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2026年9月29日 星期二

和AI共同合作大稻埕英文導覽稿

用法:

1. 先讓GPT直接根據導覽路線來設計講稿,以及設計一些導覽用圖卡 >>會有點不確定圖卡內容是否完全正確

2. 使用能找到台灣資料的AI來根據導覽路線來提供更專業的學術資料,再把這些學術資料摘要丟給GPT修改講稿>> GPT會一直提醒這些資料太專業不一定要使用

3. 大量聽podcast的相關討論(來自走讀導覽者的介紹、學術研究者的分享、相關書籍的分享),再把相關資訊綜整成另外的非AI生成圖卡,後用自己的方式從頭用破英文講一遍,語音轉文字給GPT請他改成通順講稿>> 

(1)此時會發現GPT還不錯, 除了修正英文, 還會幫忙查證講的內容是否正確、是否誇大,並且直接修改(可能跟自己平常一直要求他要找資料驗證跟避免誇大有關)。另一個好處是GPT會辨識自己的語音輸入英文句型問題, 指出該英文口說該怎麼練習

(2)有點煩人的地方是它會一直回到自己第一版的導覽稿,不會根據新的資訊大幅調整內容,且前面明明建議我不要加入太多歷史年代資訊,現在卻會自己補進來

(3)最不好的壞處就是,有些Podcast內容是網路上沒有的真人經驗分享,GPT就會說這些資料不存在而改掉那段論述.

實際上AI合作產生的講稿還是很難使用,因為偏離自己的口語太多~~

Right now, we are at Daqiaotou.

First, we will walk to the Ten Connected Shophouses.

Then we will go to Cisheng Temple.

Around the temple, we will have some traditional Taiwanese breakfast and local food.

After that, we will walk through different parts of Dadaocheng.

We will see tea shops, dried-food shops, traditional pastry shops, old buildings, and some newer businesses.

Then we will go to a tea house. We can sit down, have tea, and talk more about Taiwanese tea culture and the history of the tea business in Dadaocheng.

After that, we will visit Xia-Hai City God Temple.

Our last main stop will be Yongle Market, where we can see the fabric market.

So you may notice that we have several themes today: temples, tea, food, old buildings, fabric, and the river.

They may seem like different things, but actually they are all connected.

Dadaocheng was once a very important business area.

Goods came here from different parts of Taiwan, and some were also exported overseas.

Trade brought merchants, workers, temples, tea shops, warehouses, and many different businesses to this area.

You will see how these things connect as we go.

Before we continue, can I ask you one question?

How familiar are you with Taiwan’s history?

To understand Dadaocheng, it helps to know just a little about Taiwan’s history.

Taiwan has been home to different peoples and ruled by different governments over time.

First, Indigenous peoples were already living in Taiwan long before large numbers of people came from China.

In the 1600s, Taiwan became part of a busy maritime world.

The Dutch controlled part of southern Taiwan for a period, and the Spanish had settlements in the north.

You may also know the old name Formosa.

This name came from Portuguese sailors. It means something like “beautiful island.”

Later, there was a short period of rule by Zheng Chenggong, or Koxinga, and his family.

Then, from the late seventeenth century, Taiwan came under the Qing dynasty.

The Qing period is especially important for our tour today.

More migrants came to Taiwan from Fujian and Guangdong.

They brought their languages, food, business networks, skills, and also their gods.

That is why religion and migration are so closely connected in Taiwan.

Dadaocheng really began to grow in the middle of the nineteenth century, during the late Qing period.

After Tamsui opened to foreign trade, tea became especially important.

Dadaocheng became a place where tea was processed, traded, and exported.

Later, from 1895 to 1945, Taiwan was under Japanese rule.

During this period, Taipei changed a lot.

Roads were widened. Railways, markets, public buildings, and other modern city systems developed.

So in Dadaocheng, you can see buildings from different periods mixed together.

Some ideas came from traditional Chinese architecture.

Some were influenced by Western styles.

And some changes happened during the Japanese period.

After World War Two, Taiwan came under the Republic of China government, and Taipei continued to grow into the city you see today.

So for now, you only need to remember a few things.

Taiwan has many layers of history.

Dadaocheng grew mainly during the late Qing period.

Trade, especially tea, made this area rich.

Temples grew together with migrant and business communities.

And during the Japanese period, the city became more modern.

Everything else, we can discover step by step as we walk.

Now, let’s look at Taipei Bridge.

We started at Daqiaotou Station.

The name Daqiaotou means something like “the area near the big bridge.”

And the big bridge is Taipei Bridge.

You may have seen photos like this before.

In the morning rush hour, a huge number of scooters come down from the bridge.

People call this the “Scooter Waterfall.”

A photo called “Motorcycle Waterfall” was even entered in the National Geographic Travel Photographer of the Year contest.

So today, this bridge is famous for scooters.

But its history is much older.

The first bridge here was built in the late Qing period.

It was completed in 1889.

At that time, it was mainly a wooden railway bridge.

Trains crossed the Tamsui River here.

But wooden bridge supports were difficult to maintain because of floods.

A typhoon also badly damaged the bridge.

Later, during the Japanese period, the railway route was changed.

The bridge was then used more for normal road traffic.

This area also has a strong working-class history.

In the past, many day laborers came here and waited under the bridge for temporary jobs.

So the food around Daqiaotou developed for people who needed something cheap, filling, and high in energy.

That is why you can still find many traditional foods here made with rice, sticky rice, pork, and soup.

These were practical foods for workers.

Not fancy food, but food that could keep you full for a long time.

Do people use many scooters in Switzerland?

Does this look very different from morning traffic in Switzerland?

Now we can see the Ten Connected Shophouses.

But before we talk about the buildings, let’s look at this picture first.

We are now in Dadaocheng.

Do you know what the name Dadaocheng means?

The name is said to come from a large open yard used for drying rice grain.

In the past, after farmers harvested rice, they needed large open spaces to dry the grain in the sun.

You can see something similar in this picture.

Even today, you can sometimes see farmers drying grain outside.

Rice has always been very important in Taiwan.

For many people, it was the main staple food.

Do people eat much rice in Switzerland?

Now let’s look at these buildings.

These are called the Ten Connected Shophouses.

They were completed in 1912, during the Japanese period.

There were ten connected buildings, but they belonged to six businesses.

Five were rice mills, and one was a sewing-thread factory.

This area was close to the river and Taipei Bridge.

Rice could be brought here, processed in the rice mills, and then sold or sent to other places.

So this was not originally a tourist area.

It was a working business district.

Today, the old buildings have been reused for restaurants, shops, and other businesses.

You can see that the bricks, arches, and windows follow a very regular pattern.

From here, we’ll walk slowly along the street.

Please feel free to stop and take photos.

If you want, I can also help you take photos.

As we walk, try to look up.

Don’t only look at the shops on the ground floor.

A lot of interesting details are above us, on the windows, walls, and the top of the buildings.

Sometimes, there are also interesting details under the covered walkway.

So today: look up, look down, and look inside.

As we go south, you will see more decorated buildings.

Some have traditional Chinese features.

Some have Western-style decoration.

And some were changed during the Japanese period.

Remember, this was an important business street.

So the front of a building was also a kind of advertisement.

A merchant could use the building to show, “My business is successful. My company is modern. Look at me.”

So the building was not only a place to live and do business.

The building itself could show wealth and status.

Now let’s look at this card.

Many traditional shophouses were very long and narrow.

Some had two, three, or even more sections.

This card shows an example with three sections, or three jin.

Jin does not mean three floors.

It means different sections going deeper into the building.

At the front was the front hall.

This was often the shop and the most public area.

Behind it was a small open courtyard, or skywell.

Then came another building section.

This could be used by the family for living, working, or other activities.

Then there could be another courtyard and a rear section.

The back could be used for storage, cooking, or other family activities.

The exact use was different from house to house.

Why did they have these open courtyards?

Look at the shape of the house.

It is very long and narrow.

Before electric lights and air conditioning, the middle of the building could be very dark and hot.

So the courtyard brought in sunlight and fresh air.

It also helped with rainwater and ventilation.

It was a simple but clever design.

Does Switzerland have old houses with inner courtyards like this?

Because Dadaocheng was close to the river, goods could arrive by boat.

Workers moved the goods from the river into warehouses and shops in this area.

So the long shophouse was useful for many things: selling in the front, working in the middle, and storing goods deeper inside.

I also want to show you something interesting.

My friend recently traveled to Malacca in Malaysia, and she gave me this magnet.

Look at the buildings.

Do they look a little familiar?

You can also find long, narrow shophouses in many old port cities in Southeast Asia.

Similar ideas about shops, homes, courtyards, and covered walkways developed in southern China and around Southeast Asia.

But every place changed the design in its own way.

In Malacca, for example, you may see more colorful decoration and different European and local influences.

Here in Dadaocheng, you can see another mixture: Chinese traditions, Western-style decoration, and changes from the Japanese period.

So the same basic idea can look very different in different cities.

Architecture travels with people, but it changes when it reaches a new place.

Okay, that’s enough architecture for now.

Let’s walk and see the real buildings.

Now I’ll show you a few traditional shops along the way.

The first one is a fish ball shop.

Fish balls are very common in Taiwan.

Many early migrants to Taiwan came from coastal areas of Fujian and Guangdong.

Fish balls were already part of the food culture there, and people brought this tradition to Taiwan.

Fish is chopped or ground into a paste, shaped into balls, and then cooked.

We usually eat fish balls in soup or with noodles.

Different places in Taiwan have different styles.

Some are made mostly with fish.

Some have a little pork filling inside.

Different areas may also use different kinds of fish.

So even something as simple as a fish ball can taste quite different from place to place.

Have you ever tried fish balls before?

And here you can see another very typical thing in Dadaocheng: dried food.

You will see a lot of dried seafood, mushrooms, fruit, herbs, and meat around this area.

Before refrigerators, drying was a very useful way to preserve food.

It also made food easier to store and transport.

This was especially important in a trading area like Dadaocheng.

Goods came here from many different places, and some were sent out again to other parts of Taiwan or overseas.

Dihua Street is also very famous for Lunar New Year shopping.

Before the New Year, many families come here to buy dried food, snacks, candy, nuts, and ingredients for family meals.

In the past, people also needed to prepare enough food for the holiday because many shops would close for several days.

So buying food before the New Year became an important tradition.

This is dried meat.

In Taiwan, we usually eat this as a snack.

It can be sweet, salty, or a little smoky.

If you like meat, I think it is worth trying.

Now, here is another interesting shop.

Today it sells lamps, but this kind of traditional shop was also connected with joss paper.

Joss paper is paper used in traditional religious rituals.

You may also hear people call it spirit money.

Different kinds of paper are used for different purposes.

Some are offered to gods.

Some are used when people remember their ancestors or other spirits.

People burn the paper as a symbolic offering.

There are also many folk explanations for this.

One funny way some people explain it is, “Even gods need helpers, and the helpers also need money.”

But this is more of a folk explanation, not a strict religious rule.

For ancestors or people who have died, you may also see paper houses, paper cars, clothes, or other objects.

These are symbolic gifts.

People hope their family members can have a comfortable life in the next world.

Today, you can even find paper phones, computers, or other modern things.

Okay, now we are heading to Cisheng Temple.

On the way, I want to show you a few more things about Taiwanese food.

When we arrive at the temple, we’ll have breakfast first.

