market.

So you may notice that we have several themes today: temples, tea, food, old buildings, fabric, and the river.

They may seem like different things, but actually they are all connected.

Dadaocheng was once a very important business area.

Goods came here from different parts of Taiwan, and some were also exported overseas.

Trade brought merchants, workers, temples, tea shops, warehouses, and many different businesses to this area.

You will see how these things connect as we go.

Before we continue, can I ask you one question?

How familiar are you with Taiwan’s history?

To understand Dadaocheng, it helps to know just a little about Taiwan’s history.

Taiwan has been home to different peoples and ruled by different governments over time.

First, Indigenous peoples were already living in Taiwan long before large numbers of people came from China.

In the 1600s, Taiwan became part of a busy maritime world.

The Dutch controlled part of southern Taiwan for a period, and the Spanish had settlements in the north.

You may also know the old name Formosa.

This name came from Portuguese sailors. It means something like “beautiful island.”

Later, there was a short period of rule by Zheng Chenggong, or Koxinga, and his family.

Then, from the late seventeenth century, Taiwan came under the Qing dynasty.

The Qing period is especially important for our tour today.

More migrants came to Taiwan from Fujian and Guangdong.

They brought their languages, food, business networks, skills, and also their gods.

That is why religion and migration are so closely connected in Taiwan.

Dadaocheng really began to grow in the middle of the nineteenth century, during the late Qing period.

After Tamsui opened to foreign trade, tea became especially important.

Dadaocheng became a place where tea was processed, traded, and exported.

Later, from 1895 to 1945, Taiwan was under Japanese rule.

During this period, Taipei changed a lot.

Roads were widened. Railways, markets, public buildings, and other modern city systems developed.

So in Dadaocheng, you can see buildings from different periods mixed together.

Some ideas came from traditional Chinese architecture.

Some were influenced by Western styles.

And some changes happened during the Japanese period.

After World War Two, Taiwan came under the Republic of China government, and Taipei continued to grow into the city you see today.

So for now, you only need to remember a few things.

Taiwan has many layers of history.

Dadaocheng grew mainly during the late Qing period.

Trade, especially tea, made this area rich.

Temples grew together with migrant and business communities.

And during the Japanese period, the city became more modern.

Everything else, we can discover step by step as we walk.

Now, let’s look at Taipei Bridge.

We started at Daqiaotou Station.

The name Daqiaotou means something like “the area near the big bridge.”

And the big bridge is Taipei Bridge.

You may have seen photos like this before.

In the morning rush hour, a huge number of scooters come down from the bridge.

People call this the “Scooter Waterfall.”

A photo called “Motorcycle Waterfall” was even entered in the National Geographic Travel Photographer of the Year contest.

So today, this bridge is famous for scooters.

But its history is much older.

The first bridge here was built in the late Qing period.

It was completed in 1889.

At that time, it was mainly a wooden railway bridge.

Trains crossed the Tamsui River here.

But wooden bridge supports were difficult to maintain because of floods.

A typhoon also badly damaged the bridge.

Later, during the Japanese period, the railway route was changed.

The bridge was then used more for normal road traffic.

This area also has a strong working-class history.

In the past, many day laborers came here and waited under the bridge for temporary jobs.

So the food around Daqiaotou developed for people who needed something cheap, filling, and high in energy.

That is why you can still find many traditional foods here made with rice, sticky rice, pork, and soup.

These were practical foods for workers.

Not fancy food, but food that could keep you full for a long time.

Do people use many scooters in Switzerland?

Does this look very different from morning traffic in Switzerland?

Now we can see the Ten Connected Shophouses.

But before we talk about the buildings, let’s look at this picture first.

We are now in Dadaocheng.

Do you know what the name Dadaocheng means?

The name is said to come from a large open yard used for drying rice grain.

In the past, after farmers harvested rice, they needed large open spaces to dry the grain in the sun.

You can see something similar in this picture.

Even today, you can sometimes see farmers drying grain outside.

Rice has always been very important in Taiwan.

For many people, it was the main staple food.

Do people eat much rice in Switzerland?

Now let’s look at these buildings.

These are called the Ten Connected Shophouses.

They were completed in 1912, during the Japanese period.

There were ten connected buildings, but they belonged to six businesses.

Five were rice mills, and one was a sewing-thread factory.

This area was close to the river and Taipei Bridge.

Rice could be brought here, processed in the rice mills, and then sold or sent to other places.

So this was not originally a tourist area.

It was a working business district.

Today, the old buildings have been reused for restaurants, shops, and other businesses.

You can see that the bricks, arches, and windows follow a very regular pattern.

From here, we’ll walk slowly along the street.

Please feel free to stop and take photos.

If you want, I can also help you take photos.

As we walk, try to look up.

Don’t only look at the shops on the ground floor.

A lot of interesting details are above us, on the windows, walls, and the top of the buildings.

Sometimes, there are also interesting details under the covered walkway.

So today: look up, look down, and look inside.

As we go south, you will see more decorated buildings.

Some have traditional Chinese features.

Some have Western-style decoration.

And some were changed during the Japanese period.

Remember, this was an important business street.

So the front of a building was also a kind of advertisement.

A merchant could use the building to show, “My business is successful. My company is modern. Look at me.”

So the building was not only a place to live and do business.

The building itself could show wealth and status.

Now let’s look at this card.

Many traditional shophouses were very long and narrow.

Some had two, three, or even more sections.

This card shows an example with three sections, or three jin.

Jin does not mean three floors.

It means different sections going deeper into the building.

At the front was the front hall.

This was often the shop and the most public area.

Behind it was a small open courtyard, or skywell.

Then came another building section.

This could be used by the family for living, working, or other activities.

Then there could be another courtyard and a rear section.

The back could be used for storage, cooking, or other family activities.

The exact use was different from house to house.

Why did they have these open courtyards?

Look at the shape of the house.

It is very long and narrow.

Before electric lights and air conditioning, the middle of the building could be very dark and hot.

So the courtyard brought in sunlight and fresh air.

It also helped with rainwater and ventilation.

It was a simple but clever design.

Does Switzerland have old houses with inner courtyards like this?

Because Dadaocheng was close to the river, goods could arrive by boat.

Workers moved the goods from the river into warehouses and shops in this area.

So the long shophouse was useful for many things: selling in the front, working in the middle, and storing goods deeper inside.

I also want to show you something interesting.

My friend recently traveled to Malacca in Malaysia, and she gave me this magnet.

Look at the buildings.

Do they look a little familiar?

You can also find long, narrow shophouses in many old port cities in Southeast Asia.

Similar ideas about shops, homes, courtyards, and covered walkways developed in southern China and around Southeast Asia.

But every place changed the design in its own way.

In Malacca, for example, you may see more colorful decoration and different European and local influences.

Here in Dadaocheng, you can see another mixture: Chinese traditions, Western-style decoration, and changes from the Japanese period.

So the same basic idea can look very different in different cities.

Architecture travels with people, but it changes when it reaches a new place.

Okay, that’s enough architecture for now.

Let’s walk and see the real buildings.

Now I’ll show you a few traditional shops along the way.

The first one is a fish ball shop.

Fish balls are very common in Taiwan.

Many early migrants to Taiwan came from coastal areas of Fujian and Guangdong.

Fish balls were already part of the food culture there, and people brought this tradition to Taiwan.

Fish is chopped or ground into a paste, shaped into balls, and then cooked.

We usually eat fish balls in soup or with noodles.

Different places in Taiwan have different styles.

Some are made mostly with fish.

Some have a little pork filling inside.

Different areas may also use different kinds of fish.

So even something as simple as a fish ball can taste quite different from place to place.

Have you ever tried fish balls before?

And here you can see another very typical thing in Dadaocheng: dried food.

You will see a lot of dried seafood, mushrooms, fruit, herbs, and meat around this area.

Before refrigerators, drying was a very useful way to preserve food.

It also made food easier to store and transport.

This was especially important in a trading area like Dadaocheng.

Goods came here from many different places, and some were sent out again to other parts of Taiwan or overseas.

Dihua Street is also very famous for Lunar New Year shopping.

Before the New Year, many families come here to buy dried food, snacks, candy, nuts, and ingredients for family meals.

In the past, people also needed to prepare enough food for the holiday because many shops would close for several days.

So buying food before the New Year became an important tradition.

This is dried meat.

In Taiwan, we usually eat this as a snack.

It can be sweet, salty, or a little smoky.

If you like meat, I think it is worth trying.

Now, here is another interesting shop.

Today it sells lamps, but this kind of traditional shop was also connected with joss paper.

Joss paper is paper used in traditional religious rituals.

You may also hear people call it spirit money.

Different kinds of paper are used for different purposes.

Some are offered to gods.

Some are used when people remember their ancestors or other spirits.

People burn the paper as a symbolic offering.

There are also many folk explanations for this.

One funny way some people explain it is, “Even gods need helpers, and the helpers also need money.”

But this is more of a folk explanation, not a strict religious rule.

For ancestors or people who have died, you may also see paper houses, paper cars, clothes, or other objects.

These are symbolic gifts.

People hope their family members can have a comfortable life in the next world.

Today, you can even find paper phones, computers, or other modern things.

Okay, now we are heading to Cisheng Temple.

On the way, I want to show you a few more things about Taiwanese food.

When we arrive at the temple, we’ll have breakfast first.

Then, after breakfast, I’ll tell you more about traditional religion in Taiwan.

We just passed a famous traditional pastry shop called Li Ting Xiang.

Unfortunately, it is not open yet.

It is an old and well-known pastry shop in Dadaocheng.

One of its famous products is a curry-flavored traditional pastry.

So if you like Taiwanese pastries, you can come back another day and try it.

Traditional pastries are also very important for festivals, weddings, and gift-giving in Taiwan.

I also made some food cards for you.

Of course, one Taiwanese food that many foreigners know is stinky tofu.

Have you tried it yet?

But stinky tofu is not the only food that may look a little challenging to visitors.

Taiwanese food also uses many different parts of an animal.

We eat pork, beef, and chicken offal, for example intestines, liver, kidney, and stomach.

I know this may sound a little scary if you are not used to it.

But good shops clean and prepare these ingredients very carefully.

So the taste is often much milder than you may expect.

For example, this is called Four-Herb Soup.

It is a traditional soup made with Chinese herbs.

It often comes with pork intestine.

Don’t worry. “Four-Herb” means four herbs, not four gods.

You will also see a lot of food made from rice and starch in Taiwan.

Rice, rice noodles, sticky rice, taro, sweet potato, and different kinds of rice cakes are very common.

Remember what we talked about earlier?

Rice was very important in everyday life.

So you can see it in many different forms.

And when we arrive at Cisheng Temple, you’ll see many traditional Taipei breakfast foods.

You can find things like meat congee, pig’s feet with thin noodles, pork rib soup, fried rice, and Four-Herb Soup.

A famous Korean chef and food TV host, Paik Jong-won, also came here for his program Street Food Fighter.

He tried the pig’s feet with thin noodles here.

So if you like pork, that may be something you want to try.

You may wonder: why is there so much good food around a temple?

In Taiwan, a traditional temple was never only a place to pray.

It was also an important meeting place for the community.

People came here to worship, meet friends, talk about local matters, watch performances, and join festivals.

So when many people gathered around a temple, food businesses naturally grew around it.

You can think of a Taiwanese temple as both a religious place and a kind of neighborhood living room.

When we go inside the temple, look at the roof, walls, doors, and carvings.

You will see many stories.

Before television, movies, or the internet, these pictures and carvings were also a way for people to learn traditional stories and ideas about good and bad behavior.

So in a way, a temple is also like a three-dimensional storybook.

Okay, now we are at Cisheng Temple.

So first, let’s do the most important Taiwanese thing.

Let’s eat.

History is easier to understand after breakfast.

Now let me tell you a little about Mazu.

Have you heard of Mazu before?

Mazu is one of the most widely worshipped deities in Taiwan.

She is especially known as a protector of people at sea.

This is very important for Taiwan’s history.

Many early migrants came to Taiwan from the coast of southern China.

To reach Taiwan, they had to cross the Taiwan Strait.

At that time, they traveled on wooden sailing boats.

The journey could be very dangerous because of strong wind, waves, and storms.

So many people prayed to Mazu for a safe journey.

When they arrived in Taiwan, they brought their Mazu belief with them.

Over many centuries, Mazu became more and more important.

Different Chinese rulers gave her official titles.

During the Qing dynasty, she received the title Tianhou, or Empress of Heaven.

A Qing general named Shi Lang also said that Mazu had protected his fleet.

After that, the Qing court gave Mazu an even higher official title.

Now, this next part is a traditional story, not something we can prove as history.