Then, after breakfast, I’ll tell you more about traditional religion in Taiwan.

We just passed a famous traditional pastry shop called Li Ting Xiang.

Unfortunately, it is not open yet.

It is an old and well-known pastry shop in Dadaocheng.

One of its famous products is a curry-flavored traditional pastry.

So if you like Taiwanese pastries, you can come back another day and try it.

Traditional pastries are also very important for festivals, weddings, and gift-giving in Taiwan.

I also made some food cards for you.

Of course, one Taiwanese food that many foreigners know is stinky tofu.

Have you tried it yet?

But stinky tofu is not the only food that may look a little challenging to visitors.

Taiwanese food also uses many different parts of an animal.

We eat pork, beef, and chicken offal, for example intestines, liver, kidney, and stomach.

I know this may sound a little scary if you are not used to it.

But good shops clean and prepare these ingredients very carefully.

So the taste is often much milder than you may expect.

For example, this is called Four-Herb Soup.

It is a traditional soup made with Chinese herbs.

It often comes with pork intestine.

Don’t worry. “Four-Herb” means four herbs, not four gods.

You will also see a lot of food made from rice and starch in Taiwan.

Rice, rice noodles, sticky rice, taro, sweet potato, and different kinds of rice cakes are very common.

Remember what we talked about earlier?

Rice was very important in everyday life.

So you can see it in many different forms.

And when we arrive at Cisheng Temple, you’ll see many traditional Taipei breakfast foods.

You can find things like meat congee, pig’s feet with thin noodles, pork rib soup, fried rice, and Four-Herb Soup.

A famous Korean chef and food TV host, Paik Jong-won, also came here for his program Street Food Fighter.

He tried the pig’s feet with thin noodles here.

So if you like pork, that may be something you want to try.

You may wonder: why is there so much good food around a temple?

In Taiwan, a traditional temple was never only a place to pray.

It was also an important meeting place for the community.

People came here to worship, meet friends, talk about local matters, watch performances, and join festivals.

So when many people gathered around a temple, food businesses naturally grew around it.

You can think of a Taiwanese temple as both a religious place and a kind of neighborhood living room.

When we go inside the temple, look at the roof, walls, doors, and carvings.

You will see many stories.

Before television, movies, or the internet, these pictures and carvings were also a way for people to learn traditional stories and ideas about good and bad behavior.

So in a way, a temple is also like a three-dimensional storybook.

Okay, now we are at Cisheng Temple.

So first, let’s do the most important Taiwanese thing.

Let’s eat.

History is easier to understand after breakfast.

Now let me tell you a little about Mazu.

Have you heard of Mazu before?

Mazu is one of the most widely worshipped deities in Taiwan.

She is especially known as a protector of people at sea.

This is very important for Taiwan’s history.

Many early migrants came to Taiwan from the coast of southern China.

To reach Taiwan, they had to cross the Taiwan Strait.

At that time, they traveled on wooden sailing boats.

The journey could be very dangerous because of strong wind, waves, and storms.

So many people prayed to Mazu for a safe journey.

When they arrived in Taiwan, they brought their Mazu belief with them.

Over many centuries, Mazu became more and more important.

Different Chinese rulers gave her official titles.

During the Qing dynasty, she received the title Tianhou, or Empress of Heaven.

A Qing general named Shi Lang also said that Mazu had protected his fleet.

After that, the Qing court gave Mazu an even higher official title.

Now, this next part is a traditional story, not something we can prove as history.

According to tradition, Mazu was originally a woman named Lin Mo.

Lin was her family name.

Mo means quiet or silent.

The story says that when she was born, she did not cry for a long time.

So her family gave her the name Mo.

There are many legends about her life.

One famous story says that she had special powers and tried to save members of her family during a storm at sea.

Different versions of the story have slightly different details.

Later, people believed that after her death, she continued to protect sailors.

Over time, she became worshipped as Mazu.

So why is there a Mazu temple here in Dadaocheng?

Remember what we talked about earlier.

Dadaocheng was a trading area beside the river.

Merchants and boats came and went from here.

So Mazu, the protector of sea travel, was very important to people here.

Cisheng Temple was once located closer to the river and the old wharf.

That made a lot of sense because many merchants and boatmen worshipped Mazu.

During the Japanese period, Taipei changed its roads and city plan.

The old temple was removed as part of the city reconstruction.

It was then rebuilt here, and the new temple was completed in 1914.

So even the location of this temple tells us something about how Taipei changed.

Before we go inside, let me show you a few simple temple customs.

Don’t worry. You don’t have to remember everything.

The most important thing is just to be respectful.

Traditional temples often have three doors.

The middle door is traditionally for the gods and for important ceremonies.

So visitors usually use the side doors.

Traditionally, we enter through the Dragon Gate and leave through the Tiger Gate.

When we stand here and face the temple, the Dragon Gate is on our right.

So we go in on the right and come out on the left.

And try not to step on the raised doorway.

Step over it.

You may also know the idea of Yin and Yang.

It is an important idea in traditional Chinese culture.

Yin and Yang are two different but connected forces.

You can see this idea in religion, architecture, medicine, food, and many other parts of traditional culture.

Some temple customs are also explained through ideas about Yin and Yang.

But the rules can be different from temple to temple, so today I’ll just show you the simple version.

If you want, you can just look around.

You do not have to pray.

But if you want to experience it, I can show you a very simple way.

Usually, we first greet Heaven.

Then we greet the main deity of the temple.

Here, that is Mazu.

You can simply put your hands together and bow.

If the temple allows incense, people may use one or three incense sticks.

You don’t need to do everything perfectly.

Being respectful is more important than remembering every rule.

Inside a Taiwanese temple, you may see many different deities.

Different deities are traditionally connected with different parts of life.

Some people pray for health.

Some pray for family, business, study, travel, or children.

You can think of it as a divine team.

Today, we don’t need to pray to every deity.

If you just want a simple experience, we can greet Heaven and Mazu, and then look around the temple.

Every year, especially around the third month of the lunar calendar, there are many Mazu pilgrimages and processions in Taiwan.

We even have a saying: “March goes crazy for Mazu.”

Some of these pilgrimages last for many days.

Thousands of people may walk with Mazu from town to town.

Mazu travels in a sedan chair, and local communities welcome her along the way.

You may also see a tradition called walking under the sedan chair.

People kneel down, and Mazu’s sedan chair passes over them.

They do this to ask for protection and blessings.

But this is not done everywhere, and people need to follow the rules of each procession.

So Mazu is not only a goddess inside a temple.

Her belief is connected with Taiwan’s migration, sea travel, business, local communities, and festivals.

That is why you will see Mazu again and again when you travel around Taiwan.

If you want a deeper temple experience, I can also show you how people traditionally ask a deity a question.

One of the most common ways is to use these.

They are called jiaobei, or divination blocks.

They look a little like two small crescent moons.

Each block has one flat side and one rounded side.

First, you tell the deity who you are.

Traditionally, people may say their name, birthday, where they live, and what they want to ask.

Then you ask one clear question.

Usually, it should be a question that can be answered with something like yes or no.

Then you hold the two blocks together and gently drop them onto the floor.

There are three possible results.

If you get one flat side and one rounded side, it usually means yes, okay, or you have permission.

If both flat sides face up, the answer is not clear.

It may mean the question is unclear, or the deity is not giving you a clear answer yet.

If both rounded sides face up, it usually means no, or that the request is not accepted.

You should not just keep changing the question until you get the answer you want.

It is not like asking the same question until your parents finally say yes.

If your question is more complicated, you may also ask for a fortune stick.

Each stick has a number.

First, you ask whether the deity is willing to give you a fortune stick.

If you receive permission, you draw one stick.

Then you use the divination blocks again to ask, “Is this the right stick for me?”

Different temples have slightly different rules.

When the deity confirms the stick, you look at the number.

Then you find the fortune poem with the same number.

The poem is usually very short.

But it can be difficult to understand because it is written in an old style of Chinese.

Many fortune poems are connected with an old story or historical legend.

So you usually need to understand both the poem and the story behind it.

Later today, when we visit Xia-Hai City God Temple, you will see another very famous deity called Yue Lao.

Yue Lao is the matchmaking god.

You can think of him as a little like Cupid, but not exactly the same.

Cupid uses arrows.

Yue Lao uses a red string.

The red string represents the connection between two people who are meant to meet.

If someone asks Yue Lao for help and later finds a partner and gets married, the couple may come back to the temple to say thank you.

This is called huan yuan.

Okay, let’s move on.

Now let’s walk to Long Yue Tang, or MoonDragon.

It is another old and well-known pastry shop in Dadaocheng.

It was founded in 1932.

The third-generation owner later went to Japan to study Western-style pastry making.

But the shop still keeps many traditional Taiwanese pastries and old methods.

Actually, one of my friends recommended this shop to me.

So I bought some pastries here before and brought them home.

My mother really liked them.

She said, “Yes, this tastes like the traditional flavor I remember.”

So even though the shop is a little away from Dihua Street, I wanted to bring you here.

Most of the pastries here are quite small.

So I suggest buying just one or two first and sharing them.

Then, if you like the flavor, you can buy more.

Taiwanese pastries can be sweet, but sometimes we mix sweet and salty flavors together.

For example, an egg-yolk pastry may have sweet red-bean paste and a salty egg yolk inside.

Some traditional pastries also use ingredients like mung bean, meat, or pork floss.

So the flavor may be a little surprising if you are used to completely sweet desserts.

There is an old saying in Taiwan: “Sugar in the south, tea in the north.”

It is a very simple way to remember two important industries in Taiwan’s history.

Northern Taiwan became famous for tea.

Southern Taiwan had a very important sugar industry.

So tea and sugar were both major products that connected Taiwan with the outside world.

As we walk, you can also see many shops selling dried food.

You may see dried scallops, dried shrimp, dried squid, dried mushrooms, dried fruit, and many other things.

Why were dried foods so important?

Before refrigerators, drying was a useful way to preserve food.

And in a trading area like Dadaocheng, dried food was easier to store and transport.

But drying is not only for preservation.

It also changes and concentrates the flavor.

For example, dried shrimp or dried scallops can give a dish a much stronger taste than fresh seafood.

They add a lot of umami.

These dried ingredients are especially important before Lunar New Year.

Families prepare many special dishes for the New Year dinner.

In Chinese, we call these dishes nian cai, New Year dishes.

So people traditionally came to places like Dihua Street to buy ingredients, snacks, dried food, and gifts.

Today, Dihua Street is famous for the Taipei Lunar New Year Market.

People had already been coming to this area to buy New Year goods for a very long time before the modern event began.

Now we are walking through Dadaocheng Park.

There is someone here I want to introduce to you.

His name is Li Linqiu.

He was one of the most important lyric writers in early Taiwanese popular music.

His most famous song is Wang Chun Feng, or Longing for the Spring Breeze.

This is one of the best-known old Taiwanese songs.

If you like, I can play a short part for you.

The song is about a young woman thinking about love.

She sees a handsome young man.

She likes him, but she is too shy to talk to him.

So most of the story happens inside her mind.

She wonders about love and who she may marry one day.

So basically, it is a love song about having a crush but being too shy to do anything about it.

Li Linqiu had a strong connection with Dadaocheng.

His family was once quite comfortable because they were in the grain business.

But later, the family lost much of its money.

After elementary school, he had to start working.

He did different small jobs, and later he worked at the Yongle Theater here in Dadaocheng.

Working around the theater brought him close to movies, performances, and popular entertainment.

Later, he became a very successful lyric writer.

His old home is also nearby.

I pinned it on the Google Map I gave you.

Unfortunately, it is closed on Mondays, so we cannot visit it today.

Dadaocheng is also a popular place for movies and TV shows.

Why?

Because within a very small area, you can find buildings from many different periods.

Old shophouses, temples, markets, traditional businesses, and newer shops are all mixed together.

So filmmakers can use this area to create many different kinds of scenes.

Even the film Lucy, directed by Luc Besson and starring Scarlett Johansson, filmed part of the movie here.

Some scenes were filmed at Yongle Market.

We will visit Yongle Market later today.

Now let’s go inside the tea house.

This tea house is called Nanjie Deyi.

Nanjie means South Street.

South Street was the old name for this part of Dihua Street.

Now I want to show you a very famous painting.

It is called Festival on South Street.

The artist was Kuo Hsueh-hu.

He grew up in Dadaocheng and became one of the famous young artists of the Taiwan Art Exhibition.

This painting was made in 1930, during the Japanese period.

The original painting is now in the Taipei Fine Arts Museum.

Look at the street in this painting.

This is Dadaocheng during the Ghost Festival season, or Zhongyuan Festival.

Many people came here to buy things for worship and family rituals.

So the street was very busy and crowded.

You can see shops, signs, people, goods, and the temple.

And here, at the lower right, is Xia-Hai City God Temple.

Does this street look like the Dihua Street we just walked through?

Not exactly, right?

This is not like a photograph.

The artist changed some parts of the street to make it look more crowded and lively.

He wanted to show the feeling of Dadaocheng, not only the exact buildings.

Kuo Hsueh-hu was also one of the “Three Young Artists of the Taiwan Art Exhibition.”

The other two were Chen Chin and Lin Yu-shan.

They were very young when they became well known.

Around this area, you can also see the old Watsons building.

It was connected with the Hong Kong A. S. Watson business and was used for Western medicine and imported medical products in Taiwan.

But it was very different from the modern Watsons stores you see today.

Okay, now let’s talk about tea.

I also prepared a small gift for you.

This is a red envelope.

In Taiwan, we often use red envelopes during Lunar New Year and other happy occasions.

Usually there is money inside.

But today, I put tea inside instead.

These are some teas from my home, and I wanted to share them with you.

I brought three kinds of Taiwanese tea.

Sun Moon Lake black tea.

Wenshan Baozhong.

And Alishan Oolong.

When we describe tea, we can look at several things: where it comes from, what tea plant is used, how it is processed, and of course, how it smells and tastes.

This one is Alishan Oolong.

Alishan is a mountain area in central-southern Taiwan.

This kind of high-mountain oolong is usually fresh, smooth, and fragrant.

You may notice floral notes and a clean, sweet aftertaste.

This one is Wenshan Baozhong.

Baozhong is also a type of partially oxidized tea, so it is close to oolong.

It is usually lighter and very famous for its floral aroma.

If I make it very simple, Alishan Oolong is fresh and smooth.

Baozhong is light and floral.

And this is Sun Moon Lake black tea.

Black tea is more fully oxidized, so the flavor is usually deeper and stronger.

Some famous Taiwanese black teas can have notes like mint, cinnamon, fruit, or malt.

You can choose one to take with you.

Which one sounds more interesting to you: floral, fresh, or stronger?

Tea picking is also very hard work.

In many tea gardens, workers start early in the morning because the weather is cooler.

High-quality tea is often still picked by hand.

Pickers need to choose the right young leaves and buds carefully.

They repeat the same movement many times.

They also work outside in the sun, so you often see big hats, long sleeves, and protective clothing.

For good tea, they do not just pick any leaf.

They choose young shoots with the right number of leaves.

Different teas need slightly different picking standards.

After picking, the real tea-making work begins.

The leaves may be withered, sometimes under the sun and sometimes indoors.

Then they are moved, rolled, heated, dried, and sometimes roasted.

The exact process depends on the type of tea.

So when we drink one small cup of tea, there is actually a lot behind it: the place, the plant, the weather, the farmer, and the tea maker.

Now that we understand a little about how tea is made, let me tell you the history of tea in Dadaocheng.

This story is very important because tea was one of the main reasons Dadaocheng became successful.

During the Qing dynasty, a British businessman named John Dodd came to northern Taiwan.

At first, he was interested in camphor, which was an important export product at that time.

But while he was here, he also saw that northern Taiwan was a good place for growing tea.

He believed Taiwanese tea could be sold overseas.

But he needed local help.

So he worked with a Taiwanese businessman named Li Chunsheng.

Li helped him communicate with local farmers and organize the tea business.

They brought in tea plants from Anxi in Fujian.

They also gave money to farmers to encourage them to grow tea.

Then they bought the tea leaves, processed them, and prepared them for export.

They tried to build the whole tea business here, from growing tea to processing and exporting it.

Then, in 1869, John Dodd sent Taiwanese oolong tea directly to New York.

He sold it under the name Formosa Oolong Tea.

It was very successful.

After that, more foreign companies and local businessmen came into the tea business.

Dadaocheng quickly became an important tea-trading center.

This is why I said earlier that tea changed Dadaocheng.

By the way, Formosa Oolong is not the same thing as Oriental Beauty.

Formosa Oolong was a general name used for Taiwanese oolong tea in the export market.

Oriental Beauty is one special kind of Taiwanese oolong.

Oriental Beauty is very special because the tea leaves are bitten by a small leafhopper.

This helps create its honey and fruity aroma.

Tea was grown in the hills of northern Taiwan.

After picking, the tea was brought down from the mountains.

Rivers were very important for transportation.

Tea came to Dadaocheng for processing, sorting, packing, and trading.

Then it could be sent through Tamsui and exported overseas.

And remember what we talked about before: tea making is not only about the tea plant.

The skill of the tea maker is also very important.

The tea maker watches the leaves, smells them, touches them, and decides when to move to the next step.

Small changes in timing can change the aroma and taste.

So two people can use similar leaves and still make different tea.

Tea making is part science, part experience.

If you have time later, you can also visit Lin Hua Tai Tea Company.

It was founded in 1883, during the Qing dynasty.

It is one of the old tea businesses in Dadaocheng.

It still feels more like a working tea shop than a modern tea café.

You can see big tea containers and buy tea there.

But it is not really a place for sitting down and having a tea ceremony.

During the Japanese period, Taiwan’s tea industry became more organized and more industrial.

The government started tea research.

Machines were also used more in tea production.

Taiwan also faced strong competition from tea produced in other parts of Asia.

So producers tried to develop different kinds of tea and improve quality.

In the 1920s, Assam tea plants were brought from India.

They grew well around Sun Moon Lake.

This became the beginning of the famous Sun Moon Lake black tea industry.

So the black tea I gave you also has a story connected with the Japanese period.

After World War Two, Taiwan’s tea market changed again.

Taiwan could not always compete with cheaper mass-produced tea from other countries.

So the industry gradually focused more on quality, local character, and specialty tea.

Tea competitions also became an important way to improve quality and build local brands.

Today, many Taiwanese consumers are willing to pay more for good high-mountain oolong, competition tea, or tea from a famous area.

So the story of Taiwanese tea changed many times.

First, tea helped Dadaocheng connect with the world.

Later, Taiwan had to compete with cheaper tea from other countries.

And today, Taiwanese tea is more focused on quality, place, and special flavors.

Before semiconductors, tea connected Taiwan to the world.

That is why one small cup of tea can tell us a lot about Taiwan’s history.

Now let’s taste the tea and see what you can smell.

Don’t worry about finding the correct flavor.

Just tell me what it reminds you of.

Okay, now let’s move to Xia-Hai City God Temple.

We already talked about Taiwanese temple customs at Cisheng Temple, so here I only want to tell you a few special stories.

First, what is a City God?

How is a City God different from Mazu?

Mazu is especially connected with the sea and safe travel.

A City God is more like the protector of a local community.

He also watches over people’s behavior and justice.

A very simple way to imagine him is a spiritual mayor and judge.

It is not an exact translation, but it helps explain the idea.

The history of this temple is closely connected with the beginning of Dadaocheng.

In 1853, there was a serious conflict in Monga, today’s Wanhua.

At that time, migrants from different parts of Fujian formed different communities.

Sometimes they competed for business, land, and local power.

One group, people from Tong’an, lost the conflict.

So many of them left Monga and moved north to Dadaocheng.

And they did not come alone.

They brought their City God with them.

The Xia-Hai City God was the guardian deity of their hometown.

So when they rebuilt their community here, they also built a temple for him.

The present temple was completed in 1859.

So when people migrated, they brought not only their food and language, but also their gods.

Every year, on the thirteenth day of the fifth lunar month, there is an important City God festival.

It used to attract huge crowds.

There is even an old saying: “On May thirteenth, all you can see is people.”

It means the street was so crowded that you could hardly see anything except people.

The festival is still held today.

But now you may have a question.

If this is the City God Temple, why is it now so famous for the matchmaking god, Yue Lao?

Actually, Yue Lao came much later.

In 1971, a woman came here to pray to the City God because her children were having difficulty finding marriage partners.

Later, her wish came true.

So she came back to say thank you and donated a statue of Yue Lao to the temple.

After that, more and more people came here to pray for love and marriage.

Yue Lao is a little like Cupid.

But Cupid uses arrows.

Yue Lao uses a red string.

Of course, I don’t think you two need his matchmaking service anymore.

This temple also has the City God’s Wife.

Yue Lao is mainly connected with finding a partner.

The City God’s Wife is more connected with marriage and family harmony.

Married couples may come here and pray for a happy relationship.

One special item here is a tiny pair of shoes called Happiness Shoes.

People keep them at home and hope for a happy and peaceful marriage.

So maybe Yue Lao is the matchmaking service, and the City God’s Wife is the after-sales service.

If you want, you can also get a red string here.

It represents the connection between two people.

There are also small amulets, so they can be interesting souvenirs.

And there is something else I want you to try: the peace tea.

It is called Ping’an Cha.

It is sweet and warm.

The temple uses ingredients such as red dates, goji berries, and sugar.

The ingredients may change a little, but the idea is to share blessings and good luck.

And actually, I think it tastes quite good.

This tea also reminds me of another interesting part of old Taiwanese temple culture.

In the past, some temples also had something called a medicine fortune slip.

People could ask a deity for help when they were sick.

The slip listed different herbs.

Then they could take the prescription to a herbal shop nearby.

A famous example was Longshan Temple in Wanhua.

There is still a small street next to the temple called Herb Alley.

In the past, people could get a medicine slip from the temple and then buy the herbs in that street.

Traditional herbal tea and Chinese medicine can use some of the same plants, but they are not exactly the same thing.

Chinese medicine has a more formal system of diagnosis, prescriptions, and preparation.

Herbal tea is often part of everyday folk tradition.

Different shops may use different local plants and recipes.

In traditional Chinese culture, people often say that some herbal drinks can “cool the body” or reduce “internal heat.”

This is a traditional idea, not the same as a modern medical diagnosis.

Because Taiwan is hot and humid, cooling herbal drinks became very popular.

Some herbal tea is very bitter.

Some is light and easy to drink.

So if we see a herbal tea shop later, you can decide how brave you are.