According to tradition, Mazu was originally a woman named Lin Mo.

Lin was her family name.

Mo means quiet or silent.

The story says that when she was born, she did not cry for a long time.

So her family gave her the name Mo.

There are many legends about her life.

One famous story says that she had special powers and tried to save members of her family during a storm at sea.

Different versions of the story have slightly different details.

Later, people believed that after her death, she continued to protect sailors.

Over time, she became worshipped as Mazu.

So why is there a Mazu temple here in Dadaocheng?

Remember what we talked about earlier.

Dadaocheng was a trading area beside the river.

Merchants and boats came and went from here.

So Mazu, the protector of sea travel, was very important to people here.

Cisheng Temple was once located closer to the river and the old wharf.

That made a lot of sense because many merchants and boatmen worshipped Mazu.

During the Japanese period, Taipei changed its roads and city plan.

The old temple was removed as part of the city reconstruction.

It was then rebuilt here, and the new temple was completed in 1914.

So even the location of this temple tells us something about how Taipei changed.

Before we go inside, let me show you a few simple temple customs.

Don’t worry. You don’t have to remember everything.

The most important thing is just to be respectful.

Traditional temples often have three doors.

The middle door is traditionally for the gods and for important ceremonies.

So visitors usually use the side doors.

Traditionally, we enter through the Dragon Gate and leave through the Tiger Gate.

When we stand here and face the temple, the Dragon Gate is on our right.

So we go in on the right and come out on the left.

And try not to step on the raised doorway.

Step over it.

You may also know the idea of Yin and Yang.

It is an important idea in traditional Chinese culture.

Yin and Yang are two different but connected forces.

You can see this idea in religion, architecture, medicine, food, and many other parts of traditional culture.

Some temple customs are also explained through ideas about Yin and Yang.

But the rules can be different from temple to temple, so today I’ll just show you the simple version.

If you want, you can just look around.

You do not have to pray.

But if you want to experience it, I can show you a very simple way.

Usually, we first greet Heaven.

Then we greet the main deity of the temple.

Here, that is Mazu.

You can simply put your hands together and bow.

If the temple allows incense, people may use one or three incense sticks.

You don’t need to do everything perfectly.

Being respectful is more important than remembering every rule.

Inside a Taiwanese temple, you may see many different deities.

Different deities are traditionally connected with different parts of life.

Some people pray for health.

Some pray for family, business, study, travel, or children.

You can think of it as a divine team.

Today, we don’t need to pray to every deity.

If you just want a simple experience, we can greet Heaven and Mazu, and then look around the temple.

Every year, especially around the third month of the lunar calendar, there are many Mazu pilgrimages and processions in Taiwan.

We even have a saying: “March goes crazy for Mazu.”

Some of these pilgrimages last for many days.

Thousands of people may walk with Mazu from town to town.

Mazu travels in a sedan chair, and local communities welcome her along the way.

You may also see a tradition called walking under the sedan chair.

People kneel down, and Mazu’s sedan chair passes over them.

They do this to ask for protection and blessings.

But this is not done everywhere, and people need to follow the rules of each procession.

So Mazu is not only a goddess inside a temple.

Her belief is connected with Taiwan’s migration, sea travel, business, local communities, and festivals.

That is why you will see Mazu again and again when you travel around Taiwan.

If you want a deeper temple experience, I can also show you how people traditionally ask a deity a question.

One of the most common ways is to use these.

They are called jiaobei, or divination blocks.

They look a little like two small crescent moons.

Each block has one flat side and one rounded side.

First, you tell the deity who you are.

Traditionally, people may say their name, birthday, where they live, and what they want to ask.

Then you ask one clear question.

Usually, it should be a question that can be answered with something like yes or no.

Then you hold the two blocks together and gently drop them onto the floor.

There are three possible results.

If you get one flat side and one rounded side, it usually means yes, okay, or you have permission.

If both flat sides face up, the answer is not clear.

It may mean the question is unclear, or the deity is not giving you a clear answer yet.

If both rounded sides face up, it usually means no, or that the request is not accepted.

You should not just keep changing the question until you get the answer you want.

It is not like asking the same question until your parents finally say yes.

If your question is more complicated, you may also ask for a fortune stick.

Each stick has a number.

First, you ask whether the deity is willing to give you a fortune stick.

If you receive permission, you draw one stick.

Then you use the divination blocks again to ask, “Is this the right stick for me?”

Different temples have slightly different rules.

When the deity confirms the stick, you look at the number.

Then you find the fortune poem with the same number.

The poem is usually very short.

But it can be difficult to understand because it is written in an old style of Chinese.

Many fortune poems are connected with an old story or historical legend.

So you usually need to understand both the poem and the story behind it.

Later today, when we visit Xia-Hai City God Temple, you will see another very famous deity called Yue Lao.

Yue Lao is the matchmaking god.

You can think of him as a little like Cupid, but not exactly the same.

Cupid uses arrows.

Yue Lao uses a red string.

The red string represents the connection between two people who are meant to meet.

If someone asks Yue Lao for help and later finds a partner and gets married, the couple may come back to the temple to say thank you.

This is called huan yuan.

Okay, let’s move on.

Now let’s walk to Long Yue Tang, or MoonDragon.

It is another old and well-known pastry shop in Dadaocheng.

It was founded in 1932.

The third-generation owner later went to Japan to study Western-style pastry making.

But the shop still keeps many traditional Taiwanese pastries and old methods.

Actually, one of my friends recommended this shop to me.

So I bought some pastries here before and brought them home.

My mother really liked them.

She said, “Yes, this tastes like the traditional flavor I remember.”

So even though the shop is a little away from Dihua Street, I wanted to bring you here.

Most of the pastries here are quite small.

So I suggest buying just one or two first and sharing them.

Then, if you like the flavor, you can buy more.

Taiwanese pastries can be sweet, but sometimes we mix sweet and salty flavors together.

For example, an egg-yolk pastry may have sweet red-bean paste and a salty egg yolk inside.

Some traditional pastries also use ingredients like mung bean, meat, or pork floss.

So the flavor may be a little surprising if you are used to completely sweet desserts.

There is an old saying in Taiwan: “Sugar in the south, tea in the north.”

It is a very simple way to remember two important industries in Taiwan’s history.

Northern Taiwan became famous for tea.

Southern Taiwan had a very important sugar industry.

So tea and sugar were both major products that connected Taiwan with the outside world.

As we walk, you can also see many shops selling dried food.

You may see dried scallops, dried shrimp, dried squid, dried mushrooms, dried fruit, and many other things.

Why were dried foods so important?

Before refrigerators, drying was a useful way to preserve food.

And in a trading area like Dadaocheng, dried food was easier to store and transport.

But drying is not only for preservation.

It also changes and concentrates the flavor.

For example, dried shrimp or dried scallops can give a dish a much stronger taste than fresh seafood.

They add a lot of umami.

These dried ingredients are especially important before Lunar New Year.

Families prepare many special dishes for the New Year dinner.

In Chinese, we call these dishes nian cai, New Year dishes.

So people traditionally came to places like Dihua Street to buy ingredients, snacks, dried food, and gifts.

Today, Dihua Street is famous for the Taipei Lunar New Year Market.

People had already been coming to this area to buy New Year goods for a very long time before the modern event began.

Now we are walking through Dadaocheng Park.

There is someone here I want to introduce to you.

His name is Li Linqiu.

He was one of the most important lyric writers in early Taiwanese popular music.

His most famous song is Wang Chun Feng, or Longing for the Spring Breeze.

This is one of the best-known old Taiwanese songs.

If you like, I can play a short part for you.

The song is about a young woman thinking about love.

She sees a handsome young man.

She likes him, but she is too shy to talk to him.

So most of the story happens inside her mind.

She wonders about love and who she may marry one day.

So basically, it is a love song about having a crush but being too shy to do anything about it.

Li Linqiu had a strong connection with Dadaocheng.

His family was once quite comfortable because they were in the grain business.

But later, the family lost much of its money.

After elementary school, he had to start working.

He did different small jobs, and later he worked at the Yongle Theater here in Dadaocheng.

Working around the theater brought him close to movies, performances, and popular entertainment.

Later, he became a very successful lyric writer.

His old home is also nearby.

I pinned it on the Google Map I gave you.

Unfortunately, it is closed on Mondays, so we cannot visit it today.

Dadaocheng is also a popular place for movies and TV shows.

Why?

Because within a very small area, you can find buildings from many different periods.

Old shophouses, temples, markets, traditional businesses, and newer shops are all mixed together.

So filmmakers can use this area to create many different kinds of scenes.

Even the film Lucy, directed by Luc Besson and starring Scarlett Johansson, filmed part of the movie here.

Some scenes were filmed at Yongle Market.

We will visit Yongle Market later today.

Now let’s go inside the tea house.

This tea house is called Nanjie Deyi.

Nanjie means South Street.

South Street was the old name for this part of Dihua Street.

Now I want to show you a very famous painting.

It is called Festival on South Street.

The artist was Kuo Hsueh-hu.

He grew up in Dadaocheng and became one of the famous young artists of the Taiwan Art Exhibition.

This painting was made in 1930, during the Japanese period.

The original painting is now in the Taipei Fine Arts Museum.

Look at the street in this painting.

This is Dadaocheng during the Ghost Festival season, or Zhongyuan Festival.

Many people came here to buy things for worship and family rituals.

So the street was very busy and crowded.

You can see shops, signs, people, goods, and the temple.

And here, at the lower right, is Xia-Hai City God Temple.

Does this street look like the Dihua Street we just walked through?

Not exactly, right?

This is not like a photograph.

The artist changed some parts of the street to make it look more crowded and lively.

He wanted to show the feeling of Dadaocheng, not only the exact buildings.

Kuo Hsueh-hu was also one of the “Three Young Artists of the Taiwan Art Exhibition.”

The other two were Chen Chin and Lin Yu-shan.

They were very young when they became well known.

Around this area, you can also see the old Watsons building.

It was connected with the Hong Kong A. S. Watson business and was used for Western medicine and imported medical products in Taiwan.

But it was very different from the modern Watsons stores you see today.

Okay, now let’s talk about tea.

I also prepared a small gift for you.

This is a red envelope.

In Taiwan, we often use red envelopes during Lunar New Year and other happy occasions.

Usually there is money inside.

But today, I put tea inside instead.

These are some teas from my home, and I wanted to share them with you.

I brought three kinds of Taiwanese tea.

Sun Moon Lake black tea.

Wenshan Baozhong.

And Alishan Oolong.

When we describe tea, we can look at several things: where it comes from, what tea plant is used, how it is processed, and of course, how it smells and tastes.

This one is Alishan Oolong.

Alishan is a mountain area in central-southern Taiwan.

This kind of high-mountain oolong is usually fresh, smooth, and fragrant.

You may notice floral notes and a clean, sweet aftertaste.

This one is Wenshan Baozhong.

Baozhong is also a type of partially oxidized tea, so it is close to oolong.

It is usually lighter and very famous for its floral aroma.

If I make it very simple, Alishan Oolong is fresh and smooth.

Baozhong is light and floral.

And this is Sun Moon Lake black tea.

Black tea is more fully oxidized, so the flavor is usually deeper and stronger.

Some famous Taiwanese black teas can have notes like mint, cinnamon, fruit, or malt.

You can choose one to take with you.

Which one sounds more interesting to you: floral, fresh, or stronger?

Tea picking is also very hard work.

In many tea gardens, workers start early in the morning because the weather is cooler.

High-quality tea is often still picked by hand.

Pickers need to choose the right young leaves and buds carefully.

They repeat the same movement many times.

They also work outside in the sun, so you often see big hats, long sleeves, and protective clothing.

For good tea, they do not just pick any leaf.

They choose young shoots with the right number of leaves.

Different teas need slightly different picking standards.

After picking, the real tea-making work begins.

The leaves may be withered, sometimes under the sun and sometimes indoors.

Then they are moved, rolled, heated, dried, and sometimes roasted.

The exact process depends on the type of tea.

So when we drink one small cup of tea, there is actually a lot behind it: the place, the plant, the weather, the farmer, and the tea maker.

Now that we understand a little about how tea is made, let me tell you the history of tea in Dadaocheng.

This story is very important because tea was one of the main reasons Dadaocheng became successful.

During the Qing dynasty, a British businessman named John Dodd came to northern Taiwan.

At first, he was interested in camphor, which was an important export product at that time.

But while he was here, he also saw that northern Taiwan was a good place for growing tea.

He believed Taiwanese tea could be sold overseas.

But he needed local help.

So he worked with a Taiwanese businessman named Li Chunsheng.