This very small temple actually tells us a very big story: migration, business, community, love, marriage, and everyday life.

Now we are at our final main stop: Yongle Market.

Let’s go upstairs and look at the fabric market.

Yongle Market is one of the most famous places in Taipei for fabric.

In the early days, Taiwan did not produce enough cotton or silk for the local market.

So many fabrics had to be imported.

Dadaocheng was a very important trading area, so imported cloth came here through the port.

In 1908, during the Japanese period, a public market was established here.

Over time, this area became a major center for fabric wholesale and retail.

After World War Two, Taiwan’s textile industry grew quickly.

More textile companies and factories were established in Taiwan.

But Dadaocheng was still an important place for fabric trading.

So the whole area developed a complete business network: fabric, buttons, lace, zippers, tailoring, and clothing materials.

It was not just one market.

It became a whole textile neighborhood.

In the past, people often came here to choose fabric first, and then took it to a tailor to make clothes.

So buying clothes was very different from today.

You did not simply choose a finished shirt from a shop.

You chose the fabric, the pattern, and sometimes the style first.

Experienced shopkeepers knew a lot about fabric.

They could ask what you wanted to make, look at the material, and suggest something suitable.

Some were also very good at understanding what kind of color or pattern a customer might like.

So selling fabric was not only about selling cloth.

You needed to understand both people and materials.

In the past, sewing was also a much more common skill.

Many girls learned sewing at school or at home.

Making, repairing, and changing clothes was part of everyday life.

In my generation, this is much less common.

Today, many people come here because they enjoy sewing, costume making, crafts, or performance design.

You may also see people buying fabric for theater, dance, cosplay, or traditional performances.

There is also a traditional performing arts center in this same building.

It is called Dadaocheng Theater.

It is on the eighth and ninth floors.

Unfortunately, it is closed on Mondays, so we cannot go inside today.

The theater focuses on traditional Taiwanese performing arts.

One of the most important is Taiwanese opera, or Gua-a-hi.

Taiwanese opera developed in Yilan.

It grew from local songs and small folk performances.

Later, it also borrowed music, costumes, movements, and stories from other kinds of Chinese opera.

So it came from older traditions, but it became a new local form in Taiwan.

If I use a modern comparison, Taiwanese opera was once a little like popular TV drama or K-pop.

Famous performers became real stars.

People followed their favorite actors and songs.

Later, Taiwanese opera also moved from outdoor stages into theaters, radio, movies, and television.

My grandmother loved watching Taiwanese opera on TV.

When I was a child, I often saw her watching it at home.

But Taiwanese opera is not only performed inside a theater.

You can also see outdoor performances.

A temporary stage may be built in front of a temple.

This often happens during religious festivals, a deity’s birthday, or when someone wants to thank a deity.

Another important traditional art is glove puppetry.

The puppets are controlled by hand, like this.

This tradition came from southern China, but it developed many new styles in Taiwan.

One famous modern example is Pili glove puppetry.

Pili turned traditional puppetry into TV series, movies, games, and modern entertainment.

And there is one interesting thing about traditional performances in Taiwan.

Sometimes the most important audience is not the people.

It is the deity.

During a temple festival, people may invite an opera troupe or a puppet troupe to perform for the god.

The performance can be a way to celebrate the deity’s birthday or to say thank you after a wish comes true.

So people do not only give food, incense, or paper offerings to a god.

They can also offer a performance.

So today we started with rice, then temples, tea, dried food, pastries, fabric, music, and traditional theater.

They may seem like many different topics.

But they are all connected by one thing.

Dadaocheng was a trading city beside the river.

And that brings us back to the river.

Dadaocheng became successful because of the Tamsui River.

The river brought people here.

It brought goods here.

And it carried goods away again.

Tea, rice, dried food, medicine, fabric, and many other products moved through this area.

This morning, we have actually been following the history of the river, even when we could not see it.

Without the river, Dadaocheng would have developed very differently.

So now, if the weather is good, it is time to actually see the river.

We can go to Dadaocheng Wharf and ride bicycles along the riverside.

On the way to the wharf, you may also notice a very beautiful old house called the Chen Tianlai Residence.

Chen Tianlai was a very successful tea merchant.

He founded the Jinji Tea Company.

His house was completed in 1924.

It was one of the most impressive merchant houses in Dadaocheng.

The building used expensive materials and beautiful decoration to show the family’s wealth and taste.

Remember what I said earlier?

A building could also be an advertisement.

This house is a very good example.

I hope you can see how the river, trade, temples, food, tea, buildings, and people are all connected.

And I hope this gives you a small window into Taiwan’s history and everyday life.

I hope you enjoy the rest of your trip around Taiwan.

And if you remember only one thing from today, Dadaocheng is a story about migration, trade, religion, and the river.

2025年10月26日 星期日

2025年南法旅行前的學習

一直在想自己什麼時候變成一個大J人,想想自己大學時好像就很會安排TO DO list來規劃自己接下來要怎麼分配時間(雖然都沒有達到),跟朋友出去旅行也喜歡做個小本本,但當時可能資料蒐集能力沒有到很好,也就不會想盡可能地找資料。

可能是第一次到遙遠的美國就是公差,莫名成為小秘書要幫忙(後來想想好像也不用這麼認真,也是有什麼都不做的小秘書類型),當時為了參訪圖書館密集訓練英文口說(但到現在都還是覺得英文口說能力不好QQ)跟蒐集圖書館的資料,還有回國後寫出國報告,所以就養成了出遠門就會找很多資料的習慣。雖說出發點有點像是不得已,但現在回想自己這樣的旅行其實收獲也是蠻多的(之後再把出國報告也整理到部落格)。只是這次是跟高中同學出去,就會有點擔心對方覺得壓力很大之類的。這次會一起去南法,其實就是因為看了離線找真愛,我自己最初有點想要挑戰看看就是放鬆玩,不過同學想體驗的東西蠻多的,後來又買了三天套票跟聽了一系列podcast推薦,也就真的排了很多行程進來。今年的兩次與同學旅行都讓自己回想到底為什麼大學時可以無負擔的和別人出去呢?當時好像真的都可以很無腦很放鬆?現在可能比較在意別人怎麼想,也更不想無意間讓別人不開心,所以顧慮變多了吧~

這次的旅行始於「離線找真愛」,覺得先看過這個真人實境秀再去現場蠻好的,就會一直在現場認出片中場景。訂好機票住宿後花了不少時間在聽介紹法國的podcast,還有用Duolingo學法文(還買了個線上法文課還沒開始上!),以及在Netflix看了車神舒馬克、環法自行車賽、主廚的餐桌法國篇、盲婚試愛法國篇~另外也有嘗試問AI旅行規劃,一開始覺得很厲害很好用,但是後來還是有發現他亂回答的部分...而且真的到法國後,其實主要是參考【逸在旅行】網誌而已~

Podcast推薦

尼斯自助蜜月旅行: 

  • https://moneymate.space/nice-trip/ 
  • https://open.spotify.com/episode/6MTvcGiOTRNi4hsXpiwVr2

摩納哥自助旅行:

  • https://open.spotify.com/episode/6tPo9UhBpg7g7UQ6pYUkX5?si=0FHHoRitR5O5GxDMungSHg&context=spotify%3Aplaylist%3A1i3wyxyPeoZjyodiQcy6iS  
  • https://open.spotify.com/episode/3rUHEQODOm3kxJW8gcS2XS?si=EGjMD_ZhReGS7BMjQi_j-g&context=spotify%3Aplaylist%3A1i3wyxyPeoZjyodiQcy6iS

認識法國文化與生活 (聽了很多個,這三個分享很多元):

  • https://open.spotify.com/show/6Oinc9QzgTXEyZpTRUoqdj  (https://crossing.cw.com.tw/author/1734) 
  • https://open.spotify.com/show/3LJsJeshxD1zgY6V22XNDo
  • https://open.spotify.com/show/5dQXs25cFl6b5lJQoSvivv 

認識藝術家:

  • https://open.spotify.com/show/7xiGFphv7wzif2aRLocUwN
  • https://open.spotify.com/show/5RmPlJpsfmuPmpP73AFodC


摘述podcast聽到的內容如以下,就沒有逐一標示出處(有些可能只反應分享者的個人想法不代表全部都是這樣):

[法國整體]

  • 若使用 eSIM 或歐洲漫遊卡,可確認是否支援 Orange 或 Bouygues Telecom,這兩家在南法覆蓋率較好。
  • 建議帶行動電源(至少 10,000mAh)、三秒膠跟針線
  • 週四與週六容易罷工,罷工遊行有時會升級成砸店
  • 公務員(含警察)行政效率極差
  • 法國看診通常都是給止痛、急診要等超久、多數人有家庭醫生或去藥局拿藥,盡量不要有就醫的機會
  • 許多地方不會裝冷氣,旅館熱水若太多旅客可能會不熱 
  • 不太有打掃習慣,垃圾也會隨便扔(公用垃圾桶沒有回收),認為打掃要由專業的人來(旅館會等離開後才會清潔、餐桌也會等全部吃完才會收),若自己在意整潔要自行維許多公共廁所很臭,可以自備乾洗手與芳香劑(聽起來巴黎很臭,南法的味道應該好很多,而且人比較熱情爽朗)
  • 建議注意飲水的量避免跑廁所,可以兩小時去一次咖啡廳喝咖啡上廁所(法國人習慣走一走就進咖啡廳休息一下),然而不一定所有咖啡廳都有廁所,在有廁所的地方都要去一下(因為有廁所的地方都會排隊,所以不要等到忍不住才去上,還有要準備足夠的零錢在身上隨時上廁所時使用)不太會有人邊走邊吃、不太會讓座、海邊需要防蚊。

[社交與禮儀]

  • https://open.spotify.com/episode/2TT4UO8Q49E9EGXTAKlTwg?si=0O7TvKB8QNWzVgVA4hiYLQ 
  • 很好聊(E人社會且不懂也能講)、很愛眨眼睛,但是要主動出擊,微笑長時間盯著一個人看,對方就會來攀談(可以請對方推薦食物),喜歡聊政治時事哲學(愛抱怨),不喜歡聊明星八卦,避免不熟就聊外貌
  • 會希望叫中文名字,多數尊重外國文化但還是發不出音

[購物]

  • 要101歐元以上才會退稅,建議可以集中在市區買(小鎮可能比較沒有處理過退稅),英文退稅地址可以先準備好到時候給店員看、國籍要注意店員有沒有打錯,錯誤就退不了
  • 市集攤販許多只收現金,要5歐元以上才能刷卡 (八成可以刷卡),Apple Pay/Google Pay 越來越普遍,但不保證每家都支援老城區的東西不要在一開始的地方買、越裡面越便宜
  • 盡可能減少用現金(避免掏錢),在歐洲建議用master 刷退跟匯率都較好、有些地方只能用簽帳信用卡(有多少扣多少的那種  *要打開國外提款功能!)
  • 香水工廠的味道會跟外面的不太一樣(埃茲跟格拉斯都有這個花宮娜香水工廠),也會比較便宜,格拉斯玫瑰很好(香奈兒香水指定) 
  • 推薦伴手禮:香氛、染髮、牙膏、洗髮乳、防曬、維他命、花茶、馬卡龍、巧克力、魚/鵝肝罐頭

[交通]

  • 現場叫計程車容易被騙錢,而且有些故意不能刷卡,可以下載g7 app叫車
  • 公車會有不同營運公司,不一定每條路線都可以刷卡,因此要準備一些零錢在公車上備用
  • 公車英文資訊有限,站牌更新不一定準時、有時會跳站或不公告取消、誤點風險大,受天氣與塞車影響
  • 一定要準備離線地圖,若手機網路開通不了或是被偷至少有離線地圖可以使用,重要的票券也都可以印出或截圖放在電腦備用,每天也可以回旅館就先將手機照片上傳雲端
  • 使用 Google Maps 離線地圖 或 MAPS.ME(免網路定位):可預先下載你要去的區域、Google 翻譯下載法文語包(避免無網時失去翻譯功能)、記下回程公車站名/時刻表截圖、有些偏鄉小站無電子時刻表也沒有 Wi-Fi、開啟「位置分享」功能給旅伴或親人
  • 地鐵上的網路不一定好,因此在車上通常不會滑手機

[飲食文化/用餐注意事項]

  • 紅酒知識 https://open.spotify.com/episode/5dgpL5zbFvOuLG8W3QMLGJ?si=SwnmavasQd6RVJgFujj7aA
  • 乳酪知識 https://open.spotify.com/episode/6ozdNkKsLzVnmVkLlPpmMk?si=-D-0mpzdRxqFqIwo6RUFFw&context=spotify%3Aplaylist%3A1i3wyxyPeoZjyodiQcy6iS
  • 野餐可以吃什麼 https://open.spotify.com/episode/1apJgmZMzgq49l8oJKf2AF?si=CQJNsG9-RtCe5f9hKAzIow&context=spotify%3Ashow%3A5dQXs25cFl6b5lJQoSv
  • 從食物了解歐洲史: https://open.spotify.com/show/0XEWxukTB9jBUt2ZXxPldp
  • 點餐或買東西都不要自己用手去碰東西,跟店員示意要買的東西、由店員拿。
  • 進店裡不能自己找位置坐,要跟服務生確認後再坐。
  • 雙手要放桌上,當地人都是一起喝酒、一起開動,且要看對方的眼睛,自己先喝或先吃很不禮貌。
  • 很重視禮貌,進餐廳和任何商店都要先點頭微笑bonjour(小店進去就要說、大店看到人對眼就說),看完菜單用眼神示意請人過來、不要招手(可能會等很久但就是持續等待),沒有示意就不會有人來(不會主動招待),每個服務生有自己的服務地盤只能找同一位用餐時間長(重點是聊天、不划手機)、出餐慢,店員很有個性,絕對不要催(不要得罪服務生!!),會辯論怎麼做比較正確,也絕對不要殺價不要帶外食、不要一進去就問廁所在哪(點完餐再去廁所),很可能在地下室,儘量自己找。
  • 吧台跟餐桌點飲料的價格不同,吧台買的只能在吧台喝
  • 不會分食,在餐廳裡如果想吃對方的菜建議偷偷進行,或是一人一餐吃一半後再交換。
  • 盡量都是一起點前菜、主菜,店員會照順序上菜(要照順序!不要主菜吃完又點前菜),即使前菜只有一人點,也會等前菜吃完才會一起上主菜。主菜吃完才會再詢問甜點要點什麼,不要一開始一起點。主餐後會詢問要不要吃起司(要付費),起司後才是甜點。
  • 乳酪非常多人推薦!!但一開始不要選味道太重的!有些餐廳的桌上一開始會放盤子,點完菜這個裝飾用的盤子就會被收走,不會用到。
  • 香檳是餐前酒、主菜一定是配紅酒或白酒(紅肉紅酒、白肉/清爽菜色配白酒,建議點當地產的酒最好喝),可麗餅適合配蘋果酒,法國人很會推薦酒、不知道配什麼可以直接問,餐前就會上酒單(不一定會有價格),點白酒通常比較便宜。
  • 法國橄欖油跟咖啡都普通,西班牙橄欖油跟義大利咖啡比較好,可以帶波爾多的、勃根地紅酒送人,如果會買酒,記得帶泡泡紙去包裝,白酒選年代近的(不容易出錯)、2005、10、15、20年產的紅酒都不錯(5年以上較好)。
  • 乳酪或酒都要選上面有AOC的代表有通過政府規範,品質較佳。
  • 紅白酒是紅酒加白酒,好入門。
  • 餐廳和酒吧賣的酒一定比較貴,可以去超市買,四歐就有好酒、八歐以上品質不錯,超市有比較小瓶的酒可以帶去野餐或帶回台灣。
  • 餐廳如果有中午套餐很推薦去吃(要先訂位),通常會把該餐廳的最推薦的菜色組再一起,晚餐會吃比較久且不會有這種套餐(法國人不太吃早餐跟午餐),如果會去吃的話要準備一套比較正式的衣服。午餐時間通常會比晚餐相對快一些,因為午餐多數餐廳提供較簡化的套餐(如三道菜套餐),用餐節奏較為輕鬆且不會過度延長。一般午餐用餐時間約1至1.5小時,餐廳通常 12:00 開始接客,最後點餐時間大約 13:30–14:00。餐節奏較快。而晚餐因氛圍較悠閒、菜色較多或服務節奏較慢,有時 2.5–3 小時才結束。
  • 超市要早點去、很早關,google map的開放時間都不準確,要到了才知道有沒有開,市集多在上午開到13:00左右,週日部分地區市集或商店休息,水龍頭飲用水可直接喝(標示 "Eau Potable")
  • 吃到蔬菜的機會可能不多(常常早餐只喝咖啡、午餐只吃麵包、晚餐才會吃多一點,重點在聊天不是吃的東西),熟食店會有蔬菜能買、或是買沙拉,可自備益生菌、維他命、纖維質的營養補給
  • 法國蜜餞不會加很多糖很可以買(水果即使是新鮮的也常會泡糖水)、鴨胸/油封鴨/核桃/魚醬/魚罐頭/鹹派/羊肉/蜂蜜糖果/焦糖堅果/薯片/煙熏肉/桃子/莓果/無花果/哈密瓜可以吃、血腸不太好吃,可麗餅有鹹有甜、夾的東西不多,麵包便宜好吃,甜點則可能會不習慣、不要一開始就買太多(多人推薦可頌和法國麵包,麵包是法國的生活必需品,每天都買得到、隨便買都好吃,法國麵包要趁新鮮吃,放久了會硬掉,可頌要買原味的)  
  • 法國沒有法式吐司和千層蛋糕
  • 法國的麵包是有法規的,早期會區分某階級只能吃某麵包(而且曾經只有貴族能吃肉) 麵包都是會需要照一個標準流程製作,不那樣做就不能被稱呼為可頌可麗露是用蛋黃做的,原因是他們的蛋白拿去濾酒(怎麼濾的不知道),多出來的蛋黃就拿來做甜點 
  • 麵包不要放在桌上、不要直接咬、要用剝的,有醬的話用麵包沾著吃
  • 八成可以聽懂英文、但五成只會講法文(法國人也害怕講英文XD 覺得自己英文不夠好,但同時也覺得外國人法文不夠好、所以也不會想聽外國人講法文),餐廳不一定有英文菜單、服務員也不一定會英文,就是靠比手畫腳跟手機翻譯餐廳主動給的水可能是瓶裝水(收費),可說:“Un carafe d’eau, s’il vous plaît.”(免費水壺水)
  • 法國愛吃海鮮是因為有錢人都會來海邊度假,度假時就會吃海鮮,也就會讓大家覺得海鮮是高級料理(法國人來台灣聽說也是會先找海鮮吃)
  • 如果沒消費就用廁所,店家可能會拒絕,建議點一杯咖啡或飲品。點 espresso 最便宜(2–3 €),想坐久一點可以點 café crème 或 latte(3.5–5 €)。若想省錢又需要廁所,可以去 大型百貨(如 Galeries Lafayette)或火車站,雖然火車站的廁所常需投幣(0.5–1 €)。

[各種預防小偷或竊盜的作法] 

  • https://open.spotify.com/episode/2cRabQVPeACHJAgDcJaJAv?si=n-IBD5P8QmGlutDPuJl8oA 
  • https://open.spotify.com/episode/7wlpFibOZxohttCeMyp0dA?si=8RaGVnnhSNWd-zS3GTXTkQ&context=spotify%3Aplaylist%3A1i3wyxyPeoZjyodiQcy6iS 
  • 保持警戒狀況隨時看四周與注意手邊的東西,散發出不好惹不好騙的氣場。
  • 一群人圍過來一定有問題,要盡量避開,看到拿地圖問路或問卷都繞路走,一定會打照面的話要臉臭快罵人的樣子。
  • 人多時手放在包包上,手機放包包裡。
  • 飯店大廳、逛街、教堂,容易分散注意力的地方都要小心。
  • 被衝撞和推擠和靠近時都有問題。
  • 法國警察不是很有用,不太會講英文,監視器也常常沒開,碰到扒手就是趕快離開就好、不要起衝突。小警局比較容易報警,會比較快一點。
  • 機場會有很多人穿球鞋側背黑色大書包/穿黑色外套、用包包遮住要偷的東西迅速偷走,會尾隨剛下車的人,趁著剛下車去偷後背包(後背包不要放重要的!)。通常三五人,專門找亞裔,盡量在他們後面再下車。可把後背包壓在背後,不要看手機,盯著他們看。
  • 手機掛繩很重要,避免立刻被拿走(但是還是要用手抓著)。
  • 會有請人幫忙填問卷的、變魔術要人猜,三五成群,或是硬綁手環在手上,要趕快甩掉丟地上離開不要輕易付錢。會在廣場上趁鳥飛過時噴液體在背上,假裝來給衛生紙和幫忙拿包包,不要理他們趕快離開到安全地方再處理。
  • 試穿衣服或跳舞或滑手機都要小心,只要注意力不在東西上就可能被偷 
  • 重要物品一定要放在貼身小包內,不要用後背包,有人會趁著進廁所時將貼身小包的錢補充到比較會使用的零錢包
  • 問路時找老人、帶小孩的人這類行動比較緩慢的,如果是壞人也比較好跑 (歐洲人通常都很友善! )
  • 先熟悉街道位置與不安全的區域,夜間行動避開不熟悉和不安全的路,亮處行動人多可能會碰到小偷、暗處行動人少則可能碰到搶劫,因此避免暗處、盡量2100前回旅館,若晚上行程偏遠,可花費搭 Uber 或計程車  
  • 避免去郊區,法國有移民問題,在郊區連很壯的男人都會被攻擊(Netflix郊區男孩、恨可以了解郊區議題)
  • 公車或電車上,進門即退至內側靠牆站立,不要卡在門口或背對人潮,車站附近若有陌生人搭話、示意幫忙搬行李,務必提高警覺,若遇人推擠或衝突現場,不要湊熱鬧,很可能是扒手轉移視線
  • 單眼相機、自拍棒在觀光熱點再拿出來,穿著不要很明顯地像是觀光客,當地穿著就是簡單素色上衣無大LOGO(深色)或穿簡單襯衫搭配西裝外套、不戴貴重飾品、穿小白鞋與用帆布袋
  • 碰到來兜售送禮或詢問等等的就臉臭假裝聽不懂趕快離開(堅定說 “Non merci”),可考慮立刻進店或餐廳尋求協助,不接陌生人遞來的東西(轉移注意力),在博物館或車站前會有主動來說可以幫忙代買票的也是詐騙
  • 尼斯老城區、火車站、觀光熱點有扒手,請:背包放前面、手機不要外露(放內側口袋),在餐廳室外座位把包包放腳背或椅背內側
  • 貴重物品(如護照、現金、大筆外幣)不放房內明顯處、每天出門時拍照記錄房內貴重物品的位置、進出旅館時不要說出房號,也別在門口高聲講中文、勿將房卡交給陌生人
  • 經過偏僻路段時保持警覺,不戴耳機或低頭滑手機,若在路上看地圖,用一手遮擋+靠牆站,不邊走邊滑,一人查地圖時另一人注意四方不要將現金、卡、護照、手機集中一處(建議每日只帶當天所需)
  • 在手機撥號鍵輸入 *#06# → 記下 IMEI,若手機失竊可報警追蹤,把飯店地址、緊急聯絡方式、護照影本印出紙本攜帶公車站、地鐵站、夜市區 — 建議事先查好路線,不要在人多擁擠處查資料