Li helped him communicate with local farmers and organize the tea business.

They brought in tea plants from Anxi in Fujian.

They also gave money to farmers to encourage them to grow tea.

Then they bought the tea leaves, processed them, and prepared them for export.

They tried to build the whole tea business here, from growing tea to processing and exporting it.

Then, in 1869, John Dodd sent Taiwanese oolong tea directly to New York.

He sold it under the name Formosa Oolong Tea.

It was very successful.

After that, more foreign companies and local businessmen came into the tea business.

Dadaocheng quickly became an important tea-trading center.

This is why I said earlier that tea changed Dadaocheng.

By the way, Formosa Oolong is not the same thing as Oriental Beauty.

Formosa Oolong was a general name used for Taiwanese oolong tea in the export market.

Oriental Beauty is one special kind of Taiwanese oolong.

Oriental Beauty is very special because the tea leaves are bitten by a small leafhopper.

This helps create its honey and fruity aroma.

Tea was grown in the hills of northern Taiwan.

After picking, the tea was brought down from the mountains.

Rivers were very important for transportation.

Tea came to Dadaocheng for processing, sorting, packing, and trading.

Then it could be sent through Tamsui and exported overseas.

And remember what we talked about before: tea making is not only about the tea plant.

The skill of the tea maker is also very important.

The tea maker watches the leaves, smells them, touches them, and decides when to move to the next step.

Small changes in timing can change the aroma and taste.

So two people can use similar leaves and still make different tea.

Tea making is part science, part experience.

If you have time later, you can also visit Lin Hua Tai Tea Company.

It was founded in 1883, during the Qing dynasty.

It is one of the old tea businesses in Dadaocheng.

It still feels more like a working tea shop than a modern tea café.

You can see big tea containers and buy tea there.

But it is not really a place for sitting down and having a tea ceremony.

During the Japanese period, Taiwan’s tea industry became more organized and more industrial.

The government started tea research.

Machines were also used more in tea production.

Taiwan also faced strong competition from tea produced in other parts of Asia.

So producers tried to develop different kinds of tea and improve quality.

In the 1920s, Assam tea plants were brought from India.

They grew well around Sun Moon Lake.

This became the beginning of the famous Sun Moon Lake black tea industry.

So the black tea I gave you also has a story connected with the Japanese period.

After World War Two, Taiwan’s tea market changed again.

Taiwan could not always compete with cheaper mass-produced tea from other countries.

So the industry gradually focused more on quality, local character, and specialty tea.

Tea competitions also became an important way to improve quality and build local brands.

Today, many Taiwanese consumers are willing to pay more for good high-mountain oolong, competition tea, or tea from a famous area.

So the story of Taiwanese tea changed many times.

First, tea helped Dadaocheng connect with the world.

Later, Taiwan had to compete with cheaper tea from other countries.

And today, Taiwanese tea is more focused on quality, place, and special flavors.

Before semiconductors, tea connected Taiwan to the world.

That is why one small cup of tea can tell us a lot about Taiwan’s history.

Now let’s taste the tea and see what you can smell.

Don’t worry about finding the correct flavor.

Just tell me what it reminds you of.

Okay, now let’s move to Xia-Hai City God Temple.

We already talked about Taiwanese temple customs at Cisheng Temple, so here I only want to tell you a few special stories.

First, what is a City God?

How is a City God different from Mazu?

Mazu is especially connected with the sea and safe travel.

A City God is more like the protector of a local community.

He also watches over people’s behavior and justice.

A very simple way to imagine him is a spiritual mayor and judge.

It is not an exact translation, but it helps explain the idea.

The history of this temple is closely connected with the beginning of Dadaocheng.

In 1853, there was a serious conflict in Monga, today’s Wanhua.

At that time, migrants from different parts of Fujian formed different communities.

Sometimes they competed for business, land, and local power.

One group, people from Tong’an, lost the conflict.

So many of them left Monga and moved north to Dadaocheng.

And they did not come alone.

They brought their City God with them.

The Xia-Hai City God was the guardian deity of their hometown.

So when they rebuilt their community here, they also built a temple for him.

The present temple was completed in 1859.

So when people migrated, they brought not only their food and language, but also their gods.

Every year, on the thirteenth day of the fifth lunar month, there is an important City God festival.

It used to attract huge crowds.

There is even an old saying: “On May thirteenth, all you can see is people.”

It means the street was so crowded that you could hardly see anything except people.

The festival is still held today.

But now you may have a question.

If this is the City God Temple, why is it now so famous for the matchmaking god, Yue Lao?

Actually, Yue Lao came much later.

In 1971, a woman came here to pray to the City God because her children were having difficulty finding marriage partners.

Later, her wish came true.

So she came back to say thank you and donated a statue of Yue Lao to the temple.

After that, more and more people came here to pray for love and marriage.

Yue Lao is a little like Cupid.

But Cupid uses arrows.

Yue Lao uses a red string.

Of course, I don’t think you two need his matchmaking service anymore.

This temple also has the City God’s Wife.

Yue Lao is mainly connected with finding a partner.

The City God’s Wife is more connected with marriage and family harmony.

Married couples may come here and pray for a happy relationship.

One special item here is a tiny pair of shoes called Happiness Shoes.

People keep them at home and hope for a happy and peaceful marriage.

So maybe Yue Lao is the matchmaking service, and the City God’s Wife is the after-sales service.

If you want, you can also get a red string here.

It represents the connection between two people.

There are also small amulets, so they can be interesting souvenirs.

And there is something else I want you to try: the peace tea.

It is called Ping’an Cha.

It is sweet and warm.

The temple uses ingredients such as red dates, goji berries, and sugar.

The ingredients may change a little, but the idea is to share blessings and good luck.

And actually, I think it tastes quite good.

This tea also reminds me of another interesting part of old Taiwanese temple culture.

In the past, some temples also had something called a medicine fortune slip.

People could ask a deity for help when they were sick.

The slip listed different herbs.

Then they could take the prescription to a herbal shop nearby.

A famous example was Longshan Temple in Wanhua.

There is still a small street next to the temple called Herb Alley.

In the past, people could get a medicine slip from the temple and then buy the herbs in that street.

Traditional herbal tea and Chinese medicine can use some of the same plants, but they are not exactly the same thing.

Chinese medicine has a more formal system of diagnosis, prescriptions, and preparation.

Herbal tea is often part of everyday folk tradition.

Different shops may use different local plants and recipes.

In traditional Chinese culture, people often say that some herbal drinks can “cool the body” or reduce “internal heat.”

This is a traditional idea, not the same as a modern medical diagnosis.

Because Taiwan is hot and humid, cooling herbal drinks became very popular.

Some herbal tea is very bitter.

Some is light and easy to drink.

So if we see a herbal tea shop later, you can decide how brave you are.

This very small temple actually tells us a very big story: migration, business, community, love, marriage, and everyday life.

Now we are at our final main stop: Yongle Market.

Let’s go upstairs and look at the fabric market.

Yongle Market is one of the most famous places in Taipei for fabric.

In the early days, Taiwan did not produce enough cotton or silk for the local market.

So many fabrics had to be imported.

Dadaocheng was a very important trading area, so imported cloth came here through the port.

In 1908, during the Japanese period, a public market was established here.

Over time, this area became a major center for fabric wholesale and retail.

After World War Two, Taiwan’s textile industry grew quickly.

More textile companies and factories were established in Taiwan.

But Dadaocheng was still an important place for fabric trading.

So the whole area developed a complete business network: fabric, buttons, lace, zippers, tailoring, and clothing materials.

It was not just one market.

It became a whole textile neighborhood.

In the past, people often came here to choose fabric first, and then took it to a tailor to make clothes.

So buying clothes was very different from today.

You did not simply choose a finished shirt from a shop.

You chose the fabric, the pattern, and sometimes the style first.

Experienced shopkeepers knew a lot about fabric.

They could ask what you wanted to make, look at the material, and suggest something suitable.

Some were also very good at understanding what kind of color or pattern a customer might like.

So selling fabric was not only about selling cloth.

You needed to understand both people and materials.

In the past, sewing was also a much more common skill.

Many girls learned sewing at school or at home.

Making, repairing, and changing clothes was part of everyday life.

In my generation, this is much less common.

Today, many people come here because they enjoy sewing, costume making, crafts, or performance design.

You may also see people buying fabric for theater, dance, cosplay, or traditional performances.

There is also a traditional performing arts center in this same building.

It is called Dadaocheng Theater.

It is on the eighth and ninth floors.

Unfortunately, it is closed on Mondays, so we cannot go inside today.

The theater focuses on traditional Taiwanese performing arts.

One of the most important is Taiwanese opera, or Gua-a-hi.

Taiwanese opera developed in Yilan.

It grew from local songs and small folk performances.

Later, it also borrowed music, costumes, movements, and stories from other kinds of Chinese opera.

So it came from older traditions, but it became a new local form in Taiwan.

If I use a modern comparison, Taiwanese opera was once a little like popular TV drama or K-pop.

Famous performers became real stars.

People followed their favorite actors and songs.

Later, Taiwanese opera also moved from outdoor stages into theaters, radio, movies, and television.

My grandmother loved watching Taiwanese opera on TV.

When I was a child, I often saw her watching it at home.

But Taiwanese opera is not only performed inside a theater.

You can also see outdoor performances.

A temporary stage may be built in front of a temple.

This often happens during religious festivals, a deity’s birthday, or when someone wants to thank a deity.

Another important traditional art is glove puppetry.

The puppets are controlled by hand, like this.

This tradition came from southern China, but it developed many new styles in Taiwan.

One famous modern example is Pili glove puppetry.

Pili turned traditional puppetry into TV series, movies, games, and modern entertainment.

And there is one interesting thing about traditional performances in Taiwan.

Sometimes the most important audience is not the people.

It is the deity.

During a temple festival, people may invite an opera troupe or a puppet troupe to perform for the god.

The performance can be a way to celebrate the deity’s birthday or to say thank you after a wish comes true.

So people do not only give food, incense, or paper offerings to a god.

They can also offer a performance.

So today we started with rice, then temples, tea, dried food, pastries, fabric, music, and traditional theater.

They may seem like many different topics.

But they are all connected by one thing.

Dadaocheng was a trading city beside the river.

And that brings us back to the river.

Dadaocheng became successful because of the Tamsui River.

The river brought people here.

It brought goods here.

And it carried goods away again.

Tea, rice, dried food, medicine, fabric, and many other products moved through this area.

This morning, we have actually been following the history of the river, even when we could not see it.

Without the river, Dadaocheng would have developed very differently.

So now, if the weather is good, it is time to actually see the river.

We can go to Dadaocheng Wharf and ride bicycles along the riverside.

On the way to the wharf, you may also notice a very beautiful old house called the Chen Tianlai Residence.

Chen Tianlai was a very successful tea merchant.

He founded the Jinji Tea Company.

His house was completed in 1924.

It was one of the most impressive merchant houses in Dadaocheng.

The building used expensive materials and beautiful decoration to show the family’s wealth and taste.

Remember what I said earlier?

A building could also be an advertisement.

This house is a very good example.

I hope you can see how the river, trade, temples, food, tea, buildings, and people are all connected.

And I hope this gives you a small window into Taiwan’s history and everyday life.

I hope you enjoy the rest of your trip around Taiwan.

And if you remember only one thing from today, Dadaocheng is a story about migration, trade, religion, and the river.

2026年4月9日 星期四

師大讀書會【閱讀再定義:AI輔助的學術導讀實驗室】

 一直想把讀書會的內容整理成部落格,但沒時間好好整理,放著放著也就失去時效性了。

現在問AI真是很方便又的確有很多亮點知識,都想說這些人類討論的內容到底未來會不會有人想看呢~

讀書會簡介:

隨著生成式人工智慧技術的快速發展,越來越多學生在學術閱讀與研究過程使用 AI 工具協助。這些使用情境涵蓋:「英文文獻翻譯、文章摘要與重點提取、簡報製作、背景知識補足、專業術語理解」等。然而,也有不少教育工作者擔憂 AI 工具可能導致學生過度依賴、缺乏批判性思考,進而影響高等教育中的深度學習與知識建構。

在這樣的背景下,我們組成一個以圖書資訊學系碩博士班學生為主體的讀書會,希望透過實際導讀、討論與 AI 工具的應用測試,探討以下問題:

•有哪些AI工具可以協助、 如何協助學術閱讀與理解?

•在不同主題或不同熟悉程度的文章中,AI 工具的效能有何差異?使用AI的注意事項分別為何?

•輕度與高度使用AI輔助學習之優缺點與適用情境分別為何?

•我們該如何合理的使用以避免過度仰賴?