2018年12月23日 星期日

丹麥奧胡斯圖書館館長Marie Ostergard演講紀錄

這場演講於12月11日舉辦於國家圖書館,當天亦有歐洲參訪團的分享,那部份應該會於網路上公開完整出國報告,故在此僅針對丹麥館長現場分享紀錄。

在演講紀錄之前,先根據網路資料稍微介紹一下此圖書館。

 https://commons.wikimedia.org/wiki/File:DOKK1_library_in_Aarhus,_Denmark_interior_05.jpg
https://commons.wikimedia.org/wiki/File:Dokk1_version_3.jpg 

奧胡斯(Aarhus)是丹麥第二大城,2017年曾被歐盟選為歐洲文化之都,且丹麥最大的大學即座落於此。

Dokk1英文為Dock One,意指其位置處於碼頭,於2015年開幕,建築師是Schmidt Hammer Lassen。

建築物內設有奧胡斯公共圖書館總館、市立公共服務部門、戲院、商家及停車場,整體建物為9萬平方公尺,圖書館面積為1萬7千5百萬平方公尺。其建築設計重視節能與可持續性,設有太陽能板、善用海水降溫並廣用LED燈具,建築材料也採用可回收、對環境友善的材料。

奧胡斯公共圖書館之核心價值為「以市民為主、終身學習與社區、多元性合作與網絡、文化經驗、連結市民科技與知識、彈性與專業組織」,館內有68台電腦、超過1100席座位,且提供會議室、教學室、閱讀室、飲食區、哺乳區、咖啡廳、展覽廳、多媒體區等多元空間。

總館開放時間為週一至週五早上8點到晚上10點,週末早上10點到下午4點。總館館藏35萬件,其中書籍佔22冊,重視數位館藏的建置與提供。組織人員包含78個圖書館館員、42個書架管理人、134個市民服務人員。

奧胡斯公共圖書館每個月舉辦80至100場活動,類型多元,有6成活動乃合作夥伴舉辦,他們與外界有超過百個合作關係。活動包含讓來自不同國家的人認識彼此與交流的「UIC國際遊戲小組(PlayGroup)」、讓爸爸帶著0-3歲孩童互相認識的「爸爸的遊戲小組」、啟發10到12歲與13到16歲兩個階段的哲學啟發課、讓不同國家的人進行語言交換的語言咖啡館,另外也有電子遊戲Fortnite、寶可夢、下棋、西班牙文閱讀、物品修復、編織等社團。2015至2016年間,平均每天入館人數為3600人,並在2016年獲頒IFLA「年度公共圖書館大獎」(Public Library of the Year Award)。

參考資料:
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演講紀錄:
1.由於這個建築物建在一個很少人來的碼頭,他們想著要怎麼讓人來呢?答案就是建立一個圖書館。 
2.館長認為書籍、科技都是用來服務人的工具,隨著媒體變遷,圖書館的願景之設定要跨越時代,故他們不把圖書館的發展重點放在書籍與科技上,而是更加環繞在「人」上。他們認為「公共圖書館」就是讓人來認識不同的人的地方,他們不同於學術圖書館,並無特藏書籍的典藏與研究服務。
3.由於他們的人力成本很昂貴,19個館只有50名人力,故他們把人力用在刀口上,每周館員只需在櫃臺服務6小時,更多的時間花在建立關係。他們的圖書館有些時段便稱為「Open library」,早上8-10點、晚上7-10點櫃臺無人,由讀者自助服務或利用館內空間閱讀、自習。由於丹麥多半都下午4點下班,所以讀者下班後仍能有段時間在館內能看到館員。同時,他們將讀者當成資源,圖書館不僅提供資源給讀者,也讓讀者在此能分享與表演。
4.他們會直接在開放空間舉辦活動,不會在一個特定的活動教室內舉辦。因為這樣才能吸引路過的人參加。館長指出,雖然有讀者認為圖書館應該是安靜的地方、他們需要在安靜的地方自習,但是也有讀者希望圖書館是活潑的地方,所以他們在館內同時提供安靜以及吵雜的空間,讀者可以自行選擇自己想要待的地方。另外,他們的圖書館並不會依照年齡提供不同空間,而是根據興趣、主題區分空間,讓對於這些興趣、主題感興趣的不同年齡層的讀者有機會共聚一堂彼此交流。
5.當然,他們也不是一蹴即成,他們在舊館就開始做測試,讓讀者有時間調整心態並接受新的圖書館是這個樣子的,直到新館蓋成也就累積了10年經驗。而到現在他們還是在入口處是立一個空間用來測試新想法,讀者一進入圖書館看到的不是流通櫃臺,而會是最新活動的測試空間,他們就會漸漸習慣甚至產生期待。
6.奧胡斯圖書館和許多單位形成長期合作夥伴關係,他們有六成活動都由合作單位舉辦,只是舉辦場地在圖書館,每個月他們館有140場活動。
7.館長提到他們在過程中發現延遲決策的好處(Last responsible minutes),以往可能會很早做好所有規劃後爭取經費,但等到執行時才發現當時的規劃都落伍了。所以他們現在採取延遲決策,蒐集到足夠想法後再執行。
8.他們每年都會設定不同的目標、設定指標,例如舉辦50個活動用以推動青少年文學,並蒐集當年的所有資料來衡量績效。(而非用館藏量衡量績效)
9.他們舉辦了許多計畫活動,雖會納入外界的想法,但主要還是根據館方的優先順序與人力成本考量,來決定哪些計畫活動優先執行。他們當年度也會於評估後再申請經費、爭取資源以完成年初還無法安排的活動。當一個計劃結束後,有些成果會直接融入日常的服務環節,有些則會找其他單位來支持計畫或社群的後續營運。他們目前還在有兩個議題在處理,一個是如何加強館藏與計劃的連結性(例如在活動現場辦書展),一個是如何保存這些計畫所產生的知識成果。
10.他們有哪些活動呢?舉例來說:透過互動地板讓兒童體驗「搜尋」的意思(學會如何利用and or這些搜尋策略);透過遊戲設計讓圖書館成為親子友善空間、並讓他們能在此探索而待在圖書館更久(放些復古的東西在館內會吸引人們自動來觀看);讓讀者在圖書館辯論民主議題(館長認為圖書館內本來就有敏感議題的書籍,且正反方意見的書籍都有,故在辯論議題上應該也不要有侷限,但活動辦理應該要平衡雙方觀點,並會避免宗教政治的遊說活動,且較具敏感性的活動會舉辦在較不明顯處避免顯得圖書館強迫讀者接受某些觀點之誤會)。
11.他們積極的向外推廣圖書館、建立更多人脈與連結,走到年輕人會待著的海灘,問他們喜歡什麼、想要什麼,並再把他們帶進圖書館。他們發現館內的讀者只看著館內環境提供意見時,很容易被侷限,一旦讀者身處館外,對於圖書館的想法就會五花八門。他們也會邀請年輕人擔任員工,但只聘用半年,希望透過他們嶄新的眼光發現圖書館缺乏什麼,一旦他們在圖書館待久了就很容易被同化。另外,他們每年會舉辦6次左右的大型party,會吸引到很多人前來。
12.雖然很重視讀者意見,但館長也強調最終的決定權在館方,並非所有讀者的訴求都要達成。而且他們會利用科技去蒐集各種讀者行為資料,像是了解他們來圖書館的習慣以及路線,了解最真實的圖書館利用方式。
13.他們會去了解Non reader,為什麼他們不閱讀?太忙?想用聽的?之前閱讀有不好的經驗?了解這些答案後就能想想圖書館可以做什麼吸引這些人來閱讀。
14.為了總館與分館的知識共享,他們的組織架構是平行於各館的,使所有計劃都能在相同理念下每天執行,進而產生漸進式或大幅度的成長結果。不過,各分館還是會保有服務不同社群而產生的特殊性。
15.總館與分館都具有共同目標,希望能養成民眾的:「語言與閱讀素養、設計思維、資料媒體素養」。館長指出,他們有一份報告發現「朋友、母親及電影」最能啟發孩子對於閱讀的興趣,他們得知此結果後便決定來推動活動讓父親扮演閱讀的重要角色。設計思維指的是,如何辨識讀者需求與真實行為以設計相應服務或產品,他要求所有館員都接受訓練,甚至至他館教授。另外,資料媒體素養在未來是最重要的一件事,許多人並不知道自己每天被媒體影響,也不知道自己蒙受資料安全問題,這是圖書館員該開拓的領域。

2018年10月7日 星期日

【筆記】迎接4.0時代博物館館長論壇

此論壇舉辦於7月26、27日,請了兩天私假去聽,聽完後太忙直到現在才把筆記整理出來,中途曾經想放棄整理...

此論壇邀請了故宮、國美館、九州國立博物館、東京國立博物館、佛羅倫斯烏茲菲美術館、丹佛藝術博物館、舊金山亞洲藝術博物館、芝加哥藝術博物館、韓國國立中央博物館與巴黎布朗利馬博物館的館長來分享。

雖然標題是「迎接4.0時代」但其實感覺大家只是在分享博物館面對新時代的回應,4.0只是個虛名。同步口譯、司儀與點心都非常好。分享內容呢~覺得來自東方的分享都有點小無趣,樣板文章,來自西方的分享則較有趣,最喜歡舊金山亞洲藝術圖書館的分享。以下是簡單的筆記。

[故宮院長 陳其南]

故宮博物院蒐集中國明清文物為皇家博物館,至台灣後性質改變,不再具有冊封朝貢的象徵,站在現代博物館的角度將文物視為人類共同遺產,文明的傳承與保護者的角度看待故宮文物。

現在台灣的博物館跟台灣近代史是疏離的,並未形成博物館共同體。雖然引進國外特展很成功,卻未解答文化身分認同問題。

[國美館 蕭宗煌]

藝術銀行之緣起:

加拿大1972年開始扶植青年藝術家,亞洲地區則以2005年韓國為最先。2013年文化部交辦國美館,於2014正式開始藝術銀行。此為計畫、非常設機構,人力較少、未用美術館經費。

2017年上軌道後開始注重公共性,與企業合作推廣(企業贊助顏料等),由企業如2016年至臺大兒醫與2017年至高雄榮總以藝術改變醫院(藝術家讓老人家一起創作並以畫作布置醫院,使老人家認為醫院是屬於他們的)。

藝術銀行之功能:

--存入/購入作品:具扶植意義,增加知名度、使年輕人有收入。透過公開徵件或專家推薦之管道。具臺灣國籍者不論於國內外皆可參加,參加者以青壯年最多。

--支出/出租作品:促進公共美學。民間公家皆可申請借用藝術品置於公開空間,藝術銀行的人會協助選件。一開始申請件以公家為主,後來民間案例佔74%、高於政府。室內設計公司很喜歡租用當成範例給民眾看,

有人質疑藝術銀行會影響藝術品的市場價格,然而目前買入後並沒有漲價太多,且現在僅供租賃服務不會販售,不會影響市場。但是,國外的藝術銀行是會販售的。

[九州國立博物館 島谷弘幸]

九州簡介:是日本第三大辦公地方(僅次東京、京都),被稱為西邊的朝廷,也是亞洲樞紐,日本閉關時有三個港口位於九州。天滿宮每年會有1200萬人造訪,雖然人口只有七萬,但是很多觀光客來。

九博是新的博物館,足球場大小,現代建築物但能與在地融為一體。博物館由中央與地方政府共同經營,開幕40年前就有與在地居民共同互動,地也是由居民捐給博物館的。

九博做了很多與亞洲交流的展覽,每三年會有一個大規模的展覽,希望能擔任介紹國外美術品給九州人的角色。上次是因為議員推動立法,讓文物必定要歸還給出借國,才能完成與故宮的借展合作。

九博比其他館更早導入X光CT掃描,除了可以以此安全完成文化資產的調查,也可以在保持物品原貌的狀況下,利用掃描得到的數據拿來做研究或複製品。

他們導入了IPM(Intergrated pest management),以前用藥劑防蟲擔心造成環境汙染,故改採用清掃或環境維持來避免孳生蟲與黴菌。他們用了許多志工來做此事,並有開設教育宣導課程。

有鑑於離機場與天滿宮離九博很近、需要服務很多觀光客,九博的展示板與語音導覽都有韓中、日、英版,並會請母語人才協助。

九博希望能讓博物館比教科書有趣且好懂,且在少子化的情況下,更希望能讓小孩子產生興趣並多接觸。他們會舉辦工作坊、文化資產攝影師體驗、將館藏複製品借給學校、舉辦閉館後的館內探險、讓演員扮演歷史人物跟小孩互動。

另外,參觀者未必了解文化財背後的魅力或知識,講太多知識可能反而讓人無法專心觀賞他的美,特別是日本人看到文字就會想全部看完,反而轉移對文物的焦點。因此未來會希望用更活潑的方式展示,讓參觀者單純感受展示品。

藝術要與觀賞人在一起,不是權力者所擁有。AI會取代很多工作,但有部分是只有人的感性能做到的,博物館就是讓大家發現感性的地方。

[東京國立博物館 錢谷真美]

1876年文部省博覽會成為東京國立博物館的基礎,1881年在上野蓋了西式建物、1923年因關東地震拆除,1938年建造現在的館舍,共有6個展區,館藏中有89件國寶、643件重要文化財。每次展出3500件館藏,一年會換展約300次以保護藏品。

日本有四間國立博物館,為獨立行政法人國力文化財機構,位於東京、京都、奈良與九州。2019年的ICOM將在京都舉辦。

東博藉由數位館藏,讓作品被更多人看到、以期進行調查研究,同時也能達到保護文物之作用。同時以體驗方式,讓民眾重新認識東洋文化,例如讓孩童進入親子畫廊與松林圖屏風遊玩、用五感體驗與探究畫作,或是讓人親自從畫家視角出發體驗浮世繪裡的浪花。

[佛羅倫斯烏菲茲美術館 Eike Schmidt]

烏菲茲美術館由原本的烏菲茲市政辦公室、彼提宮、波波里花園組成,烏菲茲市政辦公室建於1560-1580年,收藏了中世紀至現代的珍貴藝術品。彼提宮以其主人銀行家盧卡彼提命名,建於1400年中期。

博物館的光線、玻璃以及過多的觀眾,往往會影響觀賞。且雕像公開展示容易帶來人為或自然的損害。透過數位化呈現可以避免損害、讓觀眾看的更仔細,且不再只能等到閉館後才能把物件拿來研究。不過,實體物件仍然值得現場欣賞,因為不同的觀看視角是數位體驗難以取代的。

烏菲茲美術館用防彈、不會反光且能創造適合文化財的微型氣候之玻璃盒子罩住物品原件,且他們仔細計算了框與作品之間的空間,以使觀眾一入內就能注意到作品。

另外,他們在每周二於不同展廳舉辦五島表驗,使觀眾同時能觀賞靜態與動態的演出。

[丹佛藝術博物館 Christoph Heunrich]

丹佛藝術博物館有超過7萬件館藏,分成非洲、印地安、亞洲、歐洲、美洲、現代與當代、前哥倫布時期、攝影、西班牙殖民時期、織品、西部藝術十組常設展主題。博物館的藏品並非來自皇家貴族,而是廣蒐來自各地的展品。

今年為125周年館慶。博物館之建築物本身為Gio Ponti所設計,本身即藝術品,因應此建築物設立50周年,開始對此建築物的整修與改造產生討論。

他們一共問了三個問題:1.建築原本概念是什麼?為何要保存?是否要沿用?2.現在定義的完美的當代博物館是什麼?如何在未來能持續回應社區需求?3.如何改變原本的建築物以符合現在與未來的需求?

他們想要重新定義這個建築物,而非只把這個當成裝修案。(事實上,重建可能比裝修便宜)

此建築物在建立之際曾因其外表不像神廟引起爭議,並因應當時的犯罪率設立了一個讓人感覺到限制性的大門,營造博物館僅屬於某些人的會員感。另外,當時一年約有60萬名訪客,現在則有100萬名。

現在他們因應人數增加,欲增加電梯,並效仿百貨公司的電梯設計,讓觀眾可以清楚知道到哪層樓可以看到什麼展品。另外也會把空間改造的能符合現在的消防或無障礙法規。

為了彰顯博物館是社區中心,他們也將大門改成更歡迎社群的設計,同時增加了演講廳、教育體驗區,使觀眾可以在此有更多活動。

[舊金山亞洲藝術博物館 許傑]

舊金山亞洲藝術博物館今年開館50周年,有超過18000件館藏,最近將規劃新的展館,設計更好的展覽空間。許傑於2008年出任館長,是首次擔任大型藝術博物館館長的華人。

他的願景為,希望能讓亞洲文化對任何人都產生重要性,與每個人的生活產生關聯。會有這樣的願景是,現在在美國並非如此,從美國的角度來看,亞洲藝術博物館是具有外國風、小眾的博物館,即便亞洲人的人口龐大、在經濟上扮演重要性,但在文化上美國並未真正的看中與融入。

然而事實上,亞洲具有多元概念且是具全球性的,亞洲與世界相互影響。舉例來說,莫內的畫風曾受日本影響、18世紀中法交流等。因此,他推動Asian for all運動,創造更多可接觸到的連結點,讓藏品與學術能更平易近人、使人產生共鳴。他們在上海市博會期間舉辦展覽,趁著大眾產生好奇心時提供他們可信的資訊來源;與一些亞洲弱勢文化團體合作協助其發聲。並且透過「尋找走失的兵馬俑」成功行銷博物館展覽,且將兵馬俑展背後「長生長樂」之主題作為連結眾人的概念。

許傑認為,未必要使用科技才能使民眾參與體驗,博物館要做的並非是刺激感官,而是說出好的故事讓觀眾產生意義、問出新問題、有所啟發、產生情感連結。他希望藉由多層次的說故事方式讓不同人看到不同東西、產生不同啟發。

在問答時間,他又重述了一些概念

1.亞洲的概念並非由地理、人種定義,而是由關聯性定義,那些受到亞洲影響?他希望能打造亞洲的蒙娜麗莎---當大家想到亞洲時自然會想到的藝術作品。

2.所有作品都是當代藝術,一方面是因為作品在創作時對當時時代來講就是當代(只有為了仿古的贗品才不屬於當代),另一方面因為每個當代人都會用當今眼光看待作品、產生新問題。

3.博物館的使命不在於傳授知識,而是讓觀眾透過體驗產生問題與興趣,有興趣的人自然會想盡辦法、找各種資源管道學習。

[芝加哥藝術博物館 James Rondeau]

芝加哥藝術博物館創立於1879年,有30萬件藏品,是美國第二大博物館,希望能蒐集不同時期的最佳文物。

他們一年會換展30次,透過數位科技更加地訴說故事及吸引大眾目光。他們設立了一個「數位經驗部」共有25-30人,專門負責繪圖、多媒體與軟體製作開發。

舉例來說,他們有一個App "Journey maker"讓觀眾可以先選主題、擬定路線後做出客製化地圖,250個物件可以組成20幾萬種參觀路線,且都搭配互動問題。此App為開源軟體,讓其他博物館也可以用。

他們也和airbnb合作,製作梵谷臥室的複製品在網上開放出租,租到的民眾可以來現場體驗梵谷臥室並得到兩張門票,當時因此獲得很高的參觀人次。

[韓國國立中央博物館 裴基同]

面對年輕世代被數位產品吸引的狀況,博物館也須思考數位的功用與意義。數位化讓觀眾可以在家閱讀完資料後再去看展、可以補足現場看展的不足視角、可以遠距離體驗、可以一次看到跨館的物件。

不過,由於預算有限以及從業人員態度保守,數位化的速度很難加速。

[巴黎布朗利碼頭博物館 Blandine Sorbe]

此博物館起初為國王蒐集具異國情調之紀念品而逐步累積成藏品。20世紀眾人開始反思,認為這些物件並不只是代表遙遠區域的文化,而應該被視作等同法國藝術的作品,對於這些物件便從人類學的考察理解轉而為對於藝術的欣賞。在此前提下,此博物館因而建立,且於羅浮宮內亦有一區展示了非西方展品。

他們並未把科技運用當成目標,雖然2006年起有數位化館藏,然而圖像品質不佳且有著作權議題。在3D掃描方面,這樣的技術可能有違創作者本意,創作者可能不希望被藏在裡面的東西被觀眾看到,另外也可能經過3D掃描看到一些不適合所有觀眾的畫面(如小孩的骨骸)。

他提出幾個新世代下出現的問題:1.影像圖像無所不在使大眾對博物館失去好奇心與新鮮感 2.博物館展示的物件事實上證明了以往歐洲對於非洲的剝奪、大眾開始討論博物館館藏的正當性 3.博物館不再是專家能表達意見、民眾也能表達意見。

館長認為,博物館的使命為回顧歷史並面對歷史中的錯誤,然而他們無法重寫歷史,僅能透過博物館的作為來解決問題。他們現在舉辦很多巡迴展、合作展,希望藉此與其他單位建立關係,並讓展品可以回到原本的產地展出,另外他們也希望將藝術原件(非複製品)能帶到郊區,讓更多人重視。同時他們也舉辦很多樣的活動,如屋頂上的開放電影院、花園鬼屋、耳機派對、黑暗中的研討會等,一方面是娛樂性、一方面則也希望藉此保存無形資產。

2015年2月17日 星期二

[書評] 奇石:從城市到荒野的另類紀實 / Strange Stones: Dispatches from East and West

與其說是書評,這比較像是書摘加上一些感悟。畢竟這本書是散文集,每篇有不同的故事。不過通篇可見作者的文筆非常好,故事有趣、人物生動、景物描寫方式優美、論理之處使人信服,看起來非常愉快,也能長不少知識。不過有些地方好像翻譯的不太通順便是。