本讀書會將以五個主題循序漸進進行,逐步探索 AI 工具在學術閱讀、導讀與跨領域理解中的角色。每位成員將在導讀過程中實際測試多種 AI 工具,並紀錄使用方法、優缺點與反思。藉此建立具有批判與反思性的 AI 輔助閱讀經驗與策略。

完整讀書會紀錄 (有討論與互動內容摘要):https://drive.google.com/file/d/1LK5hqDxApnrS6uBmNGMZD7D_N8dPm8Mq/view?usp=sharing

讀書會共舉辦五次,每次一小時,我主講三場次,原本想用NotebookLM整理這三場的PLAUD生成逐字稿與簡報內容就當作這次的部落格了,結果發現NotebookLM根據六份檔案整理出的重點嚴重偏離! 而且還加了一些原本沒提到的內容...後來調整成一場次兩個檔案的整理方式,雖然還是不夠好(最嚴重的問題是無法區分哪些觀點來自文獻、哪些來自讀書會討論),但的確是節省很多時間,也就先這樣吧。 * 這也代表盡量上傳近似主題的檔案給NotebookLM可能成效較佳(?)  ** 在讀書會中對於研究文獻的諸多吐槽都被NotebookLM隱而不談,看來AI真的是對人類很好

第一場【AI輔助學術閱讀】導讀兩篇文獻+實際測試NotebookLM、Perplexity、Gemini

導讀文獻:

● Yapp, D., de Graaff, R., & van den Bergh, H. (2021). Effects of reading strategy instruction in English as a second language on students’ academic reading comprehension. Language Teaching Research, 27(6), 1456-1479. https://doi.org/10.1177/1362168820985236    

● Chea, P. & Xiao, Y. (2024). Artificial Intelligence in Higher Education: The Power and Damage of AI-assisted Tools on Academic English Reading Skills, Journal of General Education and Humanities, 3(3), 287–306.

本文件旨在彙整關於英語作為第二語言(L2)學習者在高等教育環境中,如何透過「閱讀策略教學」與「人工智慧(AI)輔助工具」提升學術閱讀能力的關鍵洞察。研究顯示,傳統的母語閱讀策略並不會自動轉移至第二語言,因此明確的策略指導至關重要。同時,新興的 AI 工具(如 NotebookLM、ChatGPT、Undermind 等)在提升閱讀效率、詞彙習得與學習動機方面展現顯著成效,但也伴隨著過度依賴、資訊幻覺及忽略研究細節等潛在風險。AI 應定位為進入陌生領域的引導工具,而非完全取代對原始文獻的深度閱讀。

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一、 第二語言(L2)學術閱讀的挑戰

學術閱讀對於高等教育學生而言具備高度挑戰性,主要原因包括:

* 文本特性: 學術文本內容簡潔緊湊、專業性高,要求讀者具備高效的消化能力。

* 語言障礙: 英語作為全球學術交流的主要媒介,非母語讀者面臨額外的語言負擔。

* 策略轉移困境: 研究指出,第一語言(L1)的閱讀策略不會自動轉移到第二語言(L2),需透過正規教育重新練習與提升。

* 教育背景差異: 來自職業教育背景的學生(如荷蘭的 MBO),其英語水平通常低於高等教育要求的 B2 等級,面臨更嚴峻的挑戰。

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二、 實證研究分析:策略教學與 AI 介入

1. 荷蘭大學研究:閱讀策略教學的效果(Yapp et al., 2021)【這篇研究設計較嚴謹】

* 研究目的: 評估專門設計的 L2 閱讀策略課程是否能提升一年級大學生的理解能力。

* 研究設計: 採用「迴歸不連續設計(RDD)」,針對 801 名學生進行為期七週、每週兩小時的干預。

* 核心策略: 課程結合了七種被證實有效的策略:

  1. 快速瀏覽與掃讀(Skimming & Scanning): 掌握結構與特定資訊。

  2. 啟動背景知識: 連結既有認知。

  3. 預測(Predicting): 預想文本結果。

  4. 視覺化(Visualization): 建立心智圖像或結構圖。

  5. 注意文本結構與信號詞: 識別內部邏輯。

  6. 連結新舊知識: 從文本中推斷含義。

  7. 閱讀時提問: 促進深層理解。

* 研究結論: 策略課程顯著提升了學生的 L2 閱讀理解,且對「弱勢讀者」的進步幅度尤為明顯。

2. 雲南大理大學研究:AI 工具的力量與損害(Chea & Xiao, 2024)

* 研究目的: 探討 AI 輔助工具對學術英語閱讀技能的影響。

* 研究設計: 將 24 名學生分為實驗組(AI 輔助)與對照組(傳統教學)。

* 關鍵發現:

  * 正面影響: 實驗組在閱讀分數、詞彙習得及學習動機上均顯著優於對照組。AI 能解釋複雜詞彙,降低預習負擔。

  * 學生心聲: 傳統組學生感到預習無聊且耗時;AI 組則展現高動機與參與課堂討論的信心。

  * 挑戰: 存在技術錯誤、資訊不可靠(幻覺)及對 AI 過度依賴的問題。

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三、 AI 工具的應用效能與特點分析【來自我的實測並非導讀文獻】

根據實際操作體驗(以 NotebookLM 為主),各項工具的表現如下:

工具名稱 主要功能與優勢 侷限與風險

NotebookLM 自動生成摘要、Podcast 語音對話、心智圖、學習指引。適合快速建立大方向認知。 無法呈現圖表,易省略研究方法細節與統計數字。僅根據上傳文件回答,擴展性較差。

ChatGPT / Gemini 強大的專有名詞解釋能力,對話引導機制佳。 資料量不足時易產生「幻覺」(如 Gemini 虛構柬埔寨學者的不存在研究)。

Undermind 具備學術導向的閱讀路徑建議,整合閱讀策略與教學方法,協助建立研究地圖。 有使用上限與功能限制(免費版)。

Perplexity 資料來源標註清晰(如連結到 LinkedIn 或大學官網),能引導延伸提問。 搜尋結果的深度可能受限。

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四、 批判性反思:AI 輔助下的閱讀行為【來自讀書會討論內容非來自導讀文獻】

在 AI 輔助學術閱讀的過程中,需注意以下深層影響:

1. 見樹不見林 vs. 見全貌: 傳統閱讀易卡在細節(見樹不見林);AI 則擅長提供全貌。然而,過於依賴 AI 摘要可能導致讀者忽略研究設計的關鍵瑕疵或過度推論。

2. 心靈健康與自信: 過度依賴 AI 生成的成果可能導致學生產生成就感缺失,覺得成果不屬於自己,影響自我信心。

3. 閱讀策略的異化: AI 的分類與規納邏輯可能與學術傳統(如基於前人定義的策略類別)不同,這可能影響未來的學術對話。

4. 教學方法的角色: AI 的成效深受使用者「指令(Prompt)」能力影響。教師需引導學生正確使用 AI,並在學生達到高程度理解前提供必要的「支架(Scaffolding)」。

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五、 結論與建議【來自讀書會討論內容非來自導讀文獻】

* AI 作為引導者: AI 最適合應用於「課堂指定閱讀」或進入「不熟悉領域」的初期階段階段,協助快速建立基礎知識。

* 回歸原始文獻: 在進行「學術寫作」與「引用文獻」時,必須回到原文確認細節、數據與語境,以避免 AI 摘要導致的錯誤。

* 培養批判性思考: 讀者應維持主動提問的習慣,利用 AI 推薦的問題作為起點,但最終需發展出個人對文獻的批判視角。

* 持續測試與更新: AI 工具更迭極快,使用者應持續關注如 NotebookLM 的新功能(如影片生成、心智圖優化等),並結合有效的閱讀策略進行操作。


第四場【實際以AI輔助熟悉領域閱讀與進階探索-AI素養】*因為熟悉領域所以會覺得這篇文獻寫得不好,想了解AI寫的文獻綜述會不會贏過人類寫的

導讀文獻:Ali, M. Y., & Richardson, J. (2025). AI literacy guidelines and policies for academic libraries: A scoping review. IFLA Journal, 0(0). https://doi.org/10.1177/03400352251321192 

隨著人工智慧(AI)技術的迅猛發展,學術圖書館正處於轉型關鍵期。AI 素養(AI Literacy)已超越傳統資訊素養,涵蓋了對數據、演算法邏輯、倫理影響及生成式工具(如 ChatGPT)的深度理解。目前的趨勢顯示,雖然圖書資訊(LIS)專業人員被視為推動 AI 素養的領導者,但其自身的素養水平仍有待提升(僅 3.68% 具備高素養)。學術圖書館正透過工作坊、LibGuides、課程融入及創新實驗室等多元形式提供服務,並在 IFLA、ALA、ARL 等國際組織的指引下,致力於建立包含透明度、公平性與隱私保護的 AI 政策。在未來,人類研究者的價值將轉向 AI 無法取代的批判性思維與倫理判斷,而文獻回顧的流程也將從單純的歸納轉變為「引導 AI 檢索並由人類進行深度批判」的共生模式。
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一、 AI 素養的核心範疇與專業現狀

    1.1 AI 素養的定義與演進

    AI 素養不僅是技能集(Skill set),更涉及對數據與 AI 技術邏輯的深度認知。與傳統資訊素養相比,其新面向包含:【來自文獻與討論】
    * 技術邏輯: 理解 AI 與機器學習(ML)的基本運作原理及其局限性。
    * 數據意識: 涉及新聞、媒體與數位技術,特別是數據的處理與解讀。
    * 倫理與社會影響: 評估 AI 對人權、公平性及社會偏見的潛在衝擊。

    1.2 圖書資訊專業人員的素養缺口

    根據 Lo (2024a) 的研究報告,LIS 專業人員在 AI 素養上呈現顯著落差:

    * 素養程度: 45.39% 的館員具備中等水平,僅 3.68% 具備高等水平。
    * 現有困境:【來自文獻與討論】
      * 對 AI 概念僅有中等程度的自我認知。
      * 動手操作 AI 工具的實務經驗有限。
      * 在討論倫理影響及協作 AI 專案方面存在明顯鴻溝。
      * 所屬機構普遍缺乏相關的指導方針與政策。
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二、 學術圖書館的 AI 素養服務與實務應用

    學術圖書館需針對不同受眾(大學生、研究生、教職人員與研究者)設計客製化服務,重點在於提升研究效率與指令操作(Prompting)能力。

    2.1 主要服務形式
    * 教學與培訓: 舉辦關於 AI 文字/圖像生成體驗、AI 與著作權、學術研究 AI 工具之工作坊。
    *  線上資源: 建立 AI 素養 LibGuides,涵蓋工具教程、常見問答及 AI 倫理指南。
    * 課程融入: 將「提示工程」(Prompt Engineering)納入資訊素養課程,引導學生批判性評估 AI 產出。
    * 創新實驗室: 設立人工智慧工作室,提供動手實作專案與讀書會。

    2.2 學術寫作與研究之 AI 工具分類

    根據功能需求,圖書館推薦之常用工具如下表所示:
          功能分類 建議 AI 工具範例
系統性回顧/範疇回顧 Rayyan, Covidence, ResearchRabbit, Abstrackr, RevMan
文獻綜合摘要 SciSpace, Elicit, Scite AI
引用與文獻管理 MyBib, Samwell AI, ResearchPal
學術寫作、改寫、抄襲檢測 Grammarly, QuillBot, ChatGPT
研究視覺化 Power BI, VOSviewer, EPPI Visualizer
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三、 國際組織之 AI 政策與指引原則分析

各國際圖書館組織已陸續發布指引,強調圖書館在 AI 時代應扮演的倫理門衛角色。

3.1 核心政策要點 (IFLA, ALA, ARL)【來自文獻與AI補充資料】

* IFLA (國際圖書館協會聯合會): 強調對 AI 與 ML 邏輯及其限制的基本理解、個人數據管理、以及透過 AI 素養促進大眾參與政策對話。
* ALA/ACRL (美國圖書館協會): 提出 17 項職能,涵蓋技術認知(辨識 AI)、分析評估(解釋 AI 對館員工作的影響)及倫理考慮(促進技術獲取的公平性)。
* ARL (研究圖書館協會): 秉持「無人,即無 AI」(no human, no AI)原則,優先考慮使用者安全與隱私,並主張現行著作權法應具備應對 AI 挑戰的彈性。

3.2 AI 工具評估之「健全檢查」(Sanity Check)

在引進 AI 工具時,組織建議參考以下準則:

* 目標設定: AI 的準確性是否顯著高於人類?
* 語料庫(Corpus): 訓練集是否公開透明?是否存在偏見?是否包含過時數據?
* 算法透明度: 開發者是否提供簡潔的算法邏輯說明?
* 評估指標: 是否有反饋機制?工具是否能識別出超出其處理範圍的問題?
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四、 圖書資訊專業人員的角色定位與職能【來自文獻與AI補充資料】

館員的角色正從資訊提供者轉型為 AI 時代的「教練」與「協調者」。

4.1 四大核心職能面向

1. 技術知識 (Technical Knowledge): 無需成為編碼專家,但須理解演算法與機器學習的基本邏輯。
2. 倫理意識 (Ethical Awareness): 引導使用者審視 AI 系統中的潛在偏見、隱私疑慮與公平性。
3. 批判性思維 (Critical Thinking): 深入探究 AI 產出背後的訓練數據與邏輯,而非盲目採信。
4. 實用技能 (Practical Skills): 掌握撰寫高效指令及選擇合適學術工具的能力。

4.2 角色轉型

* 資訊素養教育者: 延伸職能至 AI 生成內容的批判性評估。
* 研究顧問與技術領導: 協助研究者將 AI 納入研究方法(如加速文獻蒐集)。
* 政策倡議者與門衛: 參與制定機構內部的 AI 使用準則,確保技術應用不違背公平獲取資訊的核心使命。
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五、 AI 對文獻回顧的衝擊與人類價值【來自討論與AI補充資料,因為導讀文獻有很多問題,所以開始討論是否AI做的文獻回顧會取代人類】

5.1 AI 驅動的文獻回顧流程變革

未來的研究流程將從「搜尋、閱讀、筆記」轉變為:

1. 引導 (Guiding): 使用 SciSpace, Undermind 或 Perplexity 進行初步資訊檢索與自動歸納。
2. 分析 (Analyzing): 人類研究者對 AI 生成的結果進行深度分析與批判。
3. 合成 (Synthesizing): 撰寫具備獨特洞見與個人觀點的綜述。

5.2 人類不可或缺的價值

儘管 AI 在處理海量資訊方面具有優勢,但以下面向仍需人類主導:

* 批判性思維: 判斷論文論證是否嚴謹、實驗設計是否存在缺口。
* 研究意義確立: 連結現實世界的社會意義,提出「為什麼這篇綜述很重要」。
* 跨領域創新: 突破現有知識組合,產出具顛覆性的直覺與靈感。

5.3 AI 強化下的學術指標 (AI Index 2025)

未來判斷優質期刊或研究的方式可能引入 AI 量測的新指標:

1. 同儕審查透明度: 利用 NLP 判讀審稿意見結構。
2. 可重現性分數: 掃描論文中的資料與程式碼完整性。
3. 研究誠信偵測: 偵測不端行為或撤稿紀錄。
4. 引用語境品質: 區分引用是「支持」、「反駁」還是僅僅「提及」。


第五場【測試以AI輔助跨領域文獻閱讀-中國近代史、數位人文】*因為不熟悉領域所以重點不在於導讀文獻內容細節,而是想測試與討論AI對於跨領域閱讀的協助

導讀文獻:
● Chen, K. (2020). Fishing for oil: natural-resource management between the united states and maritime east asia in the 1970s. Journal of American-East Asian Relations, 27(2), 169-197. https://doi.org/10.1163/18765610-02702004
● Liu, A. (2011). The state of the digital humanities: A report and a critique. Arts and Humanities in Higher Education, 11(1-2), 8-41. https://doi.org/10.1177/1474022211427364
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一、 AI 在跨領域歷史研究中的應用與策略【來自實際測試非導讀文獻】

對於非專業背景或跨領域的研究者,AI 能提供系統性的指引,協助快速建立知識框架。

1. 不同 AI 模型的引導路徑

AI 模型 思考路徑與特點 核心局限與風險
ChatGPT 直接將問題轉換為學習大綱(書單、時代劃分、學派、線上資源)。架構完整。 存在明顯「幻覺」,例如誤指陳芳明撰寫其未曾創作的作品。
Gemini 將問題切割為細節流程,定義初學者挑戰並提出對應的技術輔助(如 OCR、知識圖譜)。 資料來源較為單一,主要依賴部落格或網頁資訊。
DeepSeek 以「理解使用者需求」為先,採取循序漸進的對話引導方式,提供實作指令建議。 引用的文獻多為報導或短視頻摘要,缺乏專業論文支持。
Kimi 擅長尋找中國大陸專業學術來源(如華藝數據庫、北大資源),分析面向最廣。 免費版使用次數有限。

2. 核心輔助功能

* 關鍵字建立與框架建構:透過 AI 生成時間軸、人物關係圖譜及歷史地理地圖(GIS),協助建立宏觀視野。
* 一手資料分析:AI 可分析文獻中的「註腳」,辨識核心一手資料來源(如各國檔案館記錄),幫助研究者理解前輩學者的論證路徑。
* OCR 與資料自動化:將古籍、舊報紙圖像轉化為可搜尋文本,並自動提取特定欄位(如家庭菜單、價格調查)製成表格,加速數據探勘前的準備工作。

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二、 數位人文的演進:從計算到探索

數位人文(Digital Humanities)結合了早期「人文計算」與「新媒體研究」的視野,創造了新的學術實踐。

1. 研究範式的轉移

* 細讀(Close Reading):傳統人文核心,對單一文本進行深入細緻的分析。
* 遠讀(Distant Reading):透過電腦分析成千上萬份文本的宏觀模式(如詞頻趨勢),發現單憑肉眼無法覺察的規律。
* 新舊範式對比:過去電腦被視為「假設檢驗」的工具;現在電腦則扮演「探索夥伴」,協助研究者從大量數位化檔案中獲得新洞見。

2. 代表性數位人文技術與平台【來自AI的答案非文獻內容】

* e-考據:由黃一農教授提出,利用數位化史料進行大規模搜尋與版本校對,如解決《紅樓夢》中人物原型的爭議。
* 知識圖譜與傳記資料庫:如哈佛大學建置的「中國歷代人物傳記資料庫(CBDB)」,可進行社會網絡分析與官僚體系演變研究。
* GIS 空間分析:結合古地圖與文字史料,呈現歷史事件的地緣動力。

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三、 個案分析:歷史人物 AI 智能體與學術研究評估

1. 「蘇軾 AI」的開發啟示【來自AI的答案非文獻內容】

開發高品質歷史人物 AI(如蘇軾 bot)關鍵在於:

* 高質量數據餵養:不依賴網絡百科,而需使用精煉的人物小傳與學術研究。
* 克服底層偏見:AI 大模型預設的「現代正向、理性、良善」邏輯常與歷史人物風貌衝突。蘇軾因其性格開朗、具超越性,與 AI 的正向偏見較為契合,但暴君或厭世類人物則難以真實還原。

2. 歷史研究品質的 AI 評鑑【以AI輔助閱讀此文獻的實測心得】

以「1970 年代東亞海域油氣爭奪」研究為例,AI 能協助評析學術價值:

* 核心論點超脫性:指出石油爭議本質上是主權合法性與冷戰結構的體現,而非僅僅是資源爭奪。
* 證據扎實度:強調該研究運用了美、英、日、韓、台多國跨國檔案進行交叉驗證。
* 學術空白填補:明確點出其在美中和解背景下對美國角色的深入研究。
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四、 現存挑戰與批判性反思【來自文獻與討論】

儘管技術飛速發展,AI 在歷史研究中仍面臨三大主要溝壑:

1. 技術與內容局限

* 幻覺與偽造:AI 可能「一本正經地胡說八道」,根據使用者需求偽造不存在的史料、檔案或書籍。
* 文言文理解不足:AI 雖能識別字義,但難以完全體會古漢語的情感、文化內涵及深層意境。
* 數據不透明(黑盒子):AI 演算法的黑盒化挑戰了「演算法批評」的可能性,研究者難以解釋 AI 結論的形成過程。

2. 方法論的鴻溝

* 遠讀與細讀的斷層:目前仍缺乏有效橋樑,將宏觀數據發現(如小說標題變短)直接轉化為微觀文本詮釋的深度證據。
* 資料美學匱乏:目前的資料視覺化多流於數據呈現,缺乏傳達深刻意義的表現力。

3. 批判意識的缺失

數位人文領域存在「重工具、輕反思」的傾向。隨著科技重塑教育體制與知識生產,數位人文學若不具備批判科技的能力,可能淪為服務後工業化經濟需求、犧牲人文價值的「數位接管」幫兇。

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五、 結論與未來展望

AI 輔助歷史研究不應取代人類學者的深度解讀。理想的模式應是「人機協作」:利用 AI 進行初步的資料蒐集、分析宏觀模式並構建初步假設,隨後由研究者運用傳統史學方法進行嚴格檢驗與定性解讀。

2025年11月30日 星期日

2025/10的南法旅行紀錄

這次在南法待了七天~~原本想要每天分開仔細寫再查些資料,但是最後決定就還是寫成隨手筆記的形式留個紀念就好。


10/3 阿聯酋到杜拜轉機至尼斯(回程也是阿聯酋)


阿聯酋食物好吃! 每餐都吃很飽~而且有吃到杜拜的蛋糕,雖然甜但好吃! 酒也不錯喝,感覺旁邊的人都吃好快,加速空姐來收餐的速度。也意識到自己很愛插手亂服務,連在飛機上都忍不住要接過餐盤給旁邊的人(明明都沒有人需要我這麼做)~飛機上就是看電影、吃和睡覺,這次幸好沒有碰到哭啼小孩,不過睡眠品質也還是很難多好。另外,來回都看到同一位阿北一直偷拿餐車上的小酒,真是不懂為什麼要這樣...

由於剛好是阿聯酋的20周年,回程有獲得拍立得紀念照~還有吃起來有點普通的紀念巧克力。

在杜拜機場喝了一杯機場咖啡,說是有加杜拜香料,有點像是肉桂咖啡的味道。


10/5 抵達尼斯機場

尼斯機場入關真是超容易,事前準備的入關資料完全沒派上用場,很迅速地看了護照就放行,海關還用不標準的中文重複講了好幾次「小心小偷」,領行李時也看到寫著不要相信來接車的陌生人之類的話。機場指標上有中文字,看來是很多華人會來的地方。

搭tram前往旅館,照著部落格攻略先搭免費車到一站再下車買票(卡片4歐),搭一次tram是1.7歐(後來想想交通費還蠻貴的~),第一次買好卡片用iphone感應後就可以用手機加值。在等著買票的時候有碰到中韓旅客,又再次被提醒「注意隨身包要小心」,看來法國小偷真是很出名。

住宿旅館是Hôtel Le Grimaldi by HappyCulture  https://maps.app.goo.gl/V4pDUxDmfMX6qBzm9

非常推薦這家旅館~可以免費裝水跟咖啡,也有好喝的茶包跟咖啡可以自己泡。很喜歡這邊的氣泡水,還自己用氣泡水加上咖啡就成為西西里咖啡。交通位置也很方便,走路去搭電車、火車或是走去海邊都非常近,服務人員也很親切。

旅館隔音蠻好的(雖然會聽到隔壁住戶咳嗽聲),壁紙風格與配色很好看,浴室水也很熱,從窗戶往外看得到天空,早上吃早餐看日出時內心很寧靜。

電梯很小,而且有兩扇門,電梯到樓層時要先用手拉開鐵門才能進去,在台灣真是都沒看過這種電梯,自己一人如果手上很多東西恐怕很難自己搭這樣的電梯。

從台灣到法國好像不太需要調整時差,可能很累晚上都十點左右就自動睡著,早上五六點就會自動醒來。不過從法國回台灣就花了幾天才調好時差。

            

辦好入住手續後就從旅館出來後先去附近吃可麗餅(軟的!吃到後來覺得有點甜,幸好兩人來可以交換口味),邊走邊逛觀光客區的紀念品小店,再去看海(蔚藍海岸的顏色真是很美),沿路看到幾間離線找真愛裡有出現的店家。

                                
                    

晚上走去附近逛Monoprix和一間小百貨公司Nicétoile,買了瑪德蓮、水果和優格當早餐,以及買到一些更好看的尼斯紀念品,也看到了印有Nissa的衣服,後來查了才知道Nissa la bella就是美麗的尼斯,Nissa是尼斯人的暱稱,在很多地方都會一直出現這個字。

在尼斯的這幾天發現monoprix很多間,還有其他mono開頭的小超市,問了AI說這是法國的連鎖超市,mono開頭代表他壟斷了物價,不用比價跟他買就是了(後來當然發現家樂福有些東西會比monoprix便宜~不過我們主要都在monoprix買,家樂福逛起來確實跟台灣的感覺不太一樣~)