感悟1: 好的故事不應該是再三重複的故事,因此需要像是人類學家一樣的觀察、探問,用最純真、不帶立場的眼光,才能挖掘出新故事。

2015年2月12日 星期四

[圖書館] 多工資訊行為 multitasking information behaviour

「多工(multitasking)」可以定義為同一時間操作多於兩種任務的表現,也可以定義為來回的「任務轉換(task-shifting)」,或稱之「同時任務(concurrent task)」。(Loukopoulos, Dismukes, & Barshi, 2009)

這樣的行為早在 1927 年,認知科學領域就有人研究,會開始注意是因為邊開車邊做其他事造成危險,還有工作及休閒活動中使用的溝通裝置越來越普及。然而,以往都在實驗室內進行「多工」的研究,將「多工」視為「分心」,結果一面倒的顯示「多工」應該避免。

近年來,因為「多工」越來越常見,且有不同的領域開始關注,促使「多工」出現更多不同的定義方式、研究方法、討論面向,到底「多工行為」是好是壞,也就有更多爭論的空間。
Amanda Spink 等人的文獻回顧將認知科學領域分成五個學科,在此簡單介紹它們在多工的研究重心(Spink, Cole, & Waller, 2008)。

2015年2月10日 星期二

[讀書] 美國的監獄圖書館服務(下) : 服務內容、服務對象、未來發展、結語

監獄圖書館的服務內容

與公共圖書館之同異處

今日,監獄圖書館的模型是公共圖書館,也就是說,即便圖書館實際上服務的是罪犯,但圖書館員應將監獄的環境正常化(normalizing),讓圖書館作為娛樂場所、延伸教室、資訊中心、交換分享意見的地方,並能妥善、有效、正面的回應受刑人的需要。

不過,比起公共圖書館,這裡的館員要負更大的篩選責任,有些書是直接被禁止的,包括格鬥技術、軍火、有機化學、撒旦等以及宣揚暴力或種族仇恨的,近年也開始控制色情刊物。

另外,由於監獄圖書館空間不大,且基於安全考量調整書架高度和長度,以便能方便看到受刑人,館藏規模比起一般圖書館小,監獄圖書館館藏必須依賴館際合作借閱,以便節省經費及取得新的或高度需求之書。過去其他圖書館擔心會有傷害、損失遭竊而不願意借,但這樣的偏見已經隨著越來越多監獄雇用專業圖書館員而降低,但是館員要耗費精力確保館際合作借閱的安全。 (Dixen & Thorson, 2001)

[讀書] 美國的監獄圖書館服務(上) :定義、服務理念、歷史脈絡與背景

上學期圖書資訊學的期末報告我做的是「法律圖書館館員的雙學位教育」,當時在文獻中看到美國的政府部門法律圖書館服務對象包含受刑人,原因是要讓受刑人獲得能協助其打官司的資訊,使一些被冤枉又請不起律師的弱勢可能因為圖書館提供的服務而可能有翻身的餘地。而這學期,同學在介紹書目療法時,也有提到特殊書目療法的對象包含罪犯,因為其政經條件都處於較為弱勢、教育程度也較低,且是被排除在「正常」社會之外的邊緣人,正屬於圖書館要積極參與社會議題時應關懷的對象。

事實上,圖書館在民主社會中的角色是,致力於提供市民終身學習、自我提升、接收資訊的機會,這樣的角色對於監獄來說更為重要。 (Dixen & Thorson, 2001)且監獄圖書館的使用者返回社會中後,也會繼續利用公共圖書館,是一般公共圖書館的潛在使用者。再者,之前有看過挪威令人驚嘆的監獄圖書館,前陣子也有新北市要送書到少觀所的新聞,使我對此議題感興趣,並想要透過文獻回顧來深度了解。

[讀書] 學習與多工行為(下) : 出現原因、展現限制、展現策略、學習成效、結語

多工行為出現的原因

茲將文獻中對於多工行為的原因分成以下五類 :

1. 環境裡多種媒體刺激多工行為出現

在工作環境裡,注意到其他科技產品的存在,會增加多工的動機,因此擁有越多科技產品的人越容易出現多工, (Rosen, Carrier, & Cheever, 2013)性別、種族、社經地位等會影響資訊產品的擁有與使用能力的因素,也就跟著會影響多工出現的頻率。 (Rosen, Carrier, & Cheever, Multitasking madness, 2010)

除了媒體樣式推陳出新,媒體內容的改變也是重要原因。一方面,硬體和軟體的界線越來越不清楚,透過網路就可以做到以往要用不同硬體或安裝軟體才能執行的活動(Subrahmanyam & Šmahel, 2011),另一方面,越來越多原本單一目的媒體展成多目的(ex.手機),讓使用者可以以一個載具同時執行很多功能,都促進了多工行為之展現。 (Rosen, Carrier, & Cheever, 2010)

[讀書] 學習與多工行為(上) : 前言、背景

數位原民與多工行為的出現

2001年,Marc Prensky 提出「數位原民」的概念。由於數位原民一出生就處於充滿科技的環境中,電腦、行動手機、電玩和網路等數位語言是他們的母語。他們的腦袋結構與認知處理過程和以往的人不同,他們很習慣多工、依賴圖像溝通、追求立即滿足和頻繁的獎賞,並且迅速接收訊息、喜歡平行處理、喜歡上網時能隨性取用、喜歡遊戲勝過嚴肅的工作。

1982年後出生的千禧世代(millennial generation),就是數位原民的一代。除了在數位載體使用上的特性,他們的日常生活習慣也因為科技的連結性有所不同。他們很重視社會互動及與朋友、家人、同事的連結性,在讀書和社交活動上都更喜歡團體進行,無法容忍任何拖延,但願意體驗不確定性,且會將尋求個人發展擺第一。 (McMahon & Pospisil, 2005)

[讀書] 社會性標籤用於圖書館資訊組織研究之文獻回顧(下) : 主題標目之對比、適用範圍

上一篇文章中,說明了文獻回顧的動機、範圍,並從文獻回顧中指出社會性標籤對於圖書館的價值。本文將會進一步對比主題標目與社會性標籤,以及說明社會性標籤於圖書館資訊組織的適用範圍。

主題標目(subject heading)與社會性標籤之對比

國會圖書館主題標目(簡稱LCSH)是橫跨所有學科、發展悠久、英文世界中的主流索引語言,有豐富的連結和各種控制,且在圖書館目錄中很好擷取。加上,主題標目和社會性書籤都是針對物件主題內容以幾個詞彙代表,因此成為研究在比較社會性標籤與圖書館資訊組織時會選用的工具。

2015年2月9日 星期一

[讀書] 社會性標籤用於圖書館資訊組織研究之文獻回顧(上) :前言、重視原因

由圖書館員人工進行資訊組織,一向被詬病的是時間、人力成本太高,且帶來的效益不一定值得投入這樣的成本。隨著科技發展,電腦自動化取代了一些資訊組織的勞力,也提升了速度。但是電腦不是人腦,雖然能滿足基本的資訊檢索需要,主觀的資料詮釋或資料間關係的辨識卻難以展現。

然而,科技除了節省重複性的人力成本外,也能降低使用者的參與門檻。web2.0時代蒞臨使網路上資源提供者增加,使人不禁好奇,是否能善用這些人力來協助圖書館進行資訊組織呢?最能讓一般大眾簡單參與的方式或許就是標籤,事實上多數人不會意識到標籤就是一種資訊組織,比起要先熟悉編目規則、分類法後,依據一定流程操作編目軟體,門檻和成本都低上許多。

[書評+影評] Gone girl/ 控制/ 消失的愛人

這個寒假,總算悠悠閒閒的看了好多小說與電影,真是超開心,開心到覺得一輩子當個小米蟲也不錯啊。但其實也知道,忙裡偷閒的日子才甜美。

「控制」是這段日子看的第三部電影。之前兩部要花比較多時間寫,因此就一直擱著,也是想著把書看完後再一起寫,不過還在排圖書館預約中。「控制」則是看完電影立刻上網找書來看,也就成為第一個下筆的對象。(不過,也深深的體會到,圖書館真是不中用啦...看完電影的moment特別想看書,卻還要排隊苦等,還不如直接上網找來的方便也立刻滿足需求。從年輕使用者的角度出發,與其圖書館一直強調實體空間對讀者的重要性,我還是更重視便利性哪~)

2013年10月1日 星期二

[讀書] 圖書館的服務評估

(不好意思沒有標明出處,若有著作權疑慮等問題會撤掉)

一.  顧客服務
    21世紀的使用者要求和以往相比增加了不少,人們會希望有更彈性且方便的開放時間、常常更新的環境,還有更多的服務提供方式和選擇。
    顧客服務是顧客所感受到且會記得的,客戶未來的行為就是顧客服務的嚴峻考驗。可以分成兩種 : 「交易為主」(transaction-based)或「情感為主」(relationship-based)。
    「客戶」意味付錢買產品或服務的人。圖書館做為公共財提供智性價值,是超乎一般金錢價值和成本效益衡量的。不過,如今圖書館需要了解競爭者的語言和技術才能在現存環境中與之抗衡,加以在爭取資金或彰顯圖書館價值上,顧客服務的滿意度也是重要關鍵。何況,讀者往往自命為客戶要求圖書館提供更高品質的設施、資源、服務。

[讀書] 圖書館典範與館員能力、倫理

(不好意思沒有標明出處,若有著作權疑慮等問題會撤掉)

圖書館典範
首度提出圖書資訊學兩種典範的學者為1986年的Dervin and Nilan:系統中心與使用者中心。兩種典範的館員相互批評,如: ALA(2007)批評新潮館員背離圖書館員的基本原則,認為所有資訊都在網路上,不需要書籍;使用者中心館員懶惰又需乏基礎專業知識與價值觀;系統中心館員防禦性強且無關緊要。

[讀書] 書目療法

(不好意思沒有標明出處,若有著作權疑慮等問題會撤掉)

定義 :
1.     醫院及醫療機構圖書館協會引用官方字典的定義:「選擇運用適切的閱讀素材作為於心理醫療和精神病學上治療的輔助;此外,亦可協助人們透過閱讀的方式,解決較為個人的問題。」
2.     Shrodes屏除臨床觀點:「經由讀者個人人格與具想像創作力的文學作品間互動,人們得以自文學作品中獲得情感連結、獲得意識上的舒緩並兼具效用。」

[讀書] 讀者諮詢顧問服務

(不好意思沒有標明出處,若有著作權疑慮等問題會撤掉)

一.  定義
以休閒閱讀讀者為對象的顧客導向圖書館服務。館員協助讀者依據其所需、以客觀的角度,選讀符合、適切、且感興趣的圖書相關資源。評估讀者諮詢顧問服務成功與否並不在於讀者最後是否拿了或讀了建議的書,一本書的風格可能一個讀者喜歡但另一個讀者不這麼認為,這不是寫得好不好的問題,後者可能只是單純不喜歡寫作的風格而已。一個好的讀者諮詢顧問服務應鼓勵讀者對於被建議的書做出回應和反饋,藉此建立一個顧問者和讀者之間持續性的交流,最後讀者能將圖書館視為是他們可以談論書籍並得到符合他們需求的建議和資源的地方