10/6 埃茲+摩納哥

早上一早就起來準備搭公車去埃茲,結果從8:30等到10:00多,中間有一班公車似乎是滿了就直接離開。

排隊的人越來越多,有個韓國小哥搭訕了旁邊的一對台灣情侶(可能是他們穿著很韓系?),懷疑是這一站在施工所以公車不會停,想要去下一站等車,我們就跟著一起去。越等越覺得搞不好等等公車又是滿的,就找了台灣情侶一起搭uber,結果在uber抵達的下一秒空著的公車就到了,不好取消uber也就上車了,司機很愛聊天,想要蒐集台幣當紀念品,不過路程短短的加上語言溝通上還是有些障礙,就沒聊什麼,倒是知道情侶檔比我們多請一周假,在歐洲這樣待了一個月真是過癮。

抵達埃茲時原本想說搭計程車總比公車快,結果沒過多久公車就到了。照著部落格網友的建議在商店街就先用機台買了植物園的門票,接著就開始買紀念品與去花宮娜試聞香水(由於太多款都蠻好聞,最後也不太記得介紹的內容),買了不少才真正踏上埃茲山城。

山城很可愛,路小小的、繞來繞去,中間還一度迷路找不到植物園,去買了好吃的可頌(再次遇到愛聊天的老闆,不過是跟前面的韓國旅客聊天)。在山城頂端往下看風景很美,雖然很多告示牌介紹植物和這個地點,但是也沒心思認真看內容,走馬看花的,最後都還是在欣賞美景而已。

           

在埃茲體驗了要付費的廁所,會有個服務員專門負責收錢,給0.5歐才能推門入內使用廁所,廁所有冷氣而且蠻乾淨的。

在附近的小餐廳吃了無花果派跟披薩,蠻好吃的。以及有看到畫得很可愛的漂書小站。



吃完就踏上指示牌上寫45分鐘就可以走完的尼采小徑往下走去埃茲火車站,真是一趟意料外的辛苦遠征,不過因為回頭路很辛苦,所以每個人都只能堅持下去走到最後。

這條路充滿了小石子,且是坡道,要小心走避免滑倒,幸好我們是往下爬而且有穿運動鞋,看向上爬的人都氣喘吁吁,而且有些人的衣服和鞋子看起來不太適合走這種山路。

許多路人都講德文,或許是因為尼采所以來的吧。據說這條路是尼采散步的路,真是太敬佩了!但就在想後人是怎麼知道尼采真的有走這條路呢?逼問AI還真的是有史料出處(雖然不知真假)如以下

Curt Paul Janz,《Friedrich Nietzsche: Biographie》(1978–1979)
→ 是尼采最權威的傳記之一,明確記錄尼采在尼斯與埃茲一帶活動,並引用書信內容支持他「常走這條山路」的說法。

Rüdiger Safranski,《Nietzsche: Biographie seines Denkens》(2000)
→ 提及尼采「在尼斯與埃茲之間的山徑上,構思了查拉圖斯特拉的靈感片段」。

埃茲市官方網站(ville-eze.fr)與旅遊局標示說明:「尼采於 1883 年初居於海邊,每日步行此路至埃茲村,構思其代表作。」

路口處的銘牌(法文與英文)上也引用尼采書信與《查拉圖斯特拉》的開頭語句作為象徵性證據。
在尼采致友人的信中(1883 年 2 月 26 日致彼得·加斯特),他提到自己每天在「海與山之間的孤獨小徑上」散步,「那裡給我靈感寫下查拉圖斯特拉的第一段」。(原文見於《尼采書信集》第六卷,Briefwechsel: Kritische Gesamtausgabe, Band 6, Nr. 364) 

一群走路速度很快的外國人的抱怨很有趣,說這個怎麼可能45分鐘走完,路標騙人,以及說路途中應該要有攤販賣些清涼的水酒,絕對會賺錢。

還有一個友善的外國人可能以為黑頭髮的都是日本人,跟我說了一句逮九餔,看我沒反應才用英文問我從哪裡來,等他離開一陣子後,才想到他講得應該是日文大丈夫,真是感謝他的關心。

尼采小徑慢慢繞圈圈往下就能抵達埃茲火車站,每走一圈就會看到同一片海景,會發現自己慢慢地往海景靠近,但是有時又會突然開始爬坡,等到最後一圈總算確定真的快要靠近火車站和市區時真是鬆了口氣。

最終的路牌上有人寫這條路預估時間超過45分鐘,後來查評論也有許多人說大熱天走這條路真的很不友善。

這絕對是之後一定要推薦別人去的景點,讓大家都體驗一下尼采的體力,還有體驗一下每繞一圈就被美景鼓勵一下直到最後有點看膩的難得經驗。


從埃茲搭火車去摩納哥很快,之前查資料說尼斯很多人會通勤去摩納哥工作,通勤時間容易有小偷,幸好我們去的時候剛好是離峰,火車上很空。

摩納哥火車站很大,出站後就搭公車去親王宮。由於對於摩納哥沒有什麼非去不可的點,於是就到親王宮買F1賽車紀念衣(遇到一個很親切的服務生幫忙推薦衣服),再走去旁邊的教堂還有在海洋博物館前買到了0歐元鈔票。這次來南法真是看到了很多教堂,都很美很莊嚴,而且雕像和畫都很不一樣,點的蠟燭上還有不同聖人的名字,同樣也是去問了AI這些不同聖人的蠟燭有什麼意思,原來跟台灣廟宇很像,也是會分成不同祈求的屬性,像是港口就會有港口聖母,當地比較熱門的蠟燭像是Saint Joseph(AI說是家庭、工作、父親的守護者)、Saint Nicolas(保護水手、孩童與旅行者)、Saint Augustin(求內在平靜、智慧與信仰堅定)。

             

接著慢慢邊逛邊走去摩納哥賽車道,路邊很多指示牌介紹因為也不知道是誰,就都沒有仔細看,看到很多好看的小雕像。我們只走了一小段賽車道,不是很陡很難開的。

後來先去家樂福買了甜點(一個包奶油的酥皮點心跟第一個馬卡龍),再去吃了一家漢堡薯條連鎖店Steak shack。最後就看著美麗的夕陽與夜景慢慢走去搭車,也順便經過了熱鬧的賭場,很幸運的是剛好碰到要開往尼斯的公車,而不用再花時間等車。


               

雖然埃茲很美,但這天覺得最美的還是摩納哥的魔幻時刻,花很多時間拍,但是照片還是留不住眼中看到的天空顏色。夕陽落下後的夜景也很美,月亮很大很圓,倒映在水中的黃色倒影也就很長。


10/7 尼斯市場+烹飪課+海邊畫畫+老城+歌劇院

Cooking Lesson and Market Tour in Nice https://airkitchen.me/kitchen/7022.php

早上去體驗了法國市場導覽加上烹飪課,這真是要感謝旅伴,是自己平常不太會報名的旅遊行程。原本會有點擔心教很難的,加上有語言門檻,會聽不太懂一些廚藝相關生字,不過AI有安慰應該不會太難,實際上體驗起來也是覺得自己多慮了~

雖然是預約英文,但是班上還有三位法國人,原本老師是英法文都講,後來發現我們有翻譯軟體也就放心開始全程講法文。還蠻像是在看真人實境秀,而且是第一排觀眾,老師真的就是一直不停地拋問題要大家回答(雖然不是什麼太厲害的問題),不管是挑選蔬果還是烹飪流程,都會強調背後的原理(像是菜單規劃有鮭魚是因為有omega 3、選擇用蒸而不是煮馬鈴薯是為了保留營養、蔥要斜切是為了更快燙熟、挑蔬果要挑當季才新鮮、義大利飲食有影響到尼斯但還是會有尼斯的特色)。看到翻譯機上翻出同學們以溫和態度和平靜語氣表達出「老師你這問題不是很蠢嗎(當老師問菜為什麼是綠色的時候)」「這些料理會不會太簡單,不太需要學吧」「你說得不錯但是我無法認同...」還有偷婊美國料理與摩納哥,就覺得法國果然是可以不失風度的爭論與抱怨的國度。

逛市場時,老師介紹了櫛瓜就是南瓜小時候,而且尼斯會吃櫛瓜花,公花沒有花蕊所以比較好料理。尼斯很多料理都是烤蔬菜夾肉。苦瓜跟龍鬚菜在尼斯都很少見,龍鬚菜甚至是要在米其林餐廳才會吃到。老師還有介紹海鮮裡哪些是尼斯當地的、哪些不是,不過現在都忘光光了。

感覺得出老師對亞洲料理有些景仰,可惜我們不是很厲害的亞洲代表,沒辦法補充太多厲害的亞洲料理小知識。老師在問馬鈴薯怎麼料理時掏出了小籠包用的小蒸籠,說亞洲是這樣蒸食物來保持食物的養分,但我們在老師揭曉答案前回答說我們都用熱水煮馬鈴薯~(後來想到其實主要會用電鍋蒸,但當下沒想到要講到電鍋)。 在介紹要斜切蔥時,也說亞洲都這樣切來增加接觸面積可以更快熟而可以保持翠綠,但我們在老師揭曉答案前回答我們偶爾斜切,也會平切~(應該只有在需要裝飾時才會斜切吧!) 總之老師應該看得出我們不常料理~

法國通常都是前菜、主餐、甜點,這次學的前菜「奶油蔥蝦餛飩」、主餐「蘿勒醬烤鮭魚佐馬鈴薯泥」、甜點「烤西洋梨杏仁醬塔」,由於甜點需要烤比較久所以第一個做,接著再做主餐與前菜。說真的我們做的很少,甜點雖然參與比較多,但是塔皮就是老師之前已經準備好的麵糰。前菜做的事情就是切蔥、挑蝦腸、切蔥、用餛飩皮把蝦子包起來(就是一張皮包整隻蝦這麼簡單!),主餐做的事情就是幫鮭魚抹鹽、搗了幾下蘿勒、削馬鈴薯。其他煮的過程都是老師掌控,也因此煮出來都蠻好吃的,算是這次來法國最喜歡的一餐(老師還開了白酒來搭配)。

  
 

同學是一對情侶和男方爸爸,爸爸感覺是主管退休,主動用很好聽的英文來跟我們稍微攀談,情侶也很友善但就不會想主動聊天。詢問大叔是否法國學生不一定會念大學時,大叔很嚴正地反駁表示法國大學升學率很高、怎麼會有這種錯誤的想法,趕快跟他說亞洲很強制要升學,聽說歐洲比較自由所以大家都會很好奇,大叔態度才比較緩和,但就說要有高學歷才能有好工作,多數學生都還是會念大學。大叔說以前有來過台灣,不過是很久以前,他有問台灣是不是沒有wine,之前聽podcast是有聽到地中海區才有大量的葡萄會釀葡萄酒,台灣這邊主要是米釀的酒,大叔大概是之前也有聽過這個說法所以提問,不過查了一下臺灣也開始有一些葡萄品種改良後可以釀酒。

市場在舊車站的前面,舊車站被改裝成餐廳與圖書館,沒有進去圖書館參觀,餐廳倒是最後一天有來吃,是個很舒適的環境,也看到有學生在餐廳寫作業。最後一天有特別回來這裡用餐。

 

下午帶著老師推薦的麵包店裡的法國麵包去海邊畫畫,畫畫時總覺得時間過很快,邊畫邊想接下來得花點時間學畫色鉛筆畫。畫一畫才發現附近有幾隻風乾老鼠屍體...(海邊有很多提供陽傘座位區的餐廳) 最後一天有看到路邊有人是拿畫架畫油畫,超專業!

海邊多數的人是在做日光浴跟看書,少數人有下去游泳。海面上可以看到一些帆船,還有在帆船上起飛的降落傘,真的是個度假勝地。

 

畫畫完沿著海岸走去老城區,剛好可以看夕陽和漂亮的海灣。地上有個有趣的標記,可以根據影子的位置來看出現在的時間,很有趣。海邊有專門的自行車道,連警察都是騎腳踏車,還有很多人遛狗,很愜意。(最後一天還有看到警察騎馬沿著海邊巡邏)

 

老城區蠻好逛的,也有很多厲害的餐廳(尼斯到處都是滿滿的人在吃飯聊天,感覺真是觀光大城)。買了些紀念品與吃了LAC好吃的巧克力與開心果馬卡龍(果然有比家樂福賣的好吃)後就前往歌劇院聽菲利浦格拉斯(Philip Glass)的極簡主義歌劇Satyagraha。

這齣劇是講甘地的故事,會去聽是因為這幾天只有這個選項,想說去體驗一下,不過對於這個歌劇完全不熟,事前聽了一些極簡主義音樂和甘地的podcast介紹,在spotify也找得到這個歌劇的專輯。極簡主義音樂的特性就是同樣的旋律再三循環,感覺很容易催眠,在飛機上也試圖看甘地的影片但就直接睡著,似乎不是一個容易聽完的歌劇。

歌劇院是個古蹟,我買最便宜的五樓座位,幸好是很早買所以位置還算前面。一開始為了找到五樓的座位繞了很久才繞到,到五樓後也是一開始不知道怎麼找到自己的座位號碼,五樓最後排有許多人倚著椅背站著觀看,不知道是不是當日開放的票種。引導人員英文都很好,入場前會檢查包包、裡面不能飲食。

歌劇院很古老也很狹窄,人潮非常擁擠,因為空間不大,所以2-4樓的人可以輕易看清楚對面坐誰。尼斯的歌劇院感覺充滿一群互相認識的人(或是他們習慣看完表演後在外面大廳聊天交流所以就會認識?大廳會有飲料輕食)到處都在各種打招呼,還會直接和遙遠對面的人打招呼。似乎在高價座位區才能享受到空調,5樓的空氣就很悶,但是離天花板很近,很容易看到天花板的繪畫,這齣歌劇有特別搭配數位燈光投影,也就很方便能近距離欣賞到天花板上的投影效果(也許有了這樣的投影才能讓人比較不會睡著?)。

由於整齣歌劇結束時間有點晚,因此只看到中場就先離開了,雖然有一度想說是否還是聽到最後,但實在空氣不太好,就還是先提早離開。是個很棒的體驗,但同時也會覺得台北的寬敞舒適現代表演藝術廳真好~

 

10/8 聖保羅+格拉斯+蔚藍海岸套票(搭船)

這天早上參加了klook半日團去聖保羅、盧河畔圖爾雷泰、古爾東、格拉斯,原本在猶豫要參加哪個半日團,AI推薦這個需要開車較難抵達的山城團。導遊開車來旅館接我們,同行的還有一組加拿大夫妻與比利時夫妻,加拿大夫妻的英文不太好,於是導遊在車上就用英文和法文同時導覽。

比利時夫妻跟我們住在同一個旅館,路途中用簡單的英文稍微聊了一些(像是詢問兩岸關係還有展現了他們知道的中文,但是簡單的英文真是很難完整說明兩岸關係,中文的部分則真的不知道他們講什麼~)。他們看不慣加拿大夫妻聽法文導覽時會一直問個人問題(比利時太太表示: 有些人就是會一直MEMEME,不會管別人),就主動幫我們反應,後來導遊都先用英文導覽再切換法文。

導遊介紹了一下蔚藍海岸的歷史,不過現在也都忘得差不多,總之這裡以前是英國來度假的地方,海灘的砂石不是天然形成的,而是特別運過來的。導遊自己是南美人,曾經跟台灣有邦交所以知道台灣,不過他說他家鄉的人太懶惰,勤勞的他就出來打拼賺錢住在馬賽(同時跟我們說可以之後約他當私人導遊~)。

早上先抵達格拉斯參加花宮娜工廠導覽,導覽內容其實有點水,不知道是導覽人員的關係還是一律都如此,有印象的是茉莉花不太好提煉、格拉斯的玫瑰被香奈兒指定專門收購、最厲害的調香師被稱為鼻子、要嚴格的飲食控制避免影響對味道的判斷。參觀過程會看到很多香水製造用的工具跟聞到不同香水,由於味道都很強烈,會有點難分辨。導覽的重頭戲當然是購物的部分,格拉斯的一些產品是埃茲沒有的,所以又買了一些。

                 

格拉斯的下一站是古爾東,是非常小的小鎮,居民很少基本上都終生都待在小鎮裡,真難想像這樣的生活。小鎮沒有什麼觀光客,逛起來很舒服,有很多有趣的雕像。可以看到遠方的山頭沒有什麼樹、白白的一片,導遊說那片山頭已經是冬天長不出樹的狀態,但還是可以看到有人在山頭上跳傘,導遊就說「你知道,法國人有時很瘋狂」。另外這些山城的道路偶爾會看到一些人在騎自行車,導遊說這裡不是環法自行車賽的賽道、但是會有人來這裡練習。


 

古爾東的下一站是聖保羅,之前有聽podcast很推薦,果然是個很好逛的小鎮。吃了鮮花口味的冰淇淋(雖然沒有什麼想像中的花味)還有炸櫛瓜花(就是炸蔬菜的感覺),在城牆漫走。雖然聖保羅有很多看起來很棒的店,不過這一站停留時間比較短就沒辦法仔細逛,如果自駕是很值得多待的小鎮。

結束KLOOK的一日行程,就開始啟用蔚藍海岸72小時套票,可以憑套票去許多景點(我們只去了其中一些點,其實可以考慮買兩個72小時套票玩六天),搭船的行程只有72小時套票才能用,而且也是有聽podcast推薦,因此套票第一站就來搭船Coastal Cruise(船上會有人導覽,似乎是在介紹一些尼斯的歷史與趣聞,不過因為有些口音而且海風很大,其實就是聽得模模糊糊的。主要就是體驗在船上看海景吹海風,也有許多人有在船上點酒喝。*路線: From Cap de Nice to the Promenade des Anglais, passing by the famous Bay of Villefranche-sur-Mer.(由於一直看到sur-Mer去問了AI,說這代表在海邊,有些地名內陸與海邊都會用,就會加上sur-Mer來區別)
 
   

搭船完原本要去搭城堡山遊覽車,不過末班車已經滿了,於是再次去老城區逛。吃了尼斯當地小吃socca(就是鹹鹹的餅、有點太大份),買了手工果醬跟明信片(果醬店老闆很會聊天,介紹他家是歷史悠久的農場,前面的旅客用法文和老闆相談甚歡就多獲得了一個小果醬,此時再次覺得有語言能力的E人真是很吃香~)。還有去教堂繞一圈,這裡的教堂比較小一些,自己還是喜歡比較寧靜與古樸一些的教堂。

                   

晚餐吃Type 55,是離線找真愛劇組推薦的店,而且好像也有在離線找真愛中出現。不過因為有先吃一點小東西,也就沒辦法吃太多,共同點了一份章魚和蔬菜類的,原本有考慮甜點但後來改成粉紅酒。吃完才想到之前聽podcast說法國不喜歡分食,甜點一定要等主餐吃完才能點(即使甜點和主餐都在同一張菜單上),結果實際上用餐時根本忘了這些事前蒐集到的資料~而且反正我們看起來就是觀光客,服務生也就都接受。這家其實味道很不錯,要是餓一點來吃應該可以吃更多好吃的。

10/8 蔚藍海岸套票(城堡山導覽列車、e-scooter、夏卡爾博物館、馬諦斯博物館、cimiz遺跡與教堂)

這天早上先去預約城堡山導覽列車,接著就去體驗e-scooter並騎去另一個方向的海岸。早上的海邊也很美,而且人比較少,可惜拍出來的照片都灰灰的,無法呈現眼睛看到的景色。當地很多人都是騎e-scooter通勤,可以看到不同功能的車還有見識到大家騎車的功力。旅遊的e-scooter比較簡單,站上去後按把手就可以加速,只要踩上滑板抓好重心站好,接下來就是只要按把手來維持速度就好,蠻好上手的。

在另個方向的海邊看到一個專門給寵物的沙灘,可以看到主人與狗在海邊度過甜蜜時光,在這裡真的很常看到狗,不管是海邊、公車、餐廳都可以看到狗,問了AI說法國是歐洲繼德國之後養狗數量第二多的國家。很多家庭都會養狗而且把狗當成親人,Duolingo其實也是很早就教貓跟狗的法語(代表是法語對話中很重要的單字)而且寵物的法文是 animal de compagnie(超長)強調陪伴的功能。

 

         

e-scooter騎回來後不小心太早歸還,就去體驗了一下麥當勞的馬卡龍,果然還是LAC的好吃。這裡的麥當勞區分鹹甜食兩區,可頌全部被買完,不知道是不是很好吃。

城堡山的導覽列車配有多國語言翻譯,導覽內容一開始有對到景色,不過過了幾個紅綠燈之後就開始對不上,會有點不確定到底導覽在講哪一塊,聽了一些城堡山公爵的故事然而都不記得~上山後有一段下車自由拍照的時間,可以從高處往下看尼斯的城鎮與海。


之前聽podcast聽到可以在法國吃午餐套餐,會很划算,以及podcast提到巴黎的Bouillon(給工人階級的平價日常菜色餐廳),於是中午照著AI的推薦來Rose brasserie吃午餐。(出於好奇也問了AI法文brasserie和餐廳的差異,AI回答這是傳統法式餐館,比 café 正式、比 restaurant 隨性,常全天供餐)

我們選了戶外餐廳用餐,一開始店員給我們一般的菜單,詢問之後才拿了午餐套餐的菜單過來。午餐套餐會有前菜、主餐、甜點,各有3-4項可以選擇,以及會提供法國麵包。跟著旁邊桌的客人點了培根奶油義大利麵,麵比一般吃的粗一些,味道意外的蠻清淡,重點是份量很大,吃得很飽。前菜點了生魚片酪梨、甜點點蘋果派,都蠻好吃的,這樣加起來18歐左右,真的是蠻划算的。不過!!!!服務生真的是超級無比的慢,從進入餐廳到點菜就等了半小時,一頓飯大概吃了兩個多小時,主要的時間都是在等待,看評論也是說明明客人不多不知道服務生在忙什麼。由於剛好坐在大太陽底下的座位,曬得真的是有點不太舒服,就讓等待時間更顯得漫長...
 
                       
                      

吃飽後就搭公車前往夏卡爾博物館,由於尼斯的不同公車由不同公司經營會使用不同交通卡,因此上車時原本是準備現金要投,結果司機說了一大堆法文似乎是說不能收現金要買卡,就把我們搭車的費用換成了卡片La carte...但其實我們有這張卡(第一天就買了來搭Tram),只是不知道這台車可以刷這張卡而已,而且公車上買這張卡要4歐、等於是原本卡片費用的兩倍...獲得這張卡後司機繼續用法文講很多話,當然我們聽不懂,總之就是這張卡刷了好像沒辦法用(應該是因為是空卡),此時旁邊的姐姐仗義出來解救我們,拿了這張卡再次刷了一下就示意我們OK了叫我們去坐著(不過後來想想如果是空卡,這位姐姐刷卡恐怕還是沒有支付任何費用才對,看來在法國只要臉皮厚一點應刷空卡就能成功逃票?後來搭往馬諦斯博物館的公車上,有個帶小孩的爸爸其實就刷了兩張卡都沒刷過,他就自己兩手一攤的樣子當作沒事,不過這個爸爸看到下一站有個女生刷卡沒刷過時還露出一個怎麼可以這樣的表情)。

抵達夏卡爾博物館後須要先排隊,入場前也會有安檢檢查書包,博物館外有個小庭院跟咖啡廳,庭園美景也很好看。夏卡爾博物館是個宗教博物館的樣子,此次展示的畫作主要是舊約聖經的故事,有些作品展覽還沒開放有些可惜。夏卡爾的用色很繪本感,每張畫作都可以掃QRcode聽介紹,而且也有看到日韓旅行團的專門導覽,還有看到可能是藝術科系學生帶著畫本現場臨摹,旁邊的小教堂的窗戶也是夏卡爾的作品,做成彩繪窗花很美。


原本看蔚藍海岸套票的專門APP顯示馬諦斯博物館沒有開放,所以就在夏卡爾博物館慢慢逛,然後再前往馬諦斯博物館旁邊的Cimiz遺跡,由於看到幾位像是英國貴族家庭的人從馬諦斯博物館走出來,想說去看看是不是有紀念品店可以看,結果就發現博物館有開!!!馬諦斯最知名的作品雖然沒有放在這裡,但是他在尼斯久居與過世,展示作品蠻多的,不過因為時間所剩不多,就只能快速地看過去,最後在紀念品店買得很開心~而且是這幾天唯一買東西會送小贈品的店。

 

  

馬諦斯博物館出來後,就在附近的公園裡繞了一下,到附近的修道院與墓園逛逛。在公園裡看到有人在玩法式滾球與遛狗,真的是蠻愜意的。這邊的修道院據說是九世紀成立(建築物是十六世紀蓋的),特別的寧靜與莊嚴,很喜歡。歐洲的墓園似乎是很多人會參觀的地方,有很多漂亮的雕像,回旅館聽了介紹法國墓園的podcast有提到這些墓園其實是要花租金的,有些後代忘了繳費或連繫不到,這些祖先就會被清空,以及巴黎的地下墓穴很有名。

 

10/9 安提布(畢卡索博物館)、卡捏(套票:雷諾瓦故居、城堡博物館)

這天是第一次去尼斯火車站搭車,還蠻漂亮的。原本搭車到卡捏要轉公車到雷諾瓦故居,結果坐錯方向也就順勢直接先搭去安提布,後來覺得這樣反而更好,邊逛邊走去畢卡索博物館,可能是早上人還不多,很快就能入場。

畢卡索博物館不適用蔚藍海岸套票,以前曾經可以在遊客中心換票但現在不行了。遊客中心可以買到0歐元,服務人員很親切,不過問我們從哪裡來時,我們回答「臺灣」的同時她同時說「喔 是日本阿」,看來日本真的是國外旅客的亞洲面孔代表)。

畢卡索博物館有搭配的導覽APP,現場有點開不起來,因此就是走馬看花的逛,戶外有一些雕像連同海景一起拍還蠻美的,館內同樣不會有最知名的畢卡索作品,最喜歡的是盤子,覺得這系列可以開發更多紀念品。


                

畢卡索博物館旁邊也有個小教堂,在這裡看到一個雕像是耶穌基督從十字架上放下來的,看到手腳上都有打洞,真是很還原。

    

中午就在旁邊麵包店買了法國麵包夾生菜雞肉優閒的看海吃,是這幾天覺得第二好吃的餐。

安提布到處都很有藝術氛圍,海邊有雕像(這裡很適合曬太陽,也很多人在海中游泳,還有人在這專門出租海灘巾營利),也有很多藝術家的特色小店,可以買到手繪明信片。聽到旁邊的路人說「真想成為這裡的狗,這些狗平常沒什麼煩惱吧?每天看這樣的海,可能就是煩惱要吃什麼而已」,的確是有這種感覺...

安提布的磁鐵常常會看到Juan-les-Pins和Jazz,同樣問了AI,說安提布是老城,Juan-les-Pins是會舉辦音樂節的年輕海景餐廳區。感覺是很適合在這裡待一整天的小城鎮。

        


在安提布逛好逛滿後才搭公車回卡捏,先去雷諾瓦故居再去城堡博物館。途中有一站Biot也有個有名的藝術館Fernand Léger National Museum,一直有看到它的廣告,但就沒有安排。

雷諾瓦故居和城堡博物館都需要走一些路,在大熱天底下走路實在是會增添疲累感。雷諾瓦故居相較其他博物館應該算比較小型的,很可惜沒有什麼紀念品。雷諾瓦最知名的作品雖然也不會在此展示,然而可以看到他作畫的房間、輪椅(可以看到他作畫的房間很重視採光),還有可以看到他的學生與後代的畫作與雕塑作品(雷諾瓦自己的作品也有,只是不多)。故居往外眺望可以看得到海景,他的庭園有很多橄欖樹和花叢,有一間藝術教育的小屋有介紹顏料與畫筆。

             

城堡博物館和雷諾瓦故居都需要爬一小段坡路,不過城堡博物館的坡路更長更陡(於是下山時就選擇搭公車),沿路可以欣賞家家戶戶的門把和敲門環,而且會有繪畫作品與現場的對照。可能是因為我們抵達的時間已經是城堡博物館關門的時間,路上沒有很多人,因此走得很愜意(只是也有點累了)。

             

抵達城堡博物館時距離閉館時間只剩下半小時還一小時,所以工作人員都很趕的樣子,首先就催促我們趕快抵達頂樓(可能是最多人想去看的地方?),每層樓都會有工作人員用法語說一大段話,總之應該就是要我們趕快往上走。到頂樓居高臨下看風景,可以想像自己是君王俯瞰城市想著這些都是我的子民們阿~而且假如遠方有人攻打過來其實也是可以看得到一些。

 

看完景色可以參觀城堡內的藝術品,城堡本身其實就蠻好看的,如果時間多一點,是蠻可以拍出好看照片的地方。藝術品有古代也有近代的,由於時間不夠所以也是走馬看花的看。可以感覺到員工迫切想下班的心情,一層一層的巡視與鎖門,離閉館時間應該還有十分種左右,就看到其中一個員工已經出來在外面的餐廳了。

               

從尼斯車站回來時,我們刷卡但是門沒打開,後來才知道出站不用刷卡可以直接過。後面的年輕人用豐富的肢體語言表達「天啊! 怎麼會有人不知道」,友善的中年人用英文跟我們大致說明。這邊的火車站其實也蠻玄的,有些站會找不到刷卡的地方,可能不管火車還是公車都是讓民眾很容易逃票的地方吧。

晚上我們去吃了旅館附近一間入圍米其林的餐廳L'Alchimie restaurant Nice,得到米其林星等得不太好預約,所以就來這間獲得好評與AI推薦的餐廳,預定會收訂金。隔壁桌是日本女生,感覺是蠻多外國旅客會來用餐的餐廳,服務生很習慣用英文服務,以及放棄用英文來跟我們介紹菜色,我們就用翻譯APP大概猜了一下餐點就點餐,加上酒,一人大約45歐。我們兩人的前菜都有泡沫調味,吃得出食材很不錯,不過平時真是很少吃西餐,也是有點難品評出什麼。意外的是這家上菜速度很快,可能是因為客人很多需要拚翻桌率?比Rose那家有效率多了。

             

10/10 芒通

這天早上去車站搭火車前先去附近的郵局寄明信片,郵資2.1歐,是2025世博的、還蠻有紀念意義,而且幸好隔了快一個月後有收到。在郵局寄件時,服務人員是個姐姐,親切而慢條斯理地找郵票(重複翻了很多本),接著郵票不夠再找人補郵票,貼郵票時非常的細心,邊端詳明信片邊找位置貼(她最喜歡的是摩納哥的明信片),於是大概花了15分鐘,後面也就開始排隊。另個阿姨可能比較資深就有點擔心的說了些話,姐姐大概就回了她這邊就還在忙也沒辦法(這段都是法文、自行猜測意思),於是後面排隊的那些人就成為阿姨負責的了~

芒通比之前去的點都遠一些,坐在火車上看窗外海景蠻好的,而且在摩納哥站還被旁邊的其他遊客詢問這裡是什麼站,就想說豈不幸好我們先前有到過摩納哥站、不然我們也是外國觀光客可能會說錯耶~抵達芒通的早上先去逛了書店、圖書館(不大,可以免費使用廁所而且挺乾淨的,服務人員都很親切,兒少區有動漫作品,一般區也有許多人是來念書或用電腦的),再去逛紀念品店與果醬橄欖油店。

午餐吃podcast推薦的餐廳La Mandragore,同樣有午餐套餐,分成兩種價位的套餐選項。Podcast推薦這家的貝類,不過聽的時候沒有認真記菜名,看著翻譯就選了「漁夫餐桌(26歐)」,以為這就是什麼都有的海鮮大餐,結果上來的是小鹹魚套餐...恐怕是高估了這裡漁夫的打魚能力了....小鹹魚有搭配不同的醬,但不管什麼醬都是鹹,雖然一開始很開胃,但是吃到後來也是有點膩,而且就都是冷冷的....

同樣問AI,AI說「一份漁夫餐盤常包含:烤或炸的魷魚圈、淡菜、蛤蜊、蝦、白魚片(如海鱸、鯛魚),有時會附檸檬角、香草橄欖油、馬鈴薯或沙拉」這麼看來是這裡漁夫比較偷懶?! 繼續追問為什麼芒通都是小鹹魚,AI說「芒通位於法國最東邊、靠近義大利利古里亞海(Ligurian Sea),這一帶屬於深海突然靠近岸邊的海域。👉 大型魚類多在深海活動,小型魚群(鯷魚、沙丁魚、鯖魚)則靠近岸邊。芒通氣候炎熱,早期沒有冷藏設備,所以人們用鹽醃法來保存漁獲。地中海沿岸料理常加鹽、橄欖油、檸檬、香草(尤其是百里香、迷迭香)來提味。當地人覺得這樣是goût de la mer(海的味道)」看來漁夫餐盤也是要靠地區來決定要不要點...

吃完一堆小鹹魚後的甜點非常好吃! 是裝在檸檬裡的檸檬冰沙與檸檬慕斯塔搭配檸檬酒,份量很大,不會太甜太酸。

由於這裡的上菜速度也很慢(又是吃了兩小時),於是就邊等待邊玩普魯斯特問卷,不過只問了幾題,打算趁著跨年時來寫在本子上。

                 

吃完飯後就繼續逛紀念品店,以及沿著海邊走再去看一些雕像。結果就遇到了一個法國女生主動來說想幫我們拍照! 她說她在念藝術學校,有一個計劃要蒐集不同女性的照片,以及一再抱歉她的英文不好(並不會! 比我們好啊!!) 後來和旅伴也互相在IG上留言,真是個神奇的機緣。

接著就繼續沿著海邊走,終於走到明信片上會看到的芒通海邊城市,在這個海灘畫畫後,就往上爬到教堂,不知道是什麼慶典,滿地都是白色紙花,教堂的走道拍起來很好看。

 

 
  
最後當然就是要去一下法國和義大利的邊界,搭公車過去看了一下,就是個很平凡的車道,輕輕鬆鬆的就進入了義大利。路途中經過一家披薩店聞起來很香,就想著是不是該在芒通吃個義大利披薩或料理,不過最後奔波了一陣鎖定的店家沒開,就回尼斯再找間餐廳吃海鮮沙拉與義大利餃,看到這滿滿的貝類才比較像是午餐時間的期待樣貌,不過這間的海鮮味道普通,想想臺灣的海鮮還真是便宜又好吃~

 

晚上旅伴去參加了尼斯當地社群的swing dance,真是超佩服勇氣! 跟著去看了一下跳舞教室,遠遠的感受到溫暖的社群氛圍(跟歌劇院那天感受類似),還有看到一個可能是俄羅斯來參加的老太太在用手機翻譯法俄語。再次覺得自己的I屬性強烈,非工作場合真的不太會去主動參加這類活動XD

10/11 腳踏車、港口聖母院、城堡山

最後一天原本想說下午要去搭飛機,就只排了騎腳踏車,想不到還是可以很充實。由於第一天去埃茲前經過的港邊聖母院沒有進去逛,這天就去補了這個景點,剛好遇到在做禮拜,進去聽了聖詩,超級好聽(離開教堂時腦中還有餘音)。

這天早上也去找麵包店的新鮮可頌與LAC的蛋糕坐在路邊小公園吃,以及再次喝了法國很愛的英國Innocent 果汁。

接著再次去了城堡山,這次搭電梯上去、爬步道下來,用徒步走得看得風景比搭導覽列車上去看到的多,也看到了更多繪畫與風景的對照點。真是慶幸有再次前往城堡山補這段,上飛機後都還會持續回想起早上看到的這些景色。

 

 

整體感受

這次的旅途收穫了很多新鮮的體驗,真心覺得南法是非常放鬆與充滿藝術感的景點,食物也算符合口味,值得推薦。旅行期間讓自己想通一些事情蠻好的(出發前剛好家裡發生很多事情,也做出了一些不同的決定與溝通,抱持著複雜的情緒展開這段旅程),因為旅伴多了很多新體驗及與人交流的機會,也拍了不少照片(突破不喜拍照的小心魔),還有蒐集到很多皮克敏明信片!

這次是第一次非公務的長途旅行,好像就因此多了一些不同的擔心(像是過海關沒有公務理由會不會比較困難之類的),同時也是有稍微減少一點旅行前後的考察資料準備。不過,還是會聽podcast、用duolingo學法文之類的,在旅行前與途中增加了對於藝術、體育、文化、語言的小認識,而且是拋下認真理解的那種知識,享受左耳進右耳出的豆知識。突然會產生一些「好想要學畫畫」這類發自內心的好奇心與動力,覺得人生除了工作課業還有好多有趣的事情,可惜時間真是好少、能做的永遠比不上想做的......


另外,自己很少有機會這樣跟外國人有這樣的互動,平常旅行常常都是靠手機查詢完成,公務出國的互動則往往有任務在身就都是在聊公事,會覺得要是自己外語能力更好一些、能更自信一些,應該會有更多深刻與有趣的旅行經驗吧。

這篇遊記真是花了超多時間慢慢寫,原本還有宏大願望想要用手寫搭配繪畫與照片...邊寫邊想不知從何時開始我的文字都是寫給別人看得,好像非工作用途的文字就不值得花時間投入...以及好像很多日常瑣事的心得都是在社群媒體上與人互動時留下的,但就沒有系統性的整理自己的回憶,也是蠻可惜的。接下來也不知道會不會再這樣好好花時間記錄旅行或是每天的日常